Rocker Bernard Butler wrote songs for his new project Trans while lying sprawled on a couch and pumped up on painkillers as he recovered from a broken leg. The former Suede star suffered the debilitating injury in 2011 and was unable to walk for six weeks, so he took the opportunity to explore new musical directions for his next batch of songs.
The British guitarist tells Uncut magazine, "I broke my leg two years ago, and I decided within days that everything I was doing was rubbish and that I needed to stop making such dull music. I bought a Stratocaster (guitar) when I was off my nut (head) on all sorts of drugs and I basically lay on the sofa for six weeks and played guitar."
Butler's new project, Trans, features his collaborations with fellow rocker Jackie McKeown and Everything But The Girl star Ben Watt.
The 2013 nominees for the Writers Guild of America awards have been announced. Writers, you say? Yes, writers! The people that make words dance on pages to create the worlds in which our favorite shows flourish. Some people, when confronted with a brilliant episode of television automatically assume the credit for its general goodness should go to the actors. But what about the writers? They are often just as (if not more so) likely to be the reason you laughed, cried, gasped, guffawed, or squirmed in your seat during last week's episode of your favorite show.
These makers of televised scripts carry a good chunk of a show's success (and failure) on their shoulders, and leading the pack of successful witty wordsmiths? Lena Dunham and her HBO darling Girls. Overall, it seems as though cable dramas fared better than broadcast (which, duh), but on the flip-side, broadcast comedies outdid their cable brethren. Breaking Bad cleaned up in the episodic drama category, and comedy lady hero Amy Poehler got herself a nod for the episode of Parks and Recreation she penned, "The Debate."
Check out the full list of nominees below!
Boardwalk Empire written by Dave Flebotte, Diane Frolov, Chris Haddock, Rolin Jones, Howard Korder, Steve Kornacki, Andrew Schneider, David Stenn, Terence Winter; HBO
Breaking Bad written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC
Game of Thrones written by David Benioff, Bryan Cogman, George R. R. Martin, Vanessa Taylor, D.B. Weiss; HBO
Homeland written by Henry Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Chip Johannessen, Meredith Stiehm; Showtime
Mad Men written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Brett Johnson, Janet Leahy, Victor Levin, Erin Levy, Frank Pierson, Michael Saltzman, Tom Smuts, Matthew Weiner; AMC
30 Rock written by Jack Burditt, Kay Cannon, Robert Carlock, Tom Ceraulo, Vali Chandrasekaran, Luke Del Tredici, Tina Fey, Lauren Gurganous, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, John Riggi, Josh Siegel, Ron Weiner, Tracey Wigfield; NBC
Girls written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO
Louie written by Pamela Adlon, Vernon Chatman, Louis C.K.; FX
Modern Family written by Cindy Chupack, Paul Corrigan, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Brad Walsh, Bill Wrubel, Danny Zuker; ABC
Parks and Recreation written by Megan Amram, Greg Daniels, Nate Dimeo, Katie Dippold, Daniel J. Goor, Norm Hiscock, Dave King, Greg Levine, Joe Mande, Aisha Muharrar, Nick Offerman, Chelsea Peretti, Amy Poehler, Alexandra Rushfield, Michael Schur, Mike Scully, Harris Wittels, Alan Yang; NBC
Girls written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO
