Nearly 50 years ago, Martin Luther King, Jr. told us he had a dream. And, to this day, the civil activist's speech on the steps of the Lincoln Memorial in 1963 remains one of the most famous — if not the most famous — in history. The speech itself was very similar to King — it excited, it brought hope, it inspired.
So as we toast the late civil rights activist, who was born a little over 84 years ago, we have to no choice but to also pay recognition to one of King's biggest contributions: His words. See his entire "I Have a Dream Speech" embedded below.
And now that you have a tear-soaked Kleenex to go along with your dream, prepare for these 10 inspirational movie and TV speeches. None come close to measuring up to King — but they sure made for dream TV and movie moments.
President Thomas J. Whitmore (Bill Pullman), Independence Day: Doesn't quite have the same ring to it as "Welcome to Earth!" but it'll do.
Aragorn (Viggo Mortensen), Lord of the Rings: Return of the King: "Hold your ground!" And try to hold in your tears watching Aragorn rile up the troops for a final Middle Earth battle. For Frodo!
Mikey (Sean Astin), The Goonies: "Down here, it's our time!" The perfect end to the only inspiring speech to be punctuated with an inhaler.
Herb Brooks (Kurt Russell), Miracle: Of course Coach Brooks' Olympic ice hockey speech would slide onto this list. U.S.A.! U.S.A.! U.S.A.!
Jeff Winger (Joel McHale), Community: Jeff Winger speeches are about as expected as crying girls at a One Direction concert, but at the end of Season 3, Jeff delivered one of his best speeches yet: a lecture about the power of friendship. Did we feel something after watching a speech from a silly little sitcom? Yes, I believe we just did.
Tony D'Amato (Al Pacino), Any Given Sunday: In a speech as confessional as it is inspiring, a perfectly manic Pacino scores a touchdown with his itch for some extra inches on the field.
Julia Sugarbaker (Dixie Carter), Designing Women: Not quite as sweet as sugar, but Julia's speech about her sister's beauty pageant history deserved as much applause as Suzanne's baton-twirling.
William Wallace (Mel Gibson), Braveheart: They may take away your good reputation (following an Anti-Semitic arrest, rage-fueled tapes, and much more), but they can never take away your classic speech, Mel Gibson.
King Leonidas (Gerard Butler), 300: A battle speech half as impressive as the Spartans' collective abs.
Everything Ever Said By Eric Taylor (Kyle Chandler), Friday Night Lights: Clear Eyes, Full Hearts, Can't Stop Crying.
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Charlie (Michael Douglas) has been a mess for quite a while. A jazz musician who has battled schizophrenia and manic depression for years has spent the last couple living in a mental hospital. His 16-year-old daughter Miranda (Evan Rachel Wood) has been living on her own in the family home (mom is long gone) having quit school and gone to work at McDonald’s to make ends meet. When Charlie is released and comes home the pair begins to tentatively rebuild their relationship. The good news is that Charlie is taking his meds and handling the real world reasonably well; the bad is that he’s developed an obsession with a legendary cache of Spanish gold doubloons reportedly buried near their dusty California home. When Charlie begins to convince Miranda that he really isn’t crazy--at least when it comes to the treasure--together they begin a Don Quixote-like journey that cements their fractured relationship back together. Forget Michael Douglas as Gordon Gekko the ultra-smooth Wall Street guy or as dashing Jack Colton of Romancing the Stone fame. These days Douglas now 62 has said he needs a really good reason to leave his family so this role where he can play a scraggly bearded wild-eyed edge-of-nuts guy is just the ticket. Douglas gives one of his best performances ever as Charlie striking just the right balance of intellect insanity and inherent love for his no-longer-little girl. Plus the man whose on-screen persona has often been all about male vanity is anything but that in King of California. He’s a scrawny whippet of a guy rather than a hunky leading man and it’s a transformation that just may get him another Academy Award nomination. Meanwhile 20-year-old Evan Rachel Wood proves that she really is an acting force to be reckoned with giving a gently nuanced performance as a girl who has had to grow up way too soon yet still completely loves the father who has struggled to care for her as he struggles with his personal demons. First-time writer/director Mike Cahill has done a first-rate job of bringing this quirky funny and slightly poignant story to the screen. Perhaps the reason he’s been so successful is in the company he keeps. A film-school friend of Oscar-winner Alexander Payne (Sideways About Schmidt) Cahill enlisted his producing help for his film along with Payne’s Sideways partner Michael London. King of California bears Cahill’s own stamp however--a combination of terrific visuals that often make wry satiric statements deftly melded with an assortment of memorable characters and situations. Perhaps his biggest strength is in the casting of the film in his choice of the two talented actors who bring a believability and sense of real family ties to their roles. With King of California Cahill begins what looks to be a long and beautiful friendship with moviegoers who love to be transported to interesting and funny places.
