The 2013 nominees for the Writers Guild of America awards have been announced. Writers, you say? Yes, writers! The people that make words dance on pages to create the worlds in which our favorite shows flourish. Some people, when confronted with a brilliant episode of television automatically assume the credit for its general goodness should go to the actors. But what about the writers? They are often just as (if not more so) likely to be the reason you laughed, cried, gasped, guffawed, or squirmed in your seat during last week's episode of your favorite show.
These makers of televised scripts carry a good chunk of a show's success (and failure) on their shoulders, and leading the pack of successful witty wordsmiths? Lena Dunham and her HBO darling Girls. Overall, it seems as though cable dramas fared better than broadcast (which, duh), but on the flip-side, broadcast comedies outdid their cable brethren. Breaking Bad cleaned up in the episodic drama category, and comedy lady hero Amy Poehler got herself a nod for the episode of Parks and Recreation she penned, "The Debate."
Check out the full list of nominees below!
Boardwalk Empire written by Dave Flebotte, Diane Frolov, Chris Haddock, Rolin Jones, Howard Korder, Steve Kornacki, Andrew Schneider, David Stenn, Terence Winter; HBO
Breaking Bad written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC
Game of Thrones written by David Benioff, Bryan Cogman, George R. R. Martin, Vanessa Taylor, D.B. Weiss; HBO
Homeland written by Henry Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Chip Johannessen, Meredith Stiehm; Showtime
Mad Men written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Brett Johnson, Janet Leahy, Victor Levin, Erin Levy, Frank Pierson, Michael Saltzman, Tom Smuts, Matthew Weiner; AMC
30 Rock written by Jack Burditt, Kay Cannon, Robert Carlock, Tom Ceraulo, Vali Chandrasekaran, Luke Del Tredici, Tina Fey, Lauren Gurganous, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, John Riggi, Josh Siegel, Ron Weiner, Tracey Wigfield; NBC
Girls written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO
Louie written by Pamela Adlon, Vernon Chatman, Louis C.K.; FX
Modern Family written by Cindy Chupack, Paul Corrigan, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Brad Walsh, Bill Wrubel, Danny Zuker; ABC
Parks and Recreation written by Megan Amram, Greg Daniels, Nate Dimeo, Katie Dippold, Daniel J. Goor, Norm Hiscock, Dave King, Greg Levine, Joe Mande, Aisha Muharrar, Nick Offerman, Chelsea Peretti, Amy Poehler, Alexandra Rushfield, Michael Schur, Mike Scully, Harris Wittels, Alan Yang; NBC
Girls written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO
The Mindy Project written by Ike Barinholtz, Jeremy Bronson, Linwood Boomer, Adam Countee, Harper Dill, Mindy Kaling, Chris McKenna, B.J. Novak, David Stassen, Matt Warburton; Fox
Nashville written by Wendy Calhoun, Jason George, David Gould, David Marshall Grant, Dee Johnson, Todd Ellis Kessler, Callie Khouri, Meredith Lavender, Nancy Miller, James Parriott, Liz Tigelaar, Marcie Ulin; ABC
The Newsroom written by Brendan Fehily, David Handelman, Cinque Henderson, Paul Redford, Ian Reichbach, Amy Rice, Aaron Sorkin, Gideon Yago; HBO
Veep written by Jesse Armstrong, Simon Blackwell, Roger Drew, Sean Gray, Armando Iannucci, Ian Martin, Tony Roche, Will Smith; HBO
“Buyout” (Breaking Bad), written by Gennifer Hutchison; AMC
"Dead Freight” (Breaking Bad), written by George Mastras; AMC
“Fifty-One” (Breaking Bad), written by Sam Catlin; AMC
“New Car Smell” (Homeland), written by Meredith Stiehm; Showtime
“The Other Woman” (Mad Men), written by Semi Chellas and Matthew Weiner; AMC