The Mindy Project written by Ike Barinholtz, Jeremy Bronson, Linwood Boomer, Adam Countee, Harper Dill, Mindy Kaling, Chris McKenna, B.J. Novak, David Stassen, Matt Warburton; Fox
Nashville written by Wendy Calhoun, Jason George, David Gould, David Marshall Grant, Dee Johnson, Todd Ellis Kessler, Callie Khouri, Meredith Lavender, Nancy Miller, James Parriott, Liz Tigelaar, Marcie Ulin; ABC
The Newsroom written by Brendan Fehily, David Handelman, Cinque Henderson, Paul Redford, Ian Reichbach, Amy Rice, Aaron Sorkin, Gideon Yago; HBO
Veep written by Jesse Armstrong, Simon Blackwell, Roger Drew, Sean Gray, Armando Iannucci, Ian Martin, Tony Roche, Will Smith; HBO
“Buyout” (Breaking Bad), written by Gennifer Hutchison; AMC
"Dead Freight” (Breaking Bad), written by George Mastras; AMC
“Fifty-One” (Breaking Bad), written by Sam Catlin; AMC
“New Car Smell” (Homeland), written by Meredith Stiehm; Showtime
“The Other Woman” (Mad Men), written by Semi Chellas and Matthew Weiner; AMC
“Say My Name” (Breaking Bad), written by Thomas Schnauz; AMC
“The Debate” (Parks and Recreation), written by Amy Poehler; NBC
“Episode 9” (Episodes), written by David Crane & Jeffrey Klarik; Showtime
“Leap Day” (30 Rock), written by Luke Del Tredici; NBC
“Little Bo Bleep” (Modern Family), written by Cindy Chupack; ABC
“Mistery Date” (Modern Family), written by Jeffrey Richman; ABC
“Virgin Territory” (Modern Family), written by Elaine Ko; ABC
LONG FORM – ORIGINAL
Hatfields and McCoys, Nights 2 and 3, teleplay by Ted Mann and Ronald Parker, Story by Bill Kerby and Ted Mann; History Channel
Hemingway & Gelhorn written by Jerry Stahl and Barbara Turner; HBO
Pilot (Political Animals), written by Greg Berlanti; USA
LONG FORM – ADAPTED
Coma, Nights 1 and 2, teleplay by John McLaughlin, based on the book by Robin Cook; A&E
Game Change written by Danny Strong, based on the book by Mark Halperin and John Heilemann; HBO
“A Farewell to Arms” (Futurama), written by Josh Weinstein; Comedy Central
“Forget-Me-Not” (Family Guy), written by David A. Goodman; Fox
“Holidays of Future Passed” (The Simpsons), written by J. Stewart Burns; Fox
“Ned and Edna’s Blend Agenda” (The Simpsons), written by Jeff Westbrook; Fox
“Treehouse of Horror XXIII” (The Simpsons), written by David Mandel & Brian Kelley; Fox
COMEDY / VARIETY (INCLUDING TALK) – SERIES
The Colbert Report writers: Michael Brumm, Stephen Colbert, Rich Dahm, Paul Dinello, Eric Drysdale, Rob Dubbin, Glenn Eichler, Dan Guterman, Peter Gwinn, Barry Julien, Jay Katsir, Frank Lesser, Opus Moreschi, Tom Purcell, Meredith Scardino, Scott Sherman, Max Werner; Comedy Central
Conan writers: Jose Arroyo, Andres du Bouchet, Deon Cole, Josh Comers, Dan Cronin, Michael Gordon, Brian Kiley, Laurie Kilmartin, Rob Kutner, Todd Levin, Brian McCann, Conan O'Brien, Matt O'Brien, Jesse Popp, Andy Richter, Brian Stack, Mike Sweeney; TBS
The Daily Show With Jon Stewart writers: Rory Albanese, Kevin Bleyer, Richard Blomquist, Steve Bodow, Tim Carvell, Hallie Haglund, J.R. Havlan, Elliott Kalan, Dan McCoy, Jo Miller, John Oliver, Zhubin Parang, Daniel Radosh, Jason Ross, Jon Stewart; Comedy Central
Jimmy Kimmel Live writers: Tony Barbieri, Jonathan Bines, Joelle Boucai, Sal Iacono, Eric Immerman, Gary Greenberg, Josh Halloway, Bess Kalb, Jimmy Kimmel, Jeff Loveness, Molly McNearney, Bryan Paulk, Danny Ricker, Rick Rosner; ABC
Key & Peele writers: Jay Martel, Ian Roberts, Keegan Michael Key, Jordan Peele, Sean Conroy, Colton Dunn, Charlie Sanders, Alex Rubens, Rebecca Drysdale; Comedy Central
Portlandia writers: Fred R. Armisen, Carrie Brownstein, Karey Dornetto, Jonathan Krisel, Bill Oakley; IFC