Luke (Steven Strait) and Brier (Pell James) first cross paths on a New York City subway before the doors shut on their instant attraction to one another. Of course it is immediately and abundantly clear that they will naturally meet up again before long but where and how? The answers: L.A. and well it's complicated. Each having forgotten about the other Brier a top model in NYC decides she needs a change of scenery and tells her agent (Carrie Fisher clearly in it for the paycheck) she's heading out to L.A. to pursue acting while Luke and his brother Euan (Kip Pardue) decide to move to the West Coast as well. Once there Brier befriends Clea (Ashlee Simpson) and on her first night in town takes Brier to a local dive bar where Luke works as a struggling "musician." Wow that's some coincidence. There is an instant re-connection between Luke and Brier but she refuses to get involved with musicians since her rock-star ex mistreated her. Instead she shifts her focus on generating buzz for Luke. Eventually Luke gets the big recording contract becomes the rock-star jerk he'd swore he'd never become and loses it all. But all is well when Brier decides she can no longer resist Luke's ballads and Metallica-guitarist-circa-'85 hair.
The theme of Undiscovered could apply to its cast. Each of the four leads are on the cusp of being on the cusp and certainly they hope this movie will take them one step closer. For James that might happen. She is a natural on screen and gives a breakthrough performance as the comely Brier. Strait is also a relative newcomer. After turning his debut performance in this summer's Sky High he holds his own in Undiscovered but seems to be relegated to taking his shirt off to make the teenyboppers swoon. Finally there's Simpson who is also making her major-role debut. It's awkward to see her on-screen and yes subconsciously you wait for her to make a noticeable mistake (or butcher a voice-over due to acid reflux). Of course it doesn't happen; she moves along pretty smoothly but is at times subjected to dialogue that seems beyond her especially when she has to words big words such as "banter." And certainly it's not her fault when she describes Luke--a musician best left struggling--as "a cross between Jeff Buckley and Elvis Costello." That's just someone else's words she reciting.
Prolific music-video director Meiert Avis is making his feature film directorial debut with Undiscovered--and his obvious greenness shows. At times the film is more like a music video surrounded by a weak storyline than a cohesive film. His expertise in the rather linear realm of music videos doesn't exactly qualify him for the complexities of a 90-minute film contrived and straightforward as his debut may be. Avis tries to employ every possible clichéd obstacle for the characters to overcome--which reeks of inexperience but could also be the screenwriter's fault. No doubt Avis feels at home with newcomers such as Strait and Simpson who--for all intents and purposes--sing and act but the plethora of singing scenes feel forced. That is forced into the script to showcase the soundtrack when the movie goes undiscovered at the box office.
The West Wing creator Aaron Sorkin said he did not realize the comments he made in The New Yorker magazine about the news coverage of the Bush administration would create such a flap. Referring to the special The Bush White House: Inside the Real West Wing, which aired on NBC Jan. 23, Sorkin said that the media were waving pompoms instead of providing objective news coverage and that anchorman Tom Brokaw let it happen. "There should be a difference between what NBC news does and what we do," he told the Associated Press. "And that night, there wasn't, except we have more interesting lighting." Sorkin later apologized to Brokaw at the request of NBC Entertainment President Jeff Zucker.
Anne Heche gave birth to a baby boy over the weekend. Homer Heche Laffoon weighed 7 pounds and is the first child for Heche and husband Coleman Laffoon. The two married in September last year and met while working on a documentary about Ellen DeGeneres' return to stand-up comedy, AP reports.
After shooting two back-to-back sequels for the 1999 sci-fi thriller The Matrix, Keanu Reeves will travel back in Hollywood time to work on a remake of the 1971 cult classic Billy Jack, Variety reports. Reeves will star as Billy Jack, a Vietnam veteran who's half Native American. Tom Laughlin, who wrote, directed and starred in the original film, controls the film rights and is in talks with Danny DeVito's Jersey Films to remake the retro hit.
Elizabeth Taylor will play the role of Elton John's wife in his new video "Original Sin," the BBC reports. His daughter will be played by teen singer/actress Mandy Moore. John, who normally hates appearing in videos, recently called on Justin Timberlake to take the lead in "This Train Don't Stop There Anymore" so he wouldn't have to. John makes an exception for this next single, which is slated for release April 1.
Victoria "Posh Spice" Beckham escaped injury in a six-car pile-up on Sunday near Stafford, England, the BBC reports. Beckham and her three-year-old son, Brooklyn, were in a minivan being driven by her father, Tony Adams, when he managed to swerve the vehicle away from the full force of the crash. None of them were injured. Beckham is expecting her second child with soccer star David Beckham in September.
Nightline host Ted Koppel said he hopes to stay with ABC but criticized the network for questioning the relevance of his show, AP reports. ABC has apparently had discussions with David Letterman about taking over Koppel's 11:35 p.m. time slot. Nightline ratings have been shrinking in the past few years while Letterman has been a longtime No. 2 behind NBC's Jay Leno.
The Fox network is set to revive four sci-fi TV series, airing reruns and creating new TV and film versions of Lost in Space, The Time Tunnel, Voyage to the Bottom of the Sea and Land of the Giants. The deal also covers any potential feature films, as well as merchandising and licensing.
