If you thought the Viking Age was uninteresting in that old history textbook Pathfinder does it one better by actually upping the boring ante. In fact even ye Old World buffs out there will be disoriented. It’s set “600 years before Columbus ” when “people had to guard America’s shores from marauders.” One of those most noble guardsmen was Ghost (Karl Urban). Native Americans happened upon him as a young orphan boy and decided to raise him as one of their own--even though he was never truly accepted due to his unknown ancestry. Fifteen years pass and Ghost once a frail child has blossomed into a beast-sized man capable of warding off almost anyone. His size and skill set come in handy when Norse invaders look to raise hell in his village. Armed with horses swords and thorny helmets they kill and maim everyone in sight and mostly get away with it. That is until they mess with the object of Ghost’s affection Starfire (Moon Bloodgood) thereby seriously messing with Ghost. You don’t put Ghost in a corner! Beefcake actors are apparently a dime a dozen these days and Pathfinder lead Urban does nothing to separate himself from the supporting actors of his own movie let alone from the aforementioned Hollywood stereotype. Looking like a runway model on steroids the Lord of the Rings and Bourne Ultimatum star only stands out aesthetically here and is in danger of being pigeonholed and typecast for a long time to come. Unless he can somehow show a different side Urban will wind up on a long list with the likes of wrestlers-turned-actors who can’t act. Thing is in Pathfinder he can’t even manage the uber-virility his character is meant to project. Bloodgood (Eight Below) meanwhile owner of the best non-porn name in showbiz holds her own and softens things up in a movie otherwise completely dominated by males. And finally there's veteran Native American actor Russell Means (Natural Born Killers) who as the Pathfinder himself at least lends some desperately needed credibility. Looking up a director’s name and past work isn’t a fair way to pre-judge his or her movie but it may sometimes hint at what you’re in for. Take Pathfinder for example: Director Marcus Nispel's past work includes Texas Chainsaw Massacre and music videos. Massacre was terrible and music videos are stylized; thus we arrive upon Pathfinder which is terrible and stylized. When parents complain about violence in the movies this should be their focal point. Nispel like other offenders is unable to ever refrain and beheadings and such in all their slow-motion glory resemble fun video games. Not that his lack of morality makes Pathfinder the crap it is however. That blame rests on his apparent decision that such violence is all moviegoers want to see. And it is perhaps the sheer lack of a story that accentuates how mediocre the violent scenes really are--scenes that are meant to leave us agape in amazement as if we’ve never seen a loose eyeball on the screen before. On a (lone) positive note though the set design seems up-to-snuff.
In adapting a rather flimsy children’s book into a full-fledged feature film one has to take some liberties. We first meet the lovable little monkey in the wild where his curious habits wreck havoc. Meanwhile in the big city Ted (voiced by Will Ferrell)--aka The Man with the Yellow Hat--is a highly enthusiastic guide at the soon-to-be-closed Bloomsberry Museum. In order to save the museum (here’s where they pad it) he is sent on a mission to Africa to retrieve a lost shrine. But when he gets there the only thing he finds is a miniature version of it--and George of course. The lonely monkey decides to follow Ted all the way back to the city where his mischievous tendencies get him into even more trouble. George nearly ruins everything for Ted but somehow the little feller eventually grows on him. How could he not? If I can borrow a line from Madagascar little George is so cute I just like to dunk him in my coffee. When you’re reading Curious George out loud to your kids you don’t get the impression The Man with the Yellow Hat is a good-natured but geeky fellow gangly clumsy and clueless about women. Thank goodness the film has Will Ferrell to clear it up for us! You basically know what you’re in for once you recognize his voice and his natural comic timing shines through lending for some funnier moments (“OK I’m looking directly into the sun. Staring right at it. I’ve got to be honest with you it stings…”). The other voices in the film also do a fine job including Drew Barrymore as a schoolteacher who has a crush on Ted; Eugene Levy as the mad museum scientist; Dick Van Dyke as the museum’s old-time curator; and David Cross as his weasly greedy son. Based on the books and illustrations by Margret and H.A. Rey Curious George embraces the essence of the timeless stories created 65 years ago. The film apparently took awhile to find its voice. Producer Ron Howard originally conceived it as live-action film but quickly realized they could never get a real monkey as cute and fuzzy as George. Then CGI was considered but ultimately the filmmakers kept returning to the source: the late H.A. Rey’s original painstakingly beautiful illustrations. Thankfully they stuck with that idea. Curious George is lush and vibrant with all of Rey’s best efforts fully realized in Technicolor. And much like what the Piglet’s Big Movie did with Carly Simon and The Wild Thornberrys with Paul Simon Curious George is also sprinkled with original songs by hot pop singer Jack Johnson to give it a modern feel. So what if the story gets a little overblown in parts it will still introduce one of literature’s most enduring icons to the young-un’s--while allowing the adults to reminisce.
