September 02, 2010 11:19am EST
When the animated opening credits of Warner Bros. Going the Distance begin a barrage of colorful images envelope the screen shaking and shifting to the sounds of contemporary pop-rock like a hipster-chick in a SoHo lounge. It sets the tone for a lighthearted but levelheaded romantic comedy that like the music is cool and crafty but not completely above the clichés of the tried-and-true genre.
Making her feature-film directorial debut Oscar-nominated documentarian Nanette Burstein (On the Ropes) set out to make a film that as she put it “would feel as real as possible” – a tough job when taking on a studio comedy. But with a relatable premise a punchy script and a cast that possesses a ton of personality she succeeds at delivering a surprisingly fresh film that chronicles the pros and cons of a long-distance relationship between Justin Long’s Garrett and Drew Barrymore’s Erin.
The first half hour is filled with the standard situational set-ups and character introductions that one expects from any film. We learn everything we need (and want) to know about Garrett and Erin: He’s a New York record label workhorse and she’s an aspiring journalist interning at a metropolitan newspaper. They frequent the same dive bar in downtown Manhattan and have a beer and barbeque-wings fueled fling which turns into a steady summer-long relationship. But all good things must come to an end and as September approaches she prepares to head back to Stanford for another semester much to their mutual dismay. However the feelings between them are sincere and they decide to give their spatially challenged relationship a shot.
Real-life couple Long and Barrymore have a few touching moments throughout the film mostly when the trials of their long-distance relationship take a toll but they are a bore in comparison to the supporting cast. Jason Sudeikis and Charlie Day bring frat-house etiquette and bro-mantic charm to the movie as Garrett’s best friends Box and Dan. Together they are the living embodiment of testosterone and man-child — archetypes that have become all-too common in current rom-coms — but with legitimately funny performances they really pay off. Christina Applegate is good for a load of laughs as Erin’s older sister Corinne who is skeptical of Erin’s eagerness to engage in yet another risky romance; she steals the show with her unrelenting commentary.
Going the Distance doesn’t break new ground within the genre or redefine cinematic romance but it balances the sweet and sour moments of its story very well. Burstein minimizes the drama and keeps the comedy raw to maximize the entertainment value of the movie which should please all who purchase a ticket. Somehow the long distance dilemma hasn’t been tackled on film before and that makes the movie appear to be more original that it really is but in a year where so few romantic comedies have brought the goods (The Back-Up Plan Sex and the City 2) Going the Distance does just that.
No seriously. Annapolis follows Gentleman almost to the letter right down to our main character rebellious Jake (James Franco) who comes from the wrong side of the tracks (with a father who doesn’t support him) but gets into the Naval Academy anyway. There’s the steely senior upperclassman (Tyrese Gibson) who rides Jake mercilessly but can’t make Jake quit. They inevitably end up duking it out in a boxing ring. Or the chubby freshman or “plebe” (Vicellous Shannon) who is the pride of his family because he got into the Academy but will fail if he can make it through the obstacle course letting everyone who’s counting on him down. Oh and there’s also the beautiful girl (Jordana Brewster). She and Jake flirt in a bar she rejects him and then he finds out she’s an upperclassman at the Academy. Wait that’s Top Gun isn’t it? You sort of have to feel bad for Franco. He has all the makings of a movie star--dark brooding looks heavy-lidded eyes Marlon Brando intensity--but he just can’t quite find the right movie to launch him into stardom. He missed the mark with the medieval romance Tristan and Isolde--and now as the insurgent Jake he simply can’t outdo Gentleman’s Richard Gere. Neither can bad boy Tyrese (Four Brothers) trying to be a younger tougher version of Louis Gossett Jr.’s Oscar-winning hard ass. At any moment you expect Tyrese to yell “Oh you’ll DOR!” Instead the actor comes off ludicrously ill-fitted in his Navy whites. The rest of the cast too have a tough time making us believe they belong in the movie. Please you think someone like Brewster (The Fast and the Furious) is going to be in the Naval Academy and know how to box? Highly unlikely. Wonder which genius exec over at Disney had the brilliant idea to greenlight this derivative mess? The impetus for making Annapolis was probably to give audiences a glimpse at the prestigious U.S. Naval Academy and how hard it is to make it through. Not a bad idea on paper at least. But it’s obvious screenwriter Dave Collard watched An Officer and a Gentleman several hundred times sat down and wrote his cheesy heart out but forgot to add any of the steamy sex. Then to add insult to injury they hire director Justin Lin(Better Luck Tomorrow) a relative novice who tries his best to keep up appearances that he knows what he’s doing but doesn’t really have any of the necessary experience to make the film better. Annapolis is simply doomed to fail.