‘Twas the night before Christmas and all...hell is about to break loose! It starts when a snowstorm grounds all planes at Chicago’s fictional Hoover International Airport. Nobody’s happy to be potentially spending Xmas at an airport but least of all are the Davenport siblings Spencer (Dyllan Christopher) and his little sis Katherine (Dominique Saldana) as well as airport security boss Oliver (Lewis Black). The two kids are escorted to the airport’s “Unaccompanied Minors Lounge ” where kids run wild and terrorize pushover Zach Van Bourke (Wilmer Valderrama) who acts as chief airport babysitter. One look at the madness is all it takes for Spencer and Katherine to bust out along with fellow kiddie anarchists Charlie (Tyler James Williams) Timothy (Brett Kelly) Donna (Quinn Shephard) and Grace (Gina Mantegna). They embark on a pratfall-heavy game of cat and mouse with Oliver who is the Grinch to their collective Santa Clause as they try and salvage Christmas--and their families. Unaccompanied Minors makes some odd but admirable choices when it comes to the cast with virtually every single actor attempting a “Frat Pack” mutiny--Daily Show mainstay Black is joined by “correspondent” Rob Corddry as the Davenports’ Hummer-hating dad not to mention parts from The Office’s B.J. Novak and Mindy Kaling Arrested Development’s Tony Hale and Jessica Walter SNL’s Rob Riggle and Kristen Wiig Paget Brewster David Koechner and a rare Kids in the friggin’ Hall (Kevin McDonald Bruce McCulloch and Mark McKinney) sighting. But the “Who’s that?” cameos aside the screen time is hogged by Black Valderrama and the children. Black the notoriously vulgar curmudgeon of a comedian shows great range and skill by dulling his shtick down but not so much that the kids watching won’t crack up while Valderrama’s performance is the same as his role--that of a bumbling easily overmatched lackey. With all the proverbial child actors in the mix it can seem a little Star Search-y but Williams (Everybody Hates Chris) steals most scenes with his amazing overall talent while Mantegna (Joe’s daughter) fares well too. Kelly (the bullied kid in Bad Santa) is exploited for his physicality and Christopher will likely go on to be a great actor even if he seems too seasoned at such a young age. The reason for the off-the-beaten-path cast is simple: director Paul Feig. The occasional actor has in the past directed episodes of The Office and the late Arrested Development Undeclared and Freaks and Geeks. It also might explain why he fell for a script--by Jacob Meszaros and Mya Stark--that takes a few stabs at grown-up comedy (i.e. Corddry’s character has a car that runs on vegetable oil). Such jokes will be lost on the exclusively preadolescent audience but almost all else will reel them in. Feig also seems adept at making the oft-unfunny (physical pratfalls) somewhat funny and he does so with little mention of bodily functions. Of course he stays true to the formula but all kid flicks are the ultimate exercises in contrivance--Feig just chooses to treat the viewers like kids instead of idiots.
On the surface Stay seems to be a straightforward psychological drama about a psychiatrist Sam Foster (Ewan McGregor) who is trying to keep a mysterious patient Henry (Ryan Gosling) from killing himself. But the deeper we get into it the decidedly weirder it gets. And not necessarily in a good way. Sam and Henry seemed to be inexplicably connected. While his girlfriend and former patient Lila (Naomi Watts) looks haplessly on Sam’s lightly held grip on the rational world begins to melt away. He can no longer figure out what is true and what is happening only in his head--all climaxing in a titular confrontation between life and death. Twilight Zone’s Rod Serling would have loved this one. Although he was surprisingly good as the romantic lead in The Notebook the usually somber Gosling is best known for playing quiet psychotics in such films as The United States of Leland and Murder By Numbers. In Stay he’s back to his old tricks as the suicidal Henry. Pale with mournful eyes and a perpetual cigarette in his mouth Henry is certainly a tortured soul looking for some relief. On the flip side Watts brightens the otherwise dismal surroundings as Lila but there’s also a tinge of sadness about her. The only weak link is McGregor. He can’t quite pull off playing the dedicated psychiatrist slowly losing his mind--but the Scottish actor sure has mastered the American accent (ditto for the Australian Watts). Director Marc Forster (Monsters Ball Finding Neverland) seems a bit out of his league with this jumbled-up hard-to-understand psychological fare. Granted the visuals are arresting. Forster strives to create a world which at first seems real but then little by little turns into a wildly shifting dreamscape in which scenes blend into one another seamlessly. The real problem here is the script by David Benioff (25th Hour). It tries to say “Look how clever!” by throwing you for loop after loop--except the loops don’t make much sense. You eventually stop saying “What the hell?” and start to get a pretty good idea how Stay is going to end up. And when the final twist is handed down it’s surprisingly not all that disappointing.