In We're the Millers, Jason Sudeikis plays the role of a small time pot dealer who assembles a fake family in order to smuggle drugs across the Mexican border. He recruits a stripper, Jennifer Aniston, as the wife and Emma Roberts and Will Poulter as his children. Only hilarity can ensue from the formation of this motley crue. In these 7 clips, watch Sudeikis attempt to convince Aniston and Roberts to join this crazy adventure and the absurdly goofy Poulter rapping/ getting bitten by a spider. As well as their unfortunate encounters with others, including a scary drug lord (Tomer Sisley) a quirky American couple and Roberts' love interest.
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Way to go America! You’ve proven that you have truly excellent taste in captivating television. CBS’s highly anticipated summer series Under the Dome premiered last night with record-breaking ratings.
In addition to earning a jaw-dropping 13.14 million viewers, the one-hour episode was the most-watched summer drama premiere on any network since 1992. But the victories don’t stop there — Under the Dome is CBS's most-watched summer premiere among any genre since Big Brother in 2000 and best in adults 18-49 since 2005. Yup, it’s a good time to be a TV fan.
Based on the bestselling novel by acclaimed author Stephen King and produced by Steven Spielberg’s Amblin Television, Under the Dome is a a whirlwind of sci-fi drama, intrigue, and jaw-dropping mysteries that is unlike anything else on TV. Were you one of the small few who missed Monday's premiere? Not to worry! You can catch up on all the details from last night’s premiere right here.
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As the real-life 1950's pin-up girl Bettie Page actress Gretchen Mol shakes her moneymaker in this true-American-story drama. Page a Tennessee-raised religious cutie moves to New York in 1949 for a new life when college dreams don't materialize. She's a trusting soul who loves to pose for strangers' cameras and naturally falls into modeling. In no time she's wearing suggestive lingerie and trading spankings with other models. To Bettie the bondage get-ups are silly not prurient. But despite efforts to expand herself and learn acting she remains a pin-up girl. In Bettie's most famous picture she's posing nude in a Santa hat in a 1955 Playboy magazine. After testifying at Congress amid the sexual Puritanism of the '50s Bettie realizes her "notorious" reputation. She quits the biz for her religious beliefs and disappears from the public eye for good. Mol's performance is described in press materials as "incandescent." It is brave to say the least. The actress’ movie career has needed a jolt since she was labeled the next “It” girl in the late ‘90s after starring with Matt Damon in the 1998 Rounders. Her last film was Neil LaBute’s 2003 The Shape of Things. But Mol finds her niche in Notorious. She plays Bettie as she was--a simple-minded and free-spirited character which can be a dangerous combination. The actress doesn't add impresario nuances to the pliable young woman beyond the Southern accents but it is an incandescent performance nonetheless. Lili Taylor (I Shot Andy Warhol) brings her rough features to Paula Klaw Bettie's tough-minded manager transitioning from the Emmy-nominated success of HBO’s Six Feet Under. Mol and Taylor play off each other very well. Recent Oscar-nominee David Strathairn (Good Night and Good Luck) also sneaks in there as a Southern senator calling for pornography investigations. In the hands of director/writer Mary Harron and writer Guinevere Turner Notorious snaps along like an old crime noir quick like a paperback on the beach. It is ironic and biting smoldering with sexuality but the melodramatic intentions are obvious. The dialogue lapses into clunky spots occasionally but they seem deliberate. The script's potency should not be understated. It's a statement about government's role in bedroom matters and the side effects of an American society prudish about its sexuality. Harron seems a sharp-edged journalist a chronicler of 20th century America and recruited Oscar-nominated researcher Sam Green (The Weather Undergound) to strengthen the movie's veracity such as recreating '50s-era Times Square. Bygone technical methods such as Super 8 cameras are used to match the classy black-and-white photography. Notorious is a little rough but fairly successful in its mission.
A promising young playwright Sidda Lee Walker (Sandra Bullock) lives in New York far enough away from her Louisiana hometown. After she gives a damaging interview to Time magazine--damaging mainly to her mother Vivianne Abbott Walker (Ellen Burstyn) who doesn't take lightly to her daughter's intonations that she was not a good mother--the two women begin a feud. It threatens to destroy not only their relationship but Sidda's own plans to marry her longtime boyfriend Connor (Angus MacFadyen). Enter the Ya-Ya Sisterhood--Caro (Maggie Smith) Teensy (Fionnula Flanagan) and Necie (Shirley Knight) Vivi's lifelong best friends. To bring mother and daughter back together the women decide it's time for Sidda to learn about the Divine Secrets of their little clique--and about her mother's painful past. They tell Sidda stories about the young Vivi (Ashley Judd) who was full of promise and hope but how certain tragic events damaged her. The bond between these four older women is unshakable and the most honest element to the film. The sad news for the novel's fans however is that while the script manages to convey the true spirit of friendship it can't quite capture the magic of the book.
In a cast of many the film is chock-full of wonderful performances but it's the matured Ya-Yas who steal the show. Smith plays the tough Caro a lifelong smoker now saddled with emphysema with all the biting wit the actress is best known for while Knight plays the sweet no-nonsense Necie with just a hint of sarcasm. Flanagan the best of the three shines as the wealthy Teensy a recovering alcoholic who has faced demons herself. Her exchanges are some of the more memorable especially when after being told by an angry Vivi that she could knock Teensy into next week Teensy tells her friend "And I'll kick your ass on Thursday." Yet the film truly belongs to Burstyn and Judd as the different faces of Vivi. Burstyn is all at once the highly dramatic Southern beauty who has come to terms with (or remained steeped in denial about however you look at it) her painful past while Judd gets to show us the nitty-gritty of what actually happened to Vivi to harden her. Unfortunately the weakest member of this ensemble cast is Bullock as Sidda. She never quite convinces us she grew up in such an eccentric and terribly Southern environment. And not to leave out the men completely--James Garner plays Sidda's father Shep with quiet patience having survived life with his lady love who never loved him quite the same in return. The devoted Connor mirrors Shep but MacFadyen plays him with a lot more backbone.
Oscar-winning screenwriter Callie Khouri (Thelma & Louise) couldn't have chosen a better film to make as her directorial debut. Sure she might be pigeonholed forever as the "chick flick" girl but she probably doesn't care much. Khouri had been approached to adapt Wells' novel a few times over the last couple of years but never had the time to do it. When the right time came along Khouri wisely decided it was also time to take on the directing chores. Even as a novice the writer/director shows us she knows her way around a camera. The film captures that Southern feel lush and languid as the moss drips down from the trees. She also knows how to handle her actors too and is able to elicit great performances (although with the likes of Burstyn and Smith this isn't hard to do). The soundtrack also is an added bonus with a variation of music from jazz to Louisiana Cajun. Yet even with all this going for it Divine Secrets misses a beat. In a novel it's great to read stories about an eccentric Southern family but to have vignettes told to you as a framework for a movie it can slow a film down. You probably won't be able to drag your husband to go see this one.