WHAT'S IT ABOUT?
High-school misfit Will moves to New Jersey with his single mom and finds himself as socially anonymous at his new school as he was at the last. A music fanatic (he keeps a one-way letter-writing correspondence with David Bowie) Will finds his calling when much to his surprise the school’s hot blonde Charlotte Banks asks him to manage her fledgling garage band. Will accepts the offer taking a group that cranks out uninspired covers of "I Want You to Want Me" and molding it into a high-functioning jamband which he christens “I Can’t Go On I’ll Go On.” Thanks to his coaching they're soon skilled enough to take on the high school’s musical hotshots Glory Dogs at the city-wide battle of the bands Bandslam.
All the while Will is falling for the wry deadpan Sa5m (the 5 is silent I don’t know why) and dealing with the social and emotional damage wrought by his no-good absentee father.
WHO'S IN IT?
Gaelan Connell makes a compelling lead as the gangly and sweetly animated Will. Connell is smart funny and endearing like your awkward little brother. Lisa Kudrow fully engages her perfect comedic timing as Will’s kind smothering mother. Aly Michalka plays Charlotte Banks the blonde guitar-playing former cheerleader with heart and Vanessa Hudgens rounds out the crew as the introverted bookish nerd dream girl Sa5m. Rock legend David Bowie plays himself in a cameo.
The film is laugh-out-loud funny and trusts its young target audience to pick up on humor more subtle than what’s usually found in such teen fare. The dead/loser father subplots give the story a serious hook making it a little deeper and more authentically poignant than what’s expected. These twists also give Connell and Banks the opportunity to display their characters’ emotional range and they're up to the task. The way Will sways a surly audience of high school hecklers into a cheering crowd of fans might just bring happy proud mother-style tears to your eyes.
The flick boasts solid musicianship from its cast members and a deep cut-heavy soundtrack featuring artists including Nick Drake Wilco The Velvet Underground & Nico and Bowie himself.
The characters — sweet nerd alluring alterna-girl affected popular chick gaggle of musical dorks — are all cliches but the fine acting humanizes the crew in that relatable Breakfast Club kind of way.
Also at nearly two hours the film is longer than the subject matter requires.
Will and Sa5m’s trip across the bridge to Manhattan is a lovely grainy hand-held camera montage. This young love field trip/perfect first date reaches a high note when the duo breaks into shuttered punk mecca CBGB and Will finds it everything he's dreamed (a scuzzy shrine to his idols) and more (a fine place to romance his Sex Pistols-endeared love interest).
Lisa Kudrow also reminds us why she was our favorite Friend for so long in her neurotic mom role. The scene in which when she pretends to be a young babe on the prowl in order to help Will lure in a drummer to the band is pure comedic parental love.
It’s understandable that the public at large would perceive this flick to be a cheesy High School Musical-style hokefest for the Disney Channel set. Give Bandslam a chance though and it’ll prove itself to be a surprisingly smart little high school comedy that could simultaneously tide the Twilight legion over until New Moon comes out and endear itself to a broader audience wistful for a John Hughes-style junior year coming-of-age story.
WHAT IT’S ABOUT?
Pixar makes it ten gems in a row with this enchanting animated story of 78-year-old Carl Fredricksen a recent widower who decides to fulfill his (plus his late wife’s) lifelong dream of tying thousands of balloons to their house and floating off to a mountaintop in South America. But he soon discovers a stowaway in the form of Russell a precocious eight-year-old “Wilderness Explorer” who he reluctantly allows to accompany him on his journey. Together the unlikely pair embark on the adventure of a lifetime encountering Kevin a rare 13-foot tall-flightless bird; Dug an overly-friendly talking pooch; and Charles Muntz a once-famous adventurer who now lives alone in a massive airship surrounded by a pack of attack dogs.
WHO’S IN IT?
Sticking to their general custom of casting actors not big stars in key voice roles Pixar assembled a superb cast for Up led by veteran TV star Ed Asner (The Mary Tyler Moore Show) as the aged Carl who takes flight in his house and finds there is a lot to learn about life even as you near death. Asner’s grumpy delivery provides the perfect counterpoint to nine-year-old Jordan Nagai’s Russell a bright and optimistic kid who proves an invaluable assistant to Carl throughout their journey. Christopher Plummer (The Sound of Music) is authoritative and intriguing as the obsessed Muntz and John Ratzenberger (Cheers) extends his streak of Pixar films to 10 as a construction engineer who tries to convince Carl to sell his house. Bob Peterson does delightful double duty as two of the key dog voices lovable Dug and the menacing Alpha head of the pack.
Like Pixar’s previous Oscar-winning masterpiece Wall-E Up is a ‘toon that is not content to explore the same places we’ve seen in previous animated blockbusters. Centering an action comedy around a 78-year-old man isn’t a strategy you’ll find in the youth-obsessed Hollywood recipe book but it pays great dividends here with a moral that life’s greatest adventure is the one you share with someone you love. The non-humans — particularly Kevin and Dug — are hilarious and unique and a silent sequence detailing the courtship and marriage of the Fredricksens is a sweet touch that could have come straight out of a Charlie Chaplin movie.
With a string of critically-acclaimed hits that includes Toy Story Finding Nemo The Incredibles Ratatouille Wall-E and now Up Pixar is ruining it for everyone else. There is simply no way they can be topped when it comes to pushing the boundaries of animated movies. Bad for other studios. Good for us.
Could Up which just became the first animated film to open the Cannes Film Festival also become the first to be nominated for the Best Picture Oscar since Beauty and the Beast in 1991 (before the Animation category was even established)? At this point in the year it’s actually a good bet. Whatever the case expect Up to earn several nominations come Oscar time.
A swashbuckling swordfight across the skies between two near-octogenarians? It’s the best action scene in a summer full of ‘em.
NETFLIX OR MULTIPLEX?
Oh pleeeeeease! Get to a theater fast. Up is also available in 3-D at select locations. Either way it’s a must-see.