Although most Holocaust-themed works present the Jews as victims this true story shows there were small bands who did manage to fight back no matter how difficult the challenge. Starting near the beginning of World War II the film focuses on three Jewish brothers who lead a small but effective resistance against the surging Nazi presence in the forests of Belarussia. Eldest brother Tuvia Bielski (Daniel Craig) returns home to find most of his family murdered. His only surviving siblings are his wild quick-tempered brother Zus (Liev Schreiber) prone to shoot first and ask questions later and his youngest brother Asael (Jamie Bell) whose gentle nature allows to him to act as a buffer between his two older siblings. Crux of the film is the conflict between Zus’ quest for revenge at any cost and Tuvia’s more measured desire to save lives. As they round up more and more Jewish outcasts the Bielskis form a community deep in the woods. But soon Tuvia must rise to the occasion and lead the 1 200 strong group deeper into hiding in order to survive the winter and the lurking Nazi threat. Daniel Craig gets back to his acting roots after two high-profile outings as 007. He’s strong resilient and complex as a man with a criminal past whose mettle is tested when he chooses to become an advocate for life over the prospect of turning into a killing machine. Schreiber is superb as well as the toughest of the brothers -- at least on the outside. His primal urge to survive at all costs by using whatever preemptive force is necessary is apparent throughout his well-detailed portrayal. And finally Bell who more than holds his own as the most innocent of the bunch and the one with the most to learn. Alexa Davalos Iben Hjejle and Mia Wasikowska add needed warmth and emotion as the three very different women or “forest wives ” with whom the brothers romantically bond during their years in hiding. Stand out in the enormous meticulously chosen cast is Mark Feuerstein as an intellectual and Viktor Panchenko as Isyyanov the leader of the People’s Army. Edward Zwick is known for intelligent historically based films like Glory The Last Samurai and Blood Diamond. Defiance follows suit shot on a rather large scale with lots of impressive action sequences buffering an intimate story. Zwick’s co-writer Clayton Frohman stumbled upon the Bielskis’ story while reading a newspaper obituary on one of them. Armed with exhaustive research and an unerring eye for authenticity the director does not present any of these characters as saints. They were flawed conflicted human beings caught up in a extraordinary situation which only highlights their indomitable determination and fortitude to walk out of that forest alive. James Newton Howard’s brilliant score with haunting violin solos from Joshua Bell deserve special mention among the talented artists who made Defiance come to life. This is a must-see movie and another towering cinematic achievement for Zwick his best since Glory.
Based on the best-selling novel by Dennis Lehane Mystic River is full of characters wrought with heavy emotions--and burdens. Yet it is also a fairly simplistic murder mystery. Three 13-year old boys Jimmy Sean and Dave are playing on a street in a tough Boston neighborhood when two pedophiles pretending to be cops grab Dave and take him away. In that moment all three lives are irrevocably changed. Jimmy (Sean Penn) grew up as tough as his neighborhood doing time for robbery but finally settling into a comfortable family life with his wife Annabeth (Laura Linney). Sean (Kevin Bacon) went on to become a cop but his personal life is in a shambles and he is estranged from his wife. Dave (Tim Robbins) has never been able to face his demons despite being a loving father and husband to Celeste (Marcia Gay Harden). Now 25 years later tragedy brings them together once again. Jimmy's 19-year-old daughter is found murdered and while Sean is assigned to the case with his partner Whitey (Laurence Fishburne) Jimmy seeks his own vigilante investigation with the local hoods--and Dave emerges as a prime suspect. As the mystery is unraveled all are pulled closer toward an abyss that will force them to face their true selves--and will mark them as irrevocably as the past itself has tainted their lives.
This is one of those dream scripts serious actors simply go gaga over--and the high-quality ensemble in Mystic River does their jobs superbly. To pinpoint the best performance of the bunch however is virtually impossible--and the Academy may have a tough time making the same distinction as there is surely going to be a nomination or two coming from this film. Penn as the emotionally charged Jimmy stands out a little ahead of the rest with his fury resonating throughout the film. Robbins' ultra-vulnerable Dave is also a remarkable study of a soul completely wounded by the horrors he has experienced. Linney and Harden too are excellent as the spouses; Linney as Annabeth is a strong defiant mother whose only impetus is to protect those she loves while Harden in contrast is meek and unsure as Celeste faced with the dilemma of showing faith and loyalty to her husband while at the same time being convinced he committed the murder. All the performances will quite literally blow your socks off.
With all its excellent acting Mystic River has the added benefit of being helmed by director Clint Eastwood who has enormous talent behind the camera. He likes his films to simmer; his Midnight in the Garden of Good and Evil and Oscar-winning Unforgiven are two examples. Mystic River is beautifully put together with lingering shots of Boston neighborhoods and the people who live in them. He doesn't move the camera much keeps things steady but knows when to pull in or pull out as the drama escalates (an aerial shot of an anguished Jimmy being held back by several policeman after he discovers his daughter's body shakes you to the core). Still there are some problems with this slow-burn technique in that sometimes things should move along rather than stand still. Eastwood seems also to have had trouble finding the ending. After a pivotal powerful climactic scene with Jimmy and Sean discussing Dave's kidnapping 25 years ago and its effect on all their lives Eastwood tacks on a few more final scenes of the men tying up loose ends resolving feelings with each other and their wives--and then going to watch a parade. It's a minor point compared to the quality of the rest of the film but it still leaves things on an anti-climactic note.