“Say My Name” (Breaking Bad), written by Thomas Schnauz; AMC
“The Debate” (Parks and Recreation), written by Amy Poehler; NBC
“Episode 9” (Episodes), written by David Crane & Jeffrey Klarik; Showtime
“Leap Day” (30 Rock), written by Luke Del Tredici; NBC
“Little Bo Bleep” (Modern Family), written by Cindy Chupack; ABC
“Mistery Date” (Modern Family), written by Jeffrey Richman; ABC
“Virgin Territory” (Modern Family), written by Elaine Ko; ABC
LONG FORM – ORIGINAL
Hatfields and McCoys, Nights 2 and 3, teleplay by Ted Mann and Ronald Parker, Story by Bill Kerby and Ted Mann; History Channel
Hemingway & Gelhorn written by Jerry Stahl and Barbara Turner; HBO
Pilot (Political Animals), written by Greg Berlanti; USA
LONG FORM – ADAPTED
Coma, Nights 1 and 2, teleplay by John McLaughlin, based on the book by Robin Cook; A&E
Game Change written by Danny Strong, based on the book by Mark Halperin and John Heilemann; HBO
“A Farewell to Arms” (Futurama), written by Josh Weinstein; Comedy Central
“Forget-Me-Not” (Family Guy), written by David A. Goodman; Fox
“Holidays of Future Passed” (The Simpsons), written by J. Stewart Burns; Fox
“Ned and Edna’s Blend Agenda” (The Simpsons), written by Jeff Westbrook; Fox
“Treehouse of Horror XXIII” (The Simpsons), written by David Mandel & Brian Kelley; Fox
COMEDY / VARIETY (INCLUDING TALK) – SERIES
The Colbert Report writers: Michael Brumm, Stephen Colbert, Rich Dahm, Paul Dinello, Eric Drysdale, Rob Dubbin, Glenn Eichler, Dan Guterman, Peter Gwinn, Barry Julien, Jay Katsir, Frank Lesser, Opus Moreschi, Tom Purcell, Meredith Scardino, Scott Sherman, Max Werner; Comedy Central
Conan writers: Jose Arroyo, Andres du Bouchet, Deon Cole, Josh Comers, Dan Cronin, Michael Gordon, Brian Kiley, Laurie Kilmartin, Rob Kutner, Todd Levin, Brian McCann, Conan O'Brien, Matt O'Brien, Jesse Popp, Andy Richter, Brian Stack, Mike Sweeney; TBS
The Daily Show With Jon Stewart writers: Rory Albanese, Kevin Bleyer, Richard Blomquist, Steve Bodow, Tim Carvell, Hallie Haglund, J.R. Havlan, Elliott Kalan, Dan McCoy, Jo Miller, John Oliver, Zhubin Parang, Daniel Radosh, Jason Ross, Jon Stewart; Comedy Central
Jimmy Kimmel Live writers: Tony Barbieri, Jonathan Bines, Joelle Boucai, Sal Iacono, Eric Immerman, Gary Greenberg, Josh Halloway, Bess Kalb, Jimmy Kimmel, Jeff Loveness, Molly McNearney, Bryan Paulk, Danny Ricker, Rick Rosner; ABC
Key & Peele writers: Jay Martel, Ian Roberts, Keegan Michael Key, Jordan Peele, Sean Conroy, Colton Dunn, Charlie Sanders, Alex Rubens, Rebecca Drysdale; Comedy Central
Portlandia writers: Fred R. Armisen, Carrie Brownstein, Karey Dornetto, Jonathan Krisel, Bill Oakley; IFC
Real Time With Bill Maher writers: Scott Carter, Adam Felber, Matt Gunn, Brian Jacobsmeyer, Jay Jaroch, Chris Kelly, Mike Larsen, Bill Maher, Billy Martin; HBO
Saturday Night Live Head writer: Seth Meyers. Writers: James Anderson, Alex Baze, Neil Casey, Jessica Conrad, James Downey, Shelly Gossman, Steve Higgins, Colin Jost, Zach Kanin, Chris Kelly, Joe Kelly, Erik Kenward, Rob Klein, Lorne Michaels, John Mulaney, Christine Nangle, Mike O’Brien, Josh Patten, Paula Pell, Marika Sawyer, Sarah Schneider, Pete Schultz, John Solomon, Kent Sublette, Bryan Tucker, Additional Sketch By Emily Spivey, Jorma Taccone, Additional Material By Frank Sebastiano; NBC Universal
COMEDY / VARIETY – MUSIC, AWARDS, TRIBUTES – SPECIALS
66th Annual Tony Awards written by Dave Boone; special material by Paul Greenberg; opening and closing songs by David Javerbaum, Adam Schlesinger; CBS
2012 Film Independent Spirit Awards written by Billy Kimball, Wayne Federman; IFC
