Charlie (Michael Douglas) has been a mess for quite a while. A jazz musician who has battled schizophrenia and manic depression for years has spent the last couple living in a mental hospital. His 16-year-old daughter Miranda (Evan Rachel Wood) has been living on her own in the family home (mom is long gone) having quit school and gone to work at McDonald’s to make ends meet. When Charlie is released and comes home the pair begins to tentatively rebuild their relationship. The good news is that Charlie is taking his meds and handling the real world reasonably well; the bad is that he’s developed an obsession with a legendary cache of Spanish gold doubloons reportedly buried near their dusty California home. When Charlie begins to convince Miranda that he really isn’t crazy--at least when it comes to the treasure--together they begin a Don Quixote-like journey that cements their fractured relationship back together. Forget Michael Douglas as Gordon Gekko the ultra-smooth Wall Street guy or as dashing Jack Colton of Romancing the Stone fame. These days Douglas now 62 has said he needs a really good reason to leave his family so this role where he can play a scraggly bearded wild-eyed edge-of-nuts guy is just the ticket. Douglas gives one of his best performances ever as Charlie striking just the right balance of intellect insanity and inherent love for his no-longer-little girl. Plus the man whose on-screen persona has often been all about male vanity is anything but that in King of California. He’s a scrawny whippet of a guy rather than a hunky leading man and it’s a transformation that just may get him another Academy Award nomination. Meanwhile 20-year-old Evan Rachel Wood proves that she really is an acting force to be reckoned with giving a gently nuanced performance as a girl who has had to grow up way too soon yet still completely loves the father who has struggled to care for her as he struggles with his personal demons. First-time writer/director Mike Cahill has done a first-rate job of bringing this quirky funny and slightly poignant story to the screen. Perhaps the reason he’s been so successful is in the company he keeps. A film-school friend of Oscar-winner Alexander Payne (Sideways About Schmidt) Cahill enlisted his producing help for his film along with Payne’s Sideways partner Michael London. King of California bears Cahill’s own stamp however--a combination of terrific visuals that often make wry satiric statements deftly melded with an assortment of memorable characters and situations. Perhaps his biggest strength is in the casting of the film in his choice of the two talented actors who bring a believability and sense of real family ties to their roles. With King of California Cahill begins what looks to be a long and beautiful friendship with moviegoers who love to be transported to interesting and funny places.
Randolph Smiley (Robin Williams) is on top of his game--he's the eponymous star of the highest rated kid's TV show Rainbow Randolph has his own Times Square billboard and makes lots of money. Until that is he gets caught taking bribes from stage parents. Suddenly he becomes the social pariah of the millennium and of course gets canned. Losing Rainbow Randolph however leaves the network in a bind. Now they have to find a squeaky-clean replacement pronto. Enter Sheldon Mopes (Edward Norton) and his alter-ego Smoochy an abnormally large fuschia rhino who sings children's songs about kicking drug habits and stepdads who aren't mean but simply adjusting. With his naivete unwavering ethics and unflagging ambition to make the world a better place he becomes the new number one show. Sheldon soon learns however how cutthroat children's entertainment can be as the powers that be try to corrupt his ideals. Meanwhile a homeless Randolph makes it his number-one priority to destroy the bastard who stole his life. Who's going to get Smoochy first the corrupt businessmen or crazy Rainbow Randy? Stay tuned...
When you hear the Smoochy cast list--Williams Danny DeVito Jon Stewart Catherine Keener--you automatically think mondo laughs. Added to the list is Norton who may not be known for his comedic talents but certainly adds credibility to the movie especially given that he rarely picks bad scripts. Luckily no one disappoints. Norton plays the straight guy with aplomb and shines brilliantly when singing his sappy yet lesson-filled songs. Keener whom we haven't seen since her Oscar-nominated turn in Being John Malkovich is also a standout as the jaded development VP who falls for Sheldon's sweet manner. She has an uncanny way of delivering lines that bite to the bone. And then there's Williams--as always he has extraordinary moments of sheer hilarity in the film. This isn't one of those films where the comedian has to attempt to act or simply be reined in by the director (as some have done) to give a good performance. Director DeVito (who also plays the greedy agent) is wise enough to simply turn the camera on the comedian and let him go. Just wish we could have seen more of him.
Ever wonder what it would be like to kill Barney? We're betting DeVito thought about it quite often--and things never turn out good for that purple dinosaur. The premise of Smoochy is one of the funnier ones in recent memory and seems to follow the dark comedic path DeVito has chosen in his other directorial efforts including War of the Roses and Throw Momma From the Train. Unfortunately Smoochy doesn't quite hold up to its hype (or its trailers) because basically it focuses on the wrong character. It's got some great moments granted especially when Smoochy is on his show. But instead of being about Randy's obsession to do away with his replacement the film chooses to follow Mopes and deal with the dirty business of making a kid's show which appears to involve the Mob (whatever). Smoochy would have been a lot funnier if Randolph could have finally succeeded in his quest instead of getting all sappy.