Mary McCormack, who recently appeared in K-PAX with Kevin Spacey, will star in the CBS comedy pilot Julie Lydecker, which centers on a mother/daughter relationship. According to The Hollywood Reporter, McCormack will also be seen in the upcoming drama Full Frontal alongside Julia Roberts.
Yoko Ono, the widow of former Beatle John Lennon, has paid an estimated $213,300 to have the words "Imagine all the people living in peace" emblazoned on a billboard in Piccadilly Circus in London, Reuters reports. Ono, who already has the billboard up in Times Square and in Tokyo, thought people needed to be reminded of this message after the horrible events of Sept. 11.
After a three-year hiatus, former supermodel Cindy Crawford returned to the catwalk for designer Roberto Cavalli's autumn/winter fashion show. Although she enjoyed the return, the model-turned-mother of two told Reuters she would not do it for a whole season. "At home, I wear jeans and a T-shirt, so it doesn't matter if I get mucky...but then I put on a Cavalli top or trousers and feel like a sexy mum rather than a frumpy housewife."
Comic Kevin Meaney was arrested at San Francisco International Airport on Sunday for grabbing the butt of a gun held by a National Guardsman, Reuters reports. An airport police spokesman said Meaney got belligerent after his wife was subjected to a secondary security screening and had to lift up her blouse and show her bra to the screeners. Meaney, 45, was booked into the San Mateo County Jail on a felony charge of attempting to take a firearm from a police officer and two misdemeanor charges of battery and disturbing the peace.
Julia Child is recuperating from a bout with bronchitis that landed her in the hospital during the weekend. Child, 89, had to cancel an appearance at a rare-wine auction Saturday night at the Ritz-Carlton Hotel in the Bay Area after she had trouble breathing. She checked into a San Francisco hospital Saturday afternoon and was released Sunday, AP reports.
Edward Norton, Brett Ratner, James Whitmore and Anthony Hopkins will be some of the stars attending the 7th Annual Palm Beach International Film Festival in West Palm Beach, Fla. The festival will take place April 11 through 18 and will feature more than 40 films, including American independent and Spanish-language films and entries from France, Israel, Ukraine and Italy.
Songwriter Harlan Howard died Sunday at the age of 74. Responsible for more than 100 Top 10 hits, including Ray Charles' "Busted" and Patsy Cline's "I Fall to Pieces," Howard was known as the dean of Nashville songwriters. His death came after years of ill health. A memorial service for him will be held in Nashville on March 19.
February 08, 2002 2:07pm EST
Jonathan Cross (Chris Klein) is down and out in California when he runs into his old friend Marcus Ridley (LL Cool J) driving a pricey sports car and dripping in gold jewelry. As it turns out Ridley is making it big in an international Rollerball league and convinces Cross to do the same. Fast-forward four months into the future and Jonathan has become one of the biggest and most sought-after Rollerball stars. He's rich drives a nice car and is having a steamy relationship with his teammate Aurora (Rebecca Romijn-Stamos). From the looks of it Rollerball is a serious moneymaking operation: We are constantly shown million of dollars worth of currency going through money counters at record speed. And by the instant ratings numbers that appear on the organizer's monitors it's obvious that Rollerball fever has taken over the world. When conniving Rollerball creator Petrovich (Jean Reno) discovers that the ratings go through the roof when blood gets spilled things start to go very wrong. Cross and his teammates suddenly find themselves playing for their lives.
Chris Klein (American Pie 2) is Jonathan Cross the all-American Rollerball player but he underplays the role. You would expect a character in his position to have a certain amount of charisma and charm but Klein's delivery is a bit deadpan and lacking in attitude. His best pal Marcus Ridley is played by LL Cool J (Kingdom Come) who manages to add a bit of dimension to his otherwise underdeveloped character. In fact he may have been better suited for the lead. The only good part about model-turned-actress Rebecca Romijn-Stamos' (X-Men) role is that it didn't incorporate too many lines. Sounding like Natasha from Rocky and Bullwinkle you have to wonder what she was thinking with that accent which (contrary to the actress' recent statement on MTV that a bad accent is not necessarily bad acting) certainly is part of the acting and certainly is bad. Jean Reno (Just Visiting) was probably the most interesting character. He was all bad without a single redeeming quality which he at least pulled off with flair whether it was in his delivery or his elaborate fur coats.
Rollerball is director John McTiernan's (The Thomas Crown Affair) take on the 1975 classic directed by Norman Jewison. There is definitely enough action in Rollerball to keep viewers interested but the major problems lies within the characters' development-there isn't any. So while the action may keep your eyeballs glued to the screen momentarily you will find yourself indifferent to the characters their plight and what happens to them. Cross and Aurora's relationship for example is implied through one hastily done sex scene in the gym. Consequently when the evil Petrovich threatens to hurt her if Cross tries to leave the game we could care less because we don't really know her or how important she is to Cross. Being such an internationally renowned sport the accents which play a big part in the film are done too shoddily. The French accents go from Canadian to European within a sentence and that's only from the ones I could pick up. Who knows what other languages were massacred in the process?