Real Time With Bill Maher writers: Scott Carter, Adam Felber, Matt Gunn, Brian Jacobsmeyer, Jay Jaroch, Chris Kelly, Mike Larsen, Bill Maher, Billy Martin; HBO
Saturday Night Live Head writer: Seth Meyers. Writers: James Anderson, Alex Baze, Neil Casey, Jessica Conrad, James Downey, Shelly Gossman, Steve Higgins, Colin Jost, Zach Kanin, Chris Kelly, Joe Kelly, Erik Kenward, Rob Klein, Lorne Michaels, John Mulaney, Christine Nangle, Mike O’Brien, Josh Patten, Paula Pell, Marika Sawyer, Sarah Schneider, Pete Schultz, John Solomon, Kent Sublette, Bryan Tucker, Additional Sketch By Emily Spivey, Jorma Taccone, Additional Material By Frank Sebastiano; NBC Universal
COMEDY / VARIETY – MUSIC, AWARDS, TRIBUTES – SPECIALS
66th Annual Tony Awards written by Dave Boone; special material by Paul Greenberg; opening and closing songs by David Javerbaum, Adam Schlesinger; CBS
2012 Film Independent Spirit Awards written by Billy Kimball, Wayne Federman; IFC
After the Academy Awards Head writers Gary Greenberg, Molly McNearney. Writers Tony Barbieri, Jonathan Bines, Sal Iacono, Eric Immerman, Jimmy Kimmel, Jeffrey Loveness, Bryan Paulk, Danny Ricker, Richard G. Rosner; ABC
National Memorial Day Concert written by Joan Meyerson; PBS
Days of Our Lives written by Lorraine Broderick, Carolyn Culliton, Richard Culliton, Rick Draughon, Christopher Dunn, Lacey Dyer, Janet Iacobuzio, David A. Levinson, Ryan Quan, Dave Ryan, Melissa Salmons, Roger Schroeder, Elizabeth Snyder, Christopher J. Whitesell, Nancy Williams Watt; NBC
One Life to Live written by Lorraine Broderick, Ron Carlivati, Anna Theresa Cascio, Daniel J. O’Connor, Elizabeth Page, Jean Passanante, Melissa Salmons, Katherine Schock, Scott Sickles, Courtney Simon, Chris Van Etten; ABC
The Young and the Restless written by Amanda Beall, Jeff Beldner, Brent Boyd, Susan Dansby, Janice Ferri Esser, Jay Gibson, Scott Hamner, Maria Kanelos, Natalie Minardi Slater, Beth Milstein, Michael Montgomery, Anne Schoettle, Linda Schreiber, Lisa Seidman, Sarah K. Smith, Christopher J. Whitesell, Teresa Zimmerman; CBS
CHILDREN'S – EPISODIC & SPECIALS
“The Good Sport” (Sesame Street), written by Christine Ferraro; PBS
CHILDREN’S – LONG FORM OR SPECIAL
Girl vs. Monster story by Annie De Young; teleplay by Annie De Young and Ron McGee; Disney Channel
Winners will be announced on February 17th at events in New York and Los Angeles. What do you think of this year's nominees? Let us know in the comments!
[Photo Credit: Jojo Whilden/HBO]
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The nautical heist thriller Contraband is a remake of Reykjavik-Rotterdam an Icelandic film from 2008 which admittedly I’ve yet to see. (It’s curiously difficult to find stateside.) Presumably there must have been something about it that was compelling enough to warrant the effort and expense of an American adaptation. Whatever it was it didn’t survive the no doubt complicated process of translating it into a proper Mark Wahlberg vehicle.
Wahlberg plays Chris Farraday once a legendary New Orleans smuggler but now happily law-abiding as a home-security contractor. The same however cannot be said of his punk brother-in-law Andy (Caleb Landry Jones) who runs illegal shipments for a tattooed hoodlum named Tim Riggs (Giovanni Ribisi). When Andy makes the unwise decision to dump his valuable narcotics cargo in advance of a Customs raid earning the dreaded pay-up-or-die ultimatum from his unsavory boss Chris tries in vain to intervene on his behalf only to be rudely rebuffed. Which leaves him with only one option to save Andy’s skin: One Last Job.