After the Academy Awards Head writers Gary Greenberg, Molly McNearney. Writers Tony Barbieri, Jonathan Bines, Sal Iacono, Eric Immerman, Jimmy Kimmel, Jeffrey Loveness, Bryan Paulk, Danny Ricker, Richard G. Rosner; ABC
National Memorial Day Concert written by Joan Meyerson; PBS
Days of Our Lives written by Lorraine Broderick, Carolyn Culliton, Richard Culliton, Rick Draughon, Christopher Dunn, Lacey Dyer, Janet Iacobuzio, David A. Levinson, Ryan Quan, Dave Ryan, Melissa Salmons, Roger Schroeder, Elizabeth Snyder, Christopher J. Whitesell, Nancy Williams Watt; NBC
One Life to Live written by Lorraine Broderick, Ron Carlivati, Anna Theresa Cascio, Daniel J. O’Connor, Elizabeth Page, Jean Passanante, Melissa Salmons, Katherine Schock, Scott Sickles, Courtney Simon, Chris Van Etten; ABC
The Young and the Restless written by Amanda Beall, Jeff Beldner, Brent Boyd, Susan Dansby, Janice Ferri Esser, Jay Gibson, Scott Hamner, Maria Kanelos, Natalie Minardi Slater, Beth Milstein, Michael Montgomery, Anne Schoettle, Linda Schreiber, Lisa Seidman, Sarah K. Smith, Christopher J. Whitesell, Teresa Zimmerman; CBS
CHILDREN'S – EPISODIC & SPECIALS
“The Good Sport” (Sesame Street), written by Christine Ferraro; PBS
CHILDREN’S – LONG FORM OR SPECIAL
Girl vs. Monster story by Annie De Young; teleplay by Annie De Young and Ron McGee; Disney Channel
Winners will be announced on February 17th at events in New York and Los Angeles. What do you think of this year's nominees? Let us know in the comments!
[Photo Credit: Jojo Whilden/HBO]
Follow Alicia on Twitter @alicialutes
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There is a lot that could go wrong with a big screen adaptation of Life of Pi, the 2001 bestselling novel by Yaan Martel. Which may explain why the story of a young boy stranded on a lifeboat with a Bengal tiger — juggling deep themes of religion, family, nature, and human existence — has been developed and let go by many big names in Hollywood. For nearly a decade, filmmakers like M. Night Shyamalan, Alfonso Cuarón, and Jean-Pierre Jeunet (Amélie) have grappled with the project, but it wasn't until Oscar-winner Ang Lee (Brokeback Mountain, Crouching Tiger, Hidden Dragon) that the film was fully realized.
Lee's Life of Pi is an inspiring film sporting imaginative visuals and pushing the art of 3D in new directions. Even more impressive is what's underneath it all: a character-driven narrative that depicts the book's grand ideas with unexpected tenderness.
The opening film of the 50th New York Film Festival, Life of Pi dreams big. Thanks to Lee's expert direction and a solid script from David Magee (Finding Neverland), the survivor tale avoids the pitfalls of such an ambitious effort, never straying into hokey melodrama. The film opens with a writer (Rafe Spall) visiting Pi Patel (Irrfan Khan) at his home in Canada, after being told that the Indian immigrant had an amazing life story in need of capturing. "Amazing" may not be enough of a superlative. Young Pi (newcomer Suraj Sharma) begins his life as a regular kid in Pondicherry, India, growing up on his family's bustling zoo while attempting to fit in with the world around him. His major struggle is with religion — while his father resents faith and his mother is dedicated to Hinduism, Pi wants a little of it all. He's Hindu, he's Catholic, he's Muslim, he's a wanderer between all ways of thinking. When he attempts to feed the zoo's tiger, only to be caught by his father and disciplined for considering the beast to be anything remotely soulful. It's clear that his upbringing in the lush environment has seeped deep into Pi's way of life.
