In his new film Due Date director Todd Phillips (Old School The Hangover) stages a rather audacious cinematic experiment placing two enormously talented actors Robert Downey Jr. and Zach Galifianakis on a mostly deserted island handing them an assortment of blunt and broken tools and charging them with constructing a free-standing fully-functioning Hollywood comedy.
To his credit Phillips was at least considerate enough to supply his comic Crusoes with a detailed blueprint. An odd-couple/road trip movie hybrid Due Date unapologetically mimics Planes Trains and Automobiles one of the John Hughes' rare “grown-up” comedies in which Steve Martin starred as a straightlaced family man forced to travel cross-country with a gratingly affable slob played by John Candy in order to make it home for Thanksgiving. (Surely there have been other such films before and since but Hughes’ work is the one Due Date most vividly recalls.)
The film’s script co-written by Phillips and Adam Sztykiel adds a handful of 21st-century twists to the formula: A baggage snafu while boarding an airplane leads Peter Highman (Downey) a type-A architect with a history of anger-management issues into a confrontation with a Federal Air Marshal that subsequently lands him on Homeland Security’s no-fly list. Stranded without reliable transport lacking the means by which to procure any (he left his wallet on the plane) and desperate to be reunited in L.A. with his pregnant wife (Michelle Monaghan) in time for her scheduled c-section he reluctantly agrees to hitch a ride with the same tubby schmuck Ethan (Galifianakis) who moments earlier was the catalyst of his security debacle.
The unlikely travel companions embark on a calamitous road trip from Atlanta to L.A. during which Ethan proves to be something of a disaster magnet with Peter bearing the brunt of the damage that occurs. Their navigator Phillips lazily guides them through an uneven obstacle course of comic scenarios some of which are embarrassingly predictable (Ethan stores his beloved father’s ashes in a coffee can and they’re later accidentally used to make coffee!) all of which are designed to showcase Downey’s caustic wit and Galifianakis’ sublime daffiness.
Few actors today deliver choice insults better than Downey and even fewer absorb them better than Galifianakis. They make for a truly marvelous collision of opposites and their interplay is what elevates Due Date above its often puzzlingly flat material. (That along with Galifianakis’ gift for physical comedy; no actor outside of the Jackass crew can better sell a collision with a car door.) The film's supporting cast meanwhile criminally underachieves. Conspicuous cameos from the likes of Danny McBride Juliette Lewis and Jamie Foxx are either unfunny unnecessary or both. On this road trip they’re little more than baggage. Thankfully Downey and Galifianakis are more than capable of shouldering the burden.
Whenever a relatively new writer gets hot in Hollywood, I'm always pleased. We've come a long way since the writer's strike of 2007 and, though it's still a highly competitive and often under-appreciated trade, this next piece of news brought a smile across this journalist's face.
Variety reports that Due Date writer Adam Sztykiel has sold a comedy pitch The Fight Before Christmas to Fox and the studio has immediately set the project up at Shawn Levy's (Date Night, Night at the Museum) 21 Laps production banner. Other than disclosing that Fight is a family-centered comedy, studio's keeping the logline under wraps. Levy may direct after he wraps Real Steel for DreamWorks, which is set to begin shooting next month.
Additionally, and more interesting in my eyes is the news that Sztykiel has been hired to re-write Lionsgate's The Game (not to be confused with David Fincher's 1997 mind-screw), an adaptation of Neil Strauss' novel The Game: Penetrating the Secret Society of Pickup Artists. The film centers on a community of pickup artists who offer their tips for seduction for the right price. Newcomer Ari Sandel will direct.
I think that The Game has huge R-rated potential, akin to what The Hangover and Knocked Up did for adult themed comedies. With the right lead in both of these new projects, Sztykiel's name should get a whole lot more recognizable in the near future (but no less hard to pronounce).
Source: Variety, Collider
Welcome to My Best Friend’s Four Scottish Weddings and No Funeral. Indeed Made of Honor borrows heavily from both films which naturally leaves no surprises. Patrick Dempsey plays Tom a sexy successful guy who has all the luck with the ladies. His male friends (Kadeem Hardison Richmond Arquette Chris Messina) all envy him but Tom’s one constant in his life is his best friend Hannah (Monaghan). He doesn’t ever have to worry about wooing her; he can just be himself. But when Hannah goes overseas to Scotland on a six-week business trip Tom is stunned to realize how empty his life is without her. So he decides to come clean and tell her how she feels once she gets back--except she returns engaged to a Scottish duke (Kevin McKidd) who is just about the most perfect guy there is. D’oh! What’s a boy to do but break up the girl’s wedding and win her for himself? There’s no doubt Dempsey has become the poster boy for romantic comedies what with his turn in Enchanted and his McDreamy role on Grey's Anatomy. Problem is he generally never offers anything more than his handsome face leaving all the heavy lifting to his leading ladies i.e. Enchanted’s Amy Adams and now Honor’s Monaghan. This lovely actress who has proven herself to be more than just an ingénue in films such as Gone Baby Gone and Kiss Kiss Bang Bang has a natural effervescence which exudes in just about anything she does. She does everything in her power to drum up chemistry with the bland Dempsey--and we’re thankful for her effort. McKidd best known for playing the kick-ass Roman solider Lucius Vorenus on HBO's Rome has very little to do as the Scottish stud but effectively comes across as near-perfect. And Sydney Pollack also does a nice turn as Tom’s oft-married dad who gives his foolish son some sage words of advice. Made of Honor may be a derivative yawner but director Paul Weiland (City Slickers II) tries his best to inject some personality into the proceedings. The prelude to the wedding in Scotland is sort of fun. Us lowly Americans are introduced to many interesting Scottish customs like throwing tree trunks in a competition of strength--in kilts no less. Other than that there really isn’t anything going on of any major note. Honor’s only chance to make something of itself is if the ladies head into a different theater while their male companions go see Iron Man.