WHAT IT’S ABOUT?
It’s 1979 the world is changing economically and culturally and an outbreak of Lyme disease turns 15-year-old Scott Bartlett’s life inside out just as his parents — including a workaholic father Mickey and doting mom Brenda — are about to get divorced and his brother Jimmy is shipping off to fight in the Falklands war. Making life even more complicated during this time of turmoil he has fallen for his next-door neighbor Adrianna whose mother Melissa is carrying on a not-so-secretive affair with Scott’s dad as her husband Charlie is feeling the devastating effects of a bout with Lyme's.
WHO’S IN IT?
A superb ensemble cast navigates co-writer/director Derick Martini’s emotionally tricky and somewhat autobiographical screenplay in style delivering sharp-edged substantive portrayals of suburbanites in a state of flux. Rory Culkin shines as the confused but likeable Scott stuck in a coming-of-age nightmare of conflicting feelings and discovery. His virginal love scene with the wonderful Emma Roberts playing girlfriend Adrianna is poignant real and quite funny. As his father Mickey Alec Baldwin stands out in one of his best performances and his marital dustups with Jill Hennessy playing wife Brenda are blistering in their raw force. Cynthia Nixon as Melissa plays uptight and needy about as well as anyone and Timothy Hutton has some nice moments as her rather hapless Lyme-stricken hubby. Culkin’s actual brother Kieran is around as the older bro and does nice work with his real-life sibling.
Martini manages to recreate a specific time and place with ease and captures a difficult time when society was trying to adapt to an unknown new world of change. What makes it really work is the sardonic sense of humor he manages to work into the proceedings. Lymelife is edgy dark and memorable a movie that may make you uncomfortable at times but one you will have a hard time shaking off.
The relatively brief running time precludes actually developing some backstories and character arcs making some of the film feel a little rushed at times but mostly it’s solidly paced and engrossing all the way.
Developed with the help of the Sundance Institute and premiered at the 2009 festival Lymelife has indie cred up the kazoo and shows that even with close to no budget you can make a smart drama for adults.
NETFLIX OR MULTIPLEX?
Give these filmmakers some support and see it in a theater. Perhaps its success will inspire others to make challenging film fare in the future.
Dave Chappelle is a Hollywood anomaly. Not only because the comedian felt his soul was worth more than $50 million (the reported amount he walked away from when he left his Chappelle's Show) but also because he lives worlds apart from the place--literally and figuratively. In Block Party not a moment is spent trying to go deep inside the man behind the comedy yet that much is ascertainable. The documentary tells instead of his September 2004 mission to organize a rap/R&B block party/concert in Brooklyn and hand out the event’s "golden tickets" at random to people in his Dayton Ohio community. It cuts back and forth between concert footage with his standup and the often-funny events that precipitated it. Those hoping for some sort of mea culpa will be disappointed (and should be ashamed); rather it's Chappelle's show seemingly the way he wanted Chappelle's Show. While Block Party obviously contains no acting there is a bevy of performers. The catalyst of course is Chappelle and as he did so well on his show he turns mundane observations into knee-slapping hilarity—thanks in no small part to his infectious laugh that follows everything he says. He also plays the part of hip-hop goodwill ambassador both reuniting groups and diversifying the lineup. His tastes and schoolboy enthusiasm might even be enough to endear the hip-hop naysayer. See he prefers artists who are progressive--artists who say something punctuated by actual live music! Acts like The Roots Kanye West Common Erykah Badu Jill Scott Mos Def Talib Kweli Dead Prez and a reunited Fugees--the film’s climax if you will--make theater dancing all but unavoidable and massacre stereotypes. And they're all Chappelle-approved for an extra layer of authenticity. Block Party perfectly pairs subject with director. Michel Gondry--best known as director of Eternal Sunshine of the Spotless Mind--has a voyeur’s curiosity an artist’s eye for aesthetics and an ear for left-of-center music (he is also an acclaimed music-video director). He is not interested in somehow exposing Chappelle to his legions of fans and few detractors but he does touch on something that might surprise: Chappelle with his genuine benevolence seems just as content to get a smile as he does a laugh. Such is the case when he invites an entire college band to come play at his block party and pays their way; or when he pleases the crowd by assembling the aforementioned eclectic mix of musical acts groups which might’ve gone their careers without appearing together. But what Gondry captures best is this freak of nature who’s so maddeningly candid in front of a camera.