Community, angry voicemails and showrunner drama aside, we're oh-so-happy that you're coming back next year. But even if you weren't, ending your season finale with a satisfying montage and a loving nod to your fans -- #SixSeasonsAndAMovie -- was a classy move. Thank you for proving to a small (but dedicated) portion of this world that great comedy doesn't always have to be before its time (Arrested Development), and thank you for creating a show where an 8-bit Gus Fring is possible. From alternate timelines to Dick Wolf-inspired courtrooms, this season has been a joy to watch -- and it's been an honor fighting the good fight with you.
Truly, the last two minutes of "Introduction to Finality" -- the third segment of last night's Community triple feature -- could have gone either way. If the show had been cancelled, fans would have been satisfied with their favorite characters' fates: Shirley and Pierce would run their sandwich shop together, Jeff would finally search for his father, Troy would live happily with Annie and Abed as the "messiah" of air conditioning repair school, and Chang would continue to mess with the study group from afar -- well, from as far as City College. Oh, and Starburns would be there too, as we saw him poring over a book called The Science of Death-Faking. We'd be happy to know that somewhere, somehow, things were still absolutely banana-pants over at Greendale -- where Britta would still be Britta'ing things up. Luckily, things didn't quite turn out that way, and instead we have some major seeds planted for future action in season four.
Since an hour and a half of oddball action is difficult to discuss in detail, let's just stick to the basics: Episode one, "Digital Estate Planning," diverted from the expelled Greendale Seven plotline to take us on one final grand adventure -- in an 8-bit, side-scrolling-adventure-slash-RPG game. See, back in 1979, Pierce insisted to his domineering jackass father that video games were the future. Since the crotchety moist towelette man disagreed, he created a game (from that era) that could possibly serve as his son's downfall. The rules of the game were simple, Hawthrone explained, even if its gameplay was not: Pierce and seven of his cabal of "freaks, junkies, and sluts" ("Her name is Britta!") would enter Mr. Hawthorne's imagined universe as avatars, and the one who first made it to Hawthorne Castle (going through Gay Island and the Black Cave, natch) would nab Pierce's inheritance.
Of course, none of Pierce's friends would actually steal his inheritance. But since Levar Burton was busy that day, the role of the seventh friend was assumed by the nefarious Gilbert Lawson -- known to most as the half-faced Gus Fring (Giancarlo Esposito) from Breaking Bad, and eventually revealed to be Pierce's long-hidden half-brother. The game was hilarious and compelling, and it had our favorite characters doing what we love best: Sitting around and talking with each other, just in a much more ridiculous setting. And guess what? In a pinch, they can always count on Britta to mess up making potions in the best possible way.
Yes, this episode was a stand alone budget-stretcher that didn't quite fit in with the next two installments, and it was the exactly the kind of "f--k you" episode that Harmon regularly airs in spite of the fact that it alienates new viewers. I loved it regardless, and in the midst of all the distracting 8-bit action, there was substantial evidence brewing that Pierce was re-emerging as a valued member of the study group -- he even showed some empathy by letting Gilbert take the prize. The gang has had their differences throughout the year, but when a member of the group is threatened like Abed was last week, they always come together to fight for the good of the Greendale Seven. And if Abed meets a recently-orphaned milkmaid named Hilda whose dialogue options are all pre-programmed to eliminate any element of surprise -- well, then, all the better. "Die, racism!"
Next up was "The First Chang Dynasty," the episode that finally answered the question: Where the eff is the Dean? (In the central air room, under the cafeteria, shirtless.) But more importantly, it finally gave the Greendale Seven the chance to re-take their former school, in an elaborate Jeff-created heist that put Ocean's Eleven to shame. Of course, "Benjamin Franklin" Chang took on the Andy Garcia role, while the halls of Greendale represented Las Vegas' Bellagio. Same thing. What I loved most about this episode was not a shirtless Joel McHale in goth attire, or even the mention of a photo booth with props: It was the fun of seeing our gang take Greendale by storm for the third year in a row, without using the same paintball gimmick. Bravo to Harmon and co. for creating a great tradition and making it even stronger, and Brava to Britta Perry for having the ability to seduce a pre-teen boy in ten seconds.
With Dean and the Seven out of the way, Chang was ruling over Greendale with the same kind of care and compassion you see from King Joffrey over on Game of Thrones. As Britta put it, "It's just like Stalin back in Russia times." To cap off his ultimate triumph, Chang was throwing the most elaborate, budget-busting birthday party the school had ever seen. Included on the roster: A dance-off, a sundae bar, one of those Ed Hardy street magicians, and a photo booth with props. This gave the show the perfect opportunity to provide brilliant Troy and Abed caricatures and bits with Jeff and Britta in sexy costumes -- all in an elaborate attempt to thwart Chang's teen militia. Of course, Troy could just join the Air Conditioning Repair Annex to save the Dean, but that would mean giving up his life with the Seven.
Sadly, despite a hilarious hodge-podge of typical heist tropes, (costume changes, fake-outs, a victory that seemed like a failure that was actually really a victory) the Seven found themselves locked in the basement with no hope. Troy knew that the all-powerful Air Conditioning Repair Annex was always watching, so he sadly nodded to indicate his willingness to give up his freedom to save his friends. Troy and Abed hugged goodbye, and the hero sadly packed his bags. And here began the final (and best) chapter: The Final Final-ness of the Greendale Seven.
