Jesse Tyler Ferguson and Sutton Foster took the stage together. No, they haven't teamed up for a Broadway show, a new television series, or a Modern Family/Bunheads crossover (which would be awesome). But the theater-loving stars came together Tuesday to announce the nominations for the 2013 Tony Awards. (They are the hosts for this year's show, after all, so it only made sense that these two would have the honors of making the big announcement.)
Check out which plays and actors are nominated for Tony Awards for their work on the stage this year.
2013 Tony Awards Nominations:
Best Play:The Assembled PartyLucky GuyThe Testament of MaryVanya and Sonia and Masha and Spike
Best Musical:Bring It On: The MusicalKinky BootsMatilda The MusicalA Christmas Story, The Musical
Best Book of a Musical:A Christmas Story, The MusicalKinky BootsMatilda The MusicalRodgers + Hammerstein's Cinderella
Best Revival of a Play:Golden BoyOrphans The Trip to BountifulWho's Afraid of Virginia Woolf?
Best Revival of a Musical: AnnieThe Mystery of Edwin DroodPippinRodgers + Hammerstein's Cinderella
Best Performance by an Actress in a Leading Role in a Play: Laurie Metcalf, The Other PlaceAmy Morton, Who's Afraid of Virginia Woolf?Kristine Nielsen, Vanya and Sonia and Masha and SpikeHolland Taylor, AnnCicely Tyson, The Trip to Bountiful
Best Performance by an Actor in a Leading Role in a Play: Tom Hanks, Lucky GuyNathan Lane, The NanceTracy Letts, Who's Afraid of Virginia Woolf?David Hyde Pierce, Vanya and Sonia and Masha and SpikeTom Sturridge, Orphans
Best Original Score (Music and/or Lyrics) Written for the Theatre: A Christmas Story, The Musical Music and Lyrics: Benj Pasek and Justin Paul Hands on a Hardbody Music: Trey Anastasio and Amanda Green Lyrics: Amanda Green Kinky Boots Music & Lyrics: Cyndi Lauper Matilda The Musical Music & Lyrics: Tim Minchin
Best Performance by an Actress in a Leading Role in a Musical: Stephanie J. Block, The Mystery of Edwin Drood Carolee Carmello, Scandalous Valisia LeKae, Motown The Musical Patina Miller, Pippin Laura Osnes, Rodgers + Hammerstein’s Cinderella
Best Performance by an Actor in a Leading Role in a Musical: Bertie Carvel, Matilda The Musical Santino Fontana, Rodgers + Hammerstein’s Cinderella Rob McClure, Chaplin Billy Porter, Kinky Boots Stark Sands, Kinky Boots
Best Performance by an Actress in a Featured Role in a Play: Carrie Coon, Who’s Afraid of Virginia Woolf? Shalita Grant, Vanya and Sonia and Masha and Spike Judith Ivey, The Heiress Judith Light, The Assembled Parties Condola Rashad, The Trip to Bountiful
Best Performance by an Actor in a Featured Role in a Play:Danny Burstein, Golden Boy Richard Kind, The Big Knife Billy Magnussen, Vanya and Sonia and Masha and Spike Tony Shalhoub, Golden Boy Courtney B. Vance, Lucky Guy
Best Performance by an Actress in a Featured Role in a Musical:Annaleigh Ashford, Kinky Boots Victoria Clark, Rodgers + Hammerstein’s Cinderella Andrea Martin, Pippin Keala Settle, Hands on a Hardbody
Best Performance by an Actor in a Featured Role in a Musical:Charl Brown, Motown The Musical Keith Carradine, Hands on a Hardbody Will Chase, The Mystery of Edwin Drood Gabriel Ebert, Matilda The Musical Terrence Mann, Pippin
Best Costume Design of a Play: Soutra Gilmour, Cyrano de Bergerac Ann Roth, The Nance Albert Wolsky, The Heiress Catherine Zuber, Golden Boy
Best Costume Design of a Musical: Gregg Barnes, Kinky Boots Rob Howell, Matilda The Musical Dominique Lemieux, Pippin William Ivey Long, Rodgers + Hammerstein’s Cinderella
Best Direction of a Play:Pam MacKinnon, Who’s Afraid of Virginia Woolf? Nicholas Martin, Vanya and Sonia and Masha and Spike Bartlett Sher, Golden Boy George C. Wolfe, Lucky Guy
Best Direction of a Musical:Scott Ellis, The Mystery of Edwin Drood Jerry Mitchell, Kinky Boots Diane Paulus, Pippin Matthew Warchus, Matilda The Musical
Best Choreography:Andy Blankenbuehler, Bring It On: The Musical Peter Darling, Matilda The Musical Jerry Mitchell, Kinky Boots Chet Walker, Pippin
Best Orchestrations:Chris Nightingale, Matilda The Musical Stephen Oremus, Kinky Boots Ethan Popp & Bryan Crook, Motown The Musical Danny Troob, Rodgers + Hammerstein’s Cinderella
Best Scenic Design of a Play:John Lee Beatty, The Nance Santo Loquasto, The Assembled Parties David Rockwell, Lucky Guy Michael Yeargan, Golden Boy
Best Scenic Design of a Musical:Rob Howell, Matilda The Musical Anna Louizos, The Mystery of Edwin Drood Scott Pask, Pippin David Rockwell, Kinky Boots
Best Lighting Design of a Play: Jules Fisher & Peggy Eisenhauer, Lucky Guy Donald Holder, Golden Boy Jennifer Tipton, The Testament of Mary Japhy Weideman, The Nance