The main character's passion for the world around him gives Lee the opportunity to direct Life of Pi with a painter's eye. Nearly every shot is exquisitely composed — from bold colors to camera movement to the layers of 3D. This holds true even when Pi's story takes a turn for the worse. Having run into financial troubles, the Patel family packs up the animals and heads to Winnipeg on a French freighter. While crossing the Mariana Trench, the ship encounters a catastrophic storm that floods it into oblivion (a moment of disaster that rivals the artistic destruction of Titanic). Pi and a few of the animal passengers escape on a lifeboat, the glow of his past life slowly fading away into the depths of the Ocean. The set piece is gorgeous, but Lee never forgets the impact the incident has on Pi's life. It's indicative of the entire film.
The brunt of the story focuses on the man vs. nature we've seen in films like 128 Hours and Cast Away, but in an even more terrifying landscape and played out with an expressionistic touch. Pi finds himself on a lifeboat with the Bengal tiger, "Richard Parker," lowering the already minuscule chance of his survival to something unimaginable. He copes, building a second raft out of wood planks and life preservers, but his survival is a ticking clock. All he can do is sit, fish, write, and pray.
Lee approaches Pi's journey of floating in the middle of the Pacific with a jungle cat like a fever dream. Like the swirling universe he imagines as the residence of his various gods, the deserted ocean is a luminescent wonder, filled with giant whales, glowing jellies, flying fish, and deep caverns that unlock Pi's wild imagination.
All the while, Pi tends to his tiger; their brotherly relationship is the core of Life of Pi. Sharma has heavy material to tackle for his big screen debut, but even with its weak moments, stands as a tremendous breakout. Over time, Pi loses himself to the ocean, reaching for understanding and investing more and more in his feline companion. It's a physically demanding performance too — Lee always pelting something new at his young actor and Sharma shining through even the biggest wave. The tiger is another marvel, a CG creation that actually performs against Sharma. If Caeser in Rise of the Planet of the Apes was a milestone, Richard Parker is the next step. On top of the central duo, Magee's framing device of Older Pi and the writer works miraculously well, thanks to the natural skills of Khan and Spall. Exposition be damned — these two can have a casual conversation that feels as dynamic as the larger than life tale they're discussing.
Life of Pi arrives in theaters on November 21 and as all the makings of the perfect holiday film. On a visceral level, it's simply a beautiful movie (any live-action film that evokes memories of Hokusai's The Great Wave is doing something right). But Lee transcends flashy blockbuster contemporaries by finding a source material where the breathtaking compliments the character's arc. Life of Pi isn't an overtly religious film, even though Pi identifies with religions of all kinds. It's about the power of self, the religion of humanism. There are few feats of mortal strength as impressive as survival. That's what makes Life of Pi one of the most powerful films of the year.
Follow Matt Patches on Twitter @misterpatches
[Photo Credit: 20th Century Fox(2)]
More:New 'Life Of Pi' Trailer: That's One Visually Epic Movie — TRAILER'Life of Pi' First Look: A Man and a Tiger Are On a Boat... — PHOTONew York Film Festival 2012 Line-up: 'Life of Pi,' Bill Murray's FDR and More
The first trailer for the Ang Lee-directed adaptation of the Yann Martel novel Life Of Pi gave us a quick glimpse into the rich storytelling to be brought to life in this seemingly-epic new film. Now, as a lead-up to its premiere at the New York Film Festival on Friday, a second trailer has been released on Yahoo. And while probably half of the imagery remains the same, a bigger picture is presented at twice the speed of the last. Hello sensory overload, thy name is Life Of Pi!
The sweeