With stories like this who even needs the “Inspired by true events” shield? Primeval tells of the world’s most prolific killer Gustave. You see Gustave is a crocodile and he remains at large to this day. His thirst for human blood goes unpublicized until he chows down on a white woman at which point an American newsman Tim Manfrey (Dominic Purcell) his cameraman Steven (Orlando Jones) and TV personality Aviva (Brooke Langton) head down to Burundi Africa where they hope to document the capture of Gustave. They’re joined by a wildlife preservationist of sorts (Gideon Emery)—a rare breed in a post-Steve Irwin world—who doesn’t want to harm Gustave. The deep jungles of Africa become a veritable obstacle course when the locals embroiled in a long-standing civil war and unwilling to have some damn Yankees televising their homeland stand in the crew’s way not to mention Gustave proving an evasive 20-foot-long um little bugger! The names might not ring a bell but you’ve seen these three stooges before--all on TV in fact. Purcell is currently enjoying about half the 15 minutes of fame of Wentworth Miller on Fox’s slipping Prison Break. Purcell plays Tim with steel and virility as he hides his Aussie accent for the most part but he’s still got a ways to go to reach Clive Owen’s caliber of acting--and more importantly Owen’s caliber of roles. Langton of The Net (the TV show adapted from the Sandra Bullock movie of the same name) and Melrose Place fame shows off the beauty that will afford endless opportunities to prove herself as a “real” actress—which is ironically similar to her character’s plight—but will never get there with roles in movies like Primeval. And Jones still best known for and plagued by his 7-Up commercials is in true negligible-sidekick mode here--worthy of a snicker approximately once out of every dozen times he tries overzealously to get one. Jaws may come to mind based on the water creature-stalking-man plot but well it’s tough to even mention those two in the same sentence. Director Michael Katleman a TV fixture himself at least doesn’t even aim high enough to reach that level. No from the get-go he’s shooting more for an Anacondas feel—and yes that’s the horrific sequel to the so-terrible-it’s-fun J.Lo “original.” Katleman almost reaches Anacondas-ian highs but not quite. Among other notable problems the director cannot for one moment strike the right balance between the aforementioned level of guilty pleasure-dom and genuine horror. Instead he catches us off guard with what are supposed to be the thrills—and also with the comedy. Finally once Gustave is revealed which should essentially be the moviegoers’ reward the croc looks more a prop sitting in a theme-park lot. And the script from John D. Brancato and Michael Ferris (Terminator 3 co-writers)—well let’s just hope with the story being uber-derivative and cheesy enough as it is Orlando Jones ad-libbed all of his unlaughable comedy!
With a tagline that reads "Steal All You Can Steal," it was bound to set off sparks. Miramax's Buffalo Soldiers, a satire about corruption on American military bases, is set to bow in theaters July 25, but its humor is being lost on military representatives and right-wing consumers who have sent complaints about the movie's negative depiction of U.S. Army conduct to Miramax and corporate parent Disney. Helmed by Australian director Gregor Jordan, the film stars Joaquin Phoenix as a wily Army clerk running a profitable sideline in black-market heroin and arms dealing. According to Variety, when Buffalo Soldiers screened at Sundance in January, an audience member was so incensed by Jordan's views on the military during a post-screening Q&A that he threw a bottle at the director, narrowly missing Anna Paquin, one of the film's stars. Miramax acquired the film at the Toronto Film Festival on Sept. 10, 2001, but held back on the film's release after the Sept. 11 terrorist attacks.
Steve Harvey Claims Black Actors Make Less
While promoting his WB fall series Steve Harvey's Big Time, actor-comedian Steve Harvey told TV critics at a meeting of the Television Critics Association that advertisers pay less for programs that attract black audiences--even when the ratings are equal to or better than those of other shows, The Associated Press reports. According to Harvey, advertisers reason that it is easy to reach blacks across the television dial because they are among TV's more trusty customers. Jamie Kellner, WB's chairman and chief executive officer, agreed: "There is a truth in what he's saying, that advertisers are trying to find people that they can't get easily. And they do pay a premium for those people."
Beals Takes Lesbian Role
Jennifer Beals, who rose to fame with the 1983 movie Flashdance, will play a lesbian in the upcoming Showtime television series The L Word. But the straight actress told the Television Critics Association that the question of her sexuality has come up since the show started filming. "What becomes interesting is to think about how easy it is for a heterosexual actress or actor to play someone who is homosexual, how that's somehow permissible, but for a homosexual to be out and portray a homosexual character it becomes sort of much more problematic for an audience to accept." The L Word, which also stars Pam Grier and Mia Kirshner, debuts in January.
Buena Vista's Compay Dead at 95
Cuba's Compay Segundo, the frontman for the Buena Vista Social Club group known for his trademark Panama hat, died Sunday of kidney failure at his home in Miramar, Havana, Reuters reports. He was 95. Segundo, whose real name was Francisco Repilado, won a Grammy Award in 1997 for the album Buena Vista Social Club, which was produced by American guitarist Ry Cooder. The group gained further recognition with the release of German director Wim Wenders' 1999 documentary Buena Vista Social Club. Segundo gave concerts until May this year, when his health deteriorated.
Jazz Luminary Benny Carter Dies
Legendary jazz pioneer and big-band leader Benny Carter died on Saturday at Cedars Sinai hospital in Los Angeles at the age 95. According to Reuters, a family friend said Carter had been hospitalized for about two weeks after complaining of bronchitis and fatigue. In a career that spanned seven decades, Carter was one of the first black composers and arrangers to work on mainstream Hollywood films such as Stormy Weather and played with jazz stars such as pianist Willie "The Lion" Smith, Fats Waller, Miles Davis and Dizzy Gillespie. He is also credited with launching Ella Fitzgerald's career by introducing her to bandleader Chick Webb. He is survived by his wife, Hilma, a daughter, Joyce Mills, a grandchild and a great grandchild.
Role Call: Schwarzenegger in Big Sir, Diaz and Carrey Reunite
Arnold Schwarzenegger is in negotiations to star in New Line Cinema's family comedy Big Sir. The Terminator star also has the sci-fi remake Westworld on his acting slate and is developing a sequel to Conan the Barbarian, to be produced by Larry and Andy Wachowski ... Cameron Diaz and Jim Carrey, who starred together in 1994's The Mask, will reunite for Columbia Picture's remake of the 1977 comedy Fun With Dick and Jane. Joel and Ethan Coen will rewrite the screenplay for director Barry Sonnenfeld.
January 31, 2002 5:51am EST
A group of high school seniors put a boy who is eager to become part of their clique through a cruel initiation prank that involves jumping off some sort of high scaffolding into a cloudy pool at a local cement factory. When one of them Landon (Shane West) gets caught the principal decides Landon needs to hang with a different crowd and assigns him to tutor kids on the weekend and take part in the drama club's spring play. Surprise-the plan works! In over his head with the play Landon seeks help from Jamie (Mandy Moore) a dowdy bible-thumper who apparently only owns one ratty cardigan. Jamie however is not your run-of-the-mill unpopular girl. Rather than being introverted and weird she is smart witty and confident-in fact that grubby sweater of hers seems to be the only thing branding her as an outcast. The two grow closer and Landon eventually sees her inner beauty forgoing his own A-list status to be with her. But Landon learns that Jamie has been keeping a secret from him that inevitably blocks their path to happiness.
Moore the underdog of the teen pop stars dyes her hair brown and dulls herself down for the role of Jamie a simple girl that loves to gaze at the stars in her spare time. She did a great job transforming herself into her character but in the process extinguished most of what makes her sparkle on screen. Mind you the script might be to blame for creating a character so unbelievably mundane and one-dimensional. Under all of Jamie's goodness and perfection is well nothing. West does a great job portraying his character transformation. Even while Landon runs with the bad crowd West conveys a sense of humility in the character. Peter Coyote plays Reverend Sullivan Jamie's over-protective father without being too overbearing which is refreshing. An almost unrecognizable and weathered Daryl Hannah has a small but convincing enough role as Landon's mother. Maybe it was her now-brunette hair but I didn't realize it was Hannah until I saw the credits.
In A Walk to Remember director Adam Shankman steered away from being overly sentimental. The relationship that develops between the teens is actually very sweet and interestingly enough the film ends up being more about Landon's transformation than about Jamie's faith. While the film is not as flaky as the rash of recent teen movies it still manages to fall into the same clichés. Though the story is very-dare I say-poignant characters like Jamie's in trying to be different have become a stereotype: The plain Jane whose personality and convictions win over the popular guy. Remember Andie (Molly Ringwald) in Pretty in Pink? Or more recently Laney (Rachael Leigh Cook) in She's All That? And though Moore has a beautiful melodic voice her singing scenes are too drawn out. We are not just treated to her crooning a chorus or two of a song during a church scene but the songs in their entirety. Even Mariah Carey spared us that much in Glitter.