The director of Contraband Baltasar Kormakur actually starred in Reykjavik-Rotterdam – a piece of trivia which unfortunately proves far more interesting than anything found in his remake. It seems his familiarity with the material bred banality if not necessarily contempt. His approach is a kind of Bourne-lite: the shaky-cam is restrained enough to minimize audience headaches but the ultimate result is stultifyingly generic.
Essential to any successful Mark Wahlberg film from Boogie Nights to The Fighter has been to surround Wahlberg with more accomplished and versatile actors thereby allowing him to focus on his core competencies of scowling cursing and otherwise radiating his unique brand of low-watt charisma. Kormakur assembled capable-enough performers for Contraband only to saddle them with uniformly bland characters.
Having grown accustomed to Kate Beckinsale as the leather-clad heroine of the Underworld films I found it odd – and a bit disappointing – to see her reduced to the role of the protagonist’s fretful wife. Ribisi’s novel strategy for transcending his miscasting as a clichéd white-trash villain is to adopt a bizarre high-pitched accent presumably Southern in origin but unlike any Southern accent I’ve ever witnessed. Ben Foster plays Wahlberg’s best friend an ex-con and recovering alcoholic who seems doomed to relapse on both fronts if only because he’s being played by Ben Foster. Diego Luna J.K. Simmons Lukas Haas are underutilized in one-note roles.
I confess to be unfamiliar with the vagaries of illicit foreign-goods transport but I have to think it’s more exciting than what unfolds in Contraband. No one expects it to rival the glamour and of say casino robbery but Kormakur depicts smuggling with all the verve and panache of a tax audit. The film’s lone fireworks occur on land during a stop-off in Panama City when Wahlberg’s character is forced by the local crime boss (Luna) in an armored-car hold-up. A heist-within-a-heist if you will. But soon it’s back on the boat where the momentum ceases and the movie sinks.
Attempting to delve into one of Tinseltown’s most curious scandals--the mysterious suicide (or was it?) of the original TV Superman actor George Reeves--the story begins after Reeves (Ben Affleck) is found dead of a seemingly self-inflicted gunshot wound during a late night party in his Benedict Canyon home. The case then unfolds through the eyes of Louis Simo (Adrien Brody) a street-smart publicity hungry private dick hired by Reeves’ grieving mother. As Simo slowly peels back the layers of Reeves’ seemingly glamorous life he discovers an actor of charm talent and sophistication whose every opportunity for a big break fizzled forcing him to lead a frustrated existence slumming in the superhero show he deemed beneath him. Gradually identifying with Reeves’ failed expectations for himself Simo discovers a host of candidates who may have actually pulled the trigger on the actor including his young party girl paramour (Robin Tunney) his longtime lover and patron (Diane Lane) and his lover’s husband a powerfully connected studio “fixer” (Bob Hoskins). It is Brody not Affleck who carries the bulk of the film on his shoulders and the Oscar winner delivers a finely etched turn as Simo who’s fractured potential mirrors Reeves’ but quite simply Simo’s story isn’t nearly as dark or engaging as Reeves’ life or the mystery surrounding his death. Affleck an actor who has had his share of ups downs duds and disappointments in Hollywood delivers one of his most charming and fully realized performances to date even if his spot-on recreation of Reeves’ speech pattern is a bit distracting. The luminous Lane’s acting talents remain in full blossom in a character she’s well-suited to play—the aging beauty fearing the road ahead—and she commands every scene she’s in. Unfortunately there should have been many many more of them. She’s almost criminally underused. Hoskins more menacing then ever and the reliable stable of supporting players like Joe Spano are all top-notch as well; only Tunney apparently trying to channel both Betty Boop and Bette Davis simultaneously seems a bit off her game as the wannabe femme fatale. Best known for his strong turns helming many of the best episodes of television series such as The Sopranos Sex and the City and Six Feet Under first time feature director Allen Coulter’s cool assured hand and meticulous recreation of Cold War Los Angeles are major bonuses here. Even when Simo’s story sags in comparison to Reeves’ Coulter keeps us interested particularly when staging the Rashomon-like sequences depicting the various theories behind Reeves’ demise. But by skimping on Reeves’ story in favor of a less compelling fictional framework built around a private detective investigating the case we never see one key suspect’s possible murder scenario enacted visually and it comes off as a glaring omission.