By all appearances The Killer Inside Me’s setting of Central City Texas is the epitome of the cinematic small town complete with slow–drawl country music tunes a businessman who practically owns the town and a doe-eyed lady who most of the townsfolk love but whose heart belongs to the deputy sheriff. Lou Ford (Casey Affleck) though is no ordinary deputy sheriff as we learn when he is ordered to evict a local prostitute Joyce Lakeland (the always gorgeous Jessica Alba) because she has taken up with the son of town boss Chester Conway (Ned Beatty). Unfortunately for Conway this is Jessica Alba we're talking about! After a rather interesting exchange with Joyce Ford takes up with her himself and hatches a plan for them to skip town together. When Ford’s fiancé Amy Stanton (a fetching Kate Hudson) suspects an affair between the two trouble ensues and a maelstrom of murder mischief and mayhem soon envelops Central City.
Based on the novel by Jim Thompson who also wrote The Grifters and The Getaway as well as screenplays for Stanley Kubrick’s films The Killing and Paths of Glory The Killer Inside Me is one of the better films of its ilk wherein the “hero” is actually a disturbed — and disturbing — individual. Directed by Michael Winterbottom (A Mighty Heart) and featuring a supporting cast of actors that could each carry their own film (and indeed some have) including Bill Pullman Simon Baker and Elias "I’m not Christopher Meloni and he is not me" Koteas this movie should be penciled into everyone’s must–see list.
To answer the main question on the minds of the panting fanboys: Yes both of the film's buxom beauties Alba and Hudson show heaping gobs of skin. Unfortunately this is film noir a genre in which attractive female characters seldom survive to see the final credits roll.
With that in mind a word of warning: The Killer Inside Me does get a bit gratuitous with its violence and while it's not Bad Lieutenant- or David Lynch-level gratuitous it's still out-there blunt-trauma-to-the-head violent. Winterbottom makes the dangerous choice of rarely cutting away from the looks on the faces of those involved in these scenes and we as viewers become willing accomplices in Ford’s actions. In the film’s defense the violence is actually used for character development and there are enough moments of subtle bleak black humor to counterbalance it. But if you're the squeamish type you might wish to stay home.
Long out of the shadow of his more famous brother Casey Affleck comes out of his own shadow in The Killer Inside Me creating a character as charismatically menacing as a villainous protagonist could be; an Anton Chigurh you could bring home to meet your family. With no shred of his “Baastaahn” accent apparent Affleck speaks in a southern drawl that sounds like he's about to crack at any instant; because usually he is. It's the kind of role that will be talked about for years (if this film gets the proper promotion that is) and in my opinion will make him a very early candidate for Best Actor.
Cambridge-educated Tony Wilson is a young but established TV journalist in Manchester who is fed up with his silly assignments be they hang-gliding adventures or an interview with a midget who cares for elephants. When one evening he catches an unknown band called the Sex Pistols at a poorly attended show he becomes a believer in what is the new and rebellious punk movement. Taking a chance he opens a club to give new punk bands exposure becoming a major promoter of the punk movement. But hardly the exemplary capitalist he's motivated by gut feelings and passion and his belief in Manchester as the epicenter of new music. Wilson does discover several bands that go on to varying degrees of success and notoriety including Joy Division/New Order and the Happy Mondays but punk values and the lifestyle take their toll. There are the premature deaths marital breakups including Wilson's first marriage and drug lords who wield too much influence in Wilson's club. His own loosey-goosey ways with his record business and artist contracts leads to his label's demise. Through it all Wilson keeps his day job as TV personality and never lets go his allegiance to his beloved Manchester flag.
Thanks to 24 Hour Party People Steve Coogan as Tony Wilson may well become a star in Yank country. Known to TV audiences in the U.K. Wilson with a background in comedy is a brilliant and compelling presence as the film's drolly ironic and obviously learned hero. All supporting roles here are superb including Andy Serkis as doomed and messed up producer Martin Hannett Rob Brydon as Ryan Letts and Shirley Henderson as Wilson's first wife Shirley.
Michael Winterbottom who so brilliantly directed Welcome to Sarajevo but disappointed with The Claim again triumphs here. Employing an arsenal of special effects and using DV Winterbottom perfectly captures an era a rock movement a place and the authentic spirit of a hugely intelligent and appealing maverick entrepreneur whose field of vision extended well above the bottom line.