Scooby and the gang at Mystery Inc.--Fred (Freddie Prinze Jr.) Daphne (Sarah Michelle Gellar) Velma (Linda Cardellini) and Shaggy (Matthew Lillard)--are at the top of their game and just about everyone in Coolsville loves them. Even the Coolsonian Museum is honoring them with an exhibit--a costumed display of Mystery Inc.'s former foes such as The Pterodactyl Ghost The Black Knight Ghost and The 10 000 Volt Ghost. Yet at the museum's gala opening the team's stellar reputation is put in serious jeopardy when said monsters come alive re-created by a masked villain who vows to bring Mystery Inc. down. Under pressure from relentless reporter Heather Jasper-Howe (Alicia Silverstone) the gang launches an investigation into the monster outbreak but as the mystery deepens Mystery Inc.'s members end up questioning their roles within the organization. Can macho leader Fred and image-conscious Daphne look past the superficial and find the identity of the Evil Masked Figure? Will brainy Velma let her feelings for Coolsonian Museum curator Patrick Wisely (Seth Green) blossom even though he is a key suspect? And finally can Shaggy and Scooby stop cowering--and eating--long enough to prove they can be detectives? These are tough times for the gang but they've got to pull it together so they can solve the mystery and save the day.
Even though it seems a little ridiculous that Scooby-Doo 2's fleshed-out cartoon characters would try to dig deep to find answers within the returning actors continue to have fun exploring their alter-Scooby-egos. Prinze's Fred has a hipper haircut this time (the original matted blond 'do had to go) and isn't quite the braggart he once was. He is still unquestionably the "face" of the group until he is made to look foolish by the ruthless Heather played with relish by Silverstone who shines in the bad-girl role. Gellar has definitely dropped Daphne's "damsel-in-distress" routine getting all Buffy on the monsters but is still worried that its her looks not her skills that get her attention. Cardellini's Velma on the other hand gets a love interest--and even all dolled up at one point--but can't get rid of her inherent geekiness. It's Shaggy and Scooby who experience the biggest revelation realizing they really are nothing but giant screw-ups. Lillard actually turns in some (and I can't believe I'm actually saying this) poignant moments as Shag grapples with his inequities. They all realize in the end though that for the good of Mystery Inc. it's best to be true to yourself. Thank god.
Director Raja Gosnell goes full throttle in his second Scooby effort with more action and more elaborate theme-parky sets than the original. Even as the characters pause to reflect on their faults these moments are thankfully short-lived before the gang is thrust into another wild chase or fight sequence keeping the kiddies' minds occupied--and allowing the adult fans to laugh at all the monsters they remember from the TV show. One of the criticisms from the first Scooby-Doo was that it didn't provide enough "inside" jokes for the grown-up enthusiasts (and face it there are probably more of them than kids). But Scooby-Doo 2 harkens back to the good old days and even pokes fun at all those criminals whose evil plans and ghost disguises were foiled by the meddlesome quintet. They all gather at their own watering hole called the Faux Ghost where they can throw darts at pictures of the Mystery Inc. gang. Funny stuff. Overall the sequel provides the same madcap fun the original did without requiring the use of too much brainpower.