Best Lighting Design of a Musical:Kenneth Posner, Kinky Boots Kenneth Posner, Pippin Kenneth Posner, Rodgers + Hammerstein’s Cinderella Hugh Vanstone, Matilda The Musical
Best Sound Design of a Play:John Gromada, The Trip to Bountiful Mel Mercier, The Testament of Mary Leon Rothenberg, The Nance Peter John Still and Marc Salzberg, Golden Boy
Best Sound Design of a Musical:Jonathan Deans & Garth Helm, Pippin Peter Hylenski, Motown The Musical John Shivers, Kinky Boots Nevin Steinberg, Rodgers + Hammerstein’s Cinderella
Special Tony Award for Lifetime Achievement in the Theatre:Bernard GerstenPaul LibinMing Cho Lee
Regional Theatre Award:Huntington Theatre Company, Boston, MA
Isabelle Stevenson Award:Larry Kramer
Tony Honors for Excellence in the Theatre:Career Trainsition For DancersWilliam CraverPeter LawrenceThe Lost ColonyThe four actresses who created the title role of Matilda The Musical on Broadway: Sophia Gennusa, Oona Laurence, Bailey Ryon, and Milly Shapiro
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Enigmatic and deliberate Tinker Tailor Soldier Spy makes no reservations while unraveling its heady spy story for better or worse. The film based on the bestselling novel by John Le Carre is purposefully perplexing effectively mirroring the central character George Smiley's (Gary Oldman) own mind-bending investigation of the British MI6's mole problem. But the slow burn pacing clinical shooting style and air of intrigue only go so far—Tinker Tailor Soldier Spy sports an incredible cast that can't dramatically translate the movie's impenetrable narrative. Almost from the get go the movie collapses under its own weight.
After a botched mission in Hungary that saw his colleague Jim (Mark Strong) gunned down in the streets Smiley and his boss Control (John Hurt) are released from the "Circus" (codename for England's Secret Intelligence Service). But soon after Smiley is brought back on board as an impartial observer tasked to uncover the possible infiltration of the organization. The former agent already dealing with the crippling of his own marriage attempts to sift through the history and current goings on of the Circus narrowing his hunt down to four colleagues: Percy aka "Tinker" (Toby Jones) Bill aka "Tailor" (Colin Firth) Roy aka "Soldier" (Ciaran Hinds) and Toy aka "Poor Man" (David Dencik). Working with Peter (Benedict Cumberbatch) a conflicted younger member of the service and Ricki (Tom Hardy) a rogue agent who has information of his own Smiley slowly uncovers the muddled truth—occasionally breaking in to his own work place and crossing his own friends to do so.
Describing Tinker Tailor Soldier Spy as dense doesn't seem complicated enough. The first hour of the monster mystery moves at a sloth's pace trickling out information like the tedious drips of a leaky faucet. The talent on display is undeniable but the characters Smiley included are so cold that a connection can never be made. TTSS sporadically jumps around from past to present timelines without any indication: a tactic that proves especially confusing when scenes play out in reoccurring locations. It's not until halfway through that the movie decides to kick into high gear Smiley's search for a culprit finally becoming clear enough to thrill. A film that takes its time is one thing but Tinker Tailor Soldier Spy does so without any edge or hook.
What the movie lacks in coherency it makes up for in style and thespian gravitas. Director Tomas Alfredson has assembled some of the finest British performers working today and they turn the script's inaccessible spy jargon into poetry. Firth stands out as the group's suave slimeball a departure from his usual nice guy roles. Hardy assures us he's the next big thing once again as the agency's resident moppet a lover who breaks down after a romantic fling uncovers horrifying truth. Oldman is given the most difficult task of the bunch turning the reserved contemplative Smiley into a real human. He half succeeds—his observational slant in the beginning feels like an extension of the movie's bigger problems but once gets going in the second half of the film he's quite a bit of fun.
Alfredson constructs Tinker Tailor Soldier Spy like a cinematic architect each frame dripping with perfectly kitschy '70s production design and camera angles that make the spine tingle. He creates paranoia through framing similar to the Coppola's terrifying The Conversation but unlike that film TTSS doesn't have the characters or story to match. The movie strives to withhold information and succeeds—too much so. Tinker Tailor Soldier Spy wants us to solve a mystery with George Smiley but it never clues us in to exactly why we should want to.