It was now the end of summer, and with Chang locked up in the vents of City College, the only thing on Jeff Winger's mind was finally passing biology class. Everything seemed to be status quo, and Shirley had even received some good news: The cafeteria Subway shop had closed, to be replaced by "Shirley's Sandwiches." But underneath their apparent happiness, a deeper emotional trouble was brewing -- Abed was deeply suffering without his best friend, and Troy was suffocating under the militaristic vents of the AC Repair Annex. "Psychologist" Britta tried her best to pull Abed out of his funk, but all this did was bring out Evil Abed, who made Britta feel even worse about herself. ("I'm the center slice of a square cheese pizza. You're Jim Belushi.")
If fans were expecting a Community-brand banana-pants blowout to end the season, they weren't going to find it here. As I said before, this could potentially have been Community's final episode, so using it as a touching vehicle to bring the divided gang back together again was the perfect choice. Without the strength of his community, Jeff had again become selfish. His agreement to represent Shirley in "Greendale Court" as she fought Pierce for the right to sign the dotted line on the Sandwich form was more out of annoyance than anything else. And Abed was completely malfunctioning: The chaotic Evil Abed was now running the show, planning to bring darkness and destruction to the current timeline.
The severely bruised and divided gang would need a swift kick in the ass to bring themselves together, and luckily they got two: First, Murray from the AC Annex murdered Vice Dean Laybourne, resulting in the need for a death match via the "Sun Chamber." Troy and Murray would battle head-to-head in glass boxes pumped full of hot air, until one of them yielded from the heat. Second, Jeff's old nemesis Alan Connor (Rob Corddry) returned to represent Pierce in the Sandwich trial. If Jeff didn't throw the case, preserving Connor's wealthy client, he wouldn't get his job back after graduation. It was a lose-lose situation.
Except, no -- it wasn't. Shirley told Jeff that sacrificing his career wasn't worth it, so she would gladly allow Pierce to sign the dotted line. And Troy won the Sun Chamber match using literally no effort, effectively becoming the all-ruling messiah of the AC Annex. As both of these cases came to a close, a once-again-changed Jeff waxed poetic on everything he (and we) learned this season. "The truth is, the pathetically, stupidly inconveniently obvious truth is, helping only ourselves is bad, and helping each other is good," he said. "Now, I just wanted to get out of here, pass biology, and be a lawyer again instead of helping Shirley. That was bad...But now, Shirley has gone good. Shirley is helping me. It's that easy. You just stop thinking about what's good for you, and start thinking about what's good for someone else -- and you can change the whole game with one move."
It should be the easiest concept to grasp, but nothing seems that simple when we're in the middle of our own real or self-created problems. But Harmon nailed it on the head: Like the study group, if we could all take a f**king second to think about someone else for a change, the world would be a whole lot better. After Jeff's motivational speech, Abed snapped out of his funk, Troy re-joined the group, and even Pierce contributed to the love by defending gay people. It was a beautiful moment to top off a troubled but ambitious season. Lots of love, and prayers for a brilliant and Harmon-ious season four.
Follow Shaunna on Twitter @HWShaunna
[Photo Credit: NBC]
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‘Twas the night before Christmas and all...hell is about to break loose! It starts when a snowstorm grounds all planes at Chicago’s fictional Hoover International Airport. Nobody’s happy to be potentially spending Xmas at an airport but least of all are the Davenport siblings Spencer (Dyllan Christopher) and his little sis Katherine (Dominique Saldana) as well as airport security boss Oliver (Lewis Black). The two kids are escorted to the airport’s “Unaccompanied Minors Lounge ” where kids run wild and terrorize pushover Zach Van Bourke (Wilmer Valderrama) who acts as chief airport babysitter. One look at the madness is all it takes for Spencer and Katherine to bust out along with fellow kiddie anarchists Charlie (Tyler James Williams) Timothy (Brett Kelly) Donna (Quinn Shephard) and Grace (Gina Mantegna). They embark on a pratfall-heavy game of cat and mouse with Oliver who is the Grinch to their collective Santa Clause as they try and salvage Christmas--and their families. Unaccompanied Minors makes some odd but admirable choices when it comes to the cast with virtually every single actor attempting a “Frat Pack” mutiny--Daily Show mainstay Black is joined by “correspondent” Rob Corddry as the Davenports’ Hummer-hating dad not to mention parts from The Office’s B.J. Novak and Mindy Kaling Arrested Development’s Tony Hale and Jessica Walter SNL’s Rob Riggle and Kristen Wiig Paget Brewster David Koechner and a rare Kids in the friggin’ Hall (Kevin McDonald Bruce McCulloch and Mark McKinney) sighting. But the “Who’s that?” cameos aside the screen time is hogged by Black Valderrama and the children. Black the notoriously vulgar curmudgeon of a comedian shows great range and skill by dulling his shtick down but not so much that the kids watching won’t crack up while Valderrama’s performance is the same as his role--that of a bumbling easily overmatched lackey. With all the proverbial child actors in the mix it can seem a little Star Search-y but Williams (Everybody Hates Chris) steals most scenes with his amazing overall talent while Mantegna (Joe’s daughter) fares well too. Kelly (the bullied kid in Bad Santa) is exploited for his physicality and Christopher will likely go on to be a great actor even if he seems too seasoned at such a young age. The reason for the off-the-beaten-path cast is simple: director Paul Feig. The occasional actor has in the past directed episodes of The Office and the late Arrested Development Undeclared and Freaks and Geeks. It also might explain why he fell for a script--by Jacob Meszaros and Mya Stark--that takes a few stabs at grown-up comedy (i.e. Corddry’s character has a car that runs on vegetable oil). Such jokes will be lost on the exclusively preadolescent audience but almost all else will reel them in. Feig also seems adept at making the oft-unfunny (physical pratfalls) somewhat funny and he does so with little mention of bodily functions. Of course he stays true to the formula but all kid flicks are the ultimate exercises in contrivance--Feig just chooses to treat the viewers like kids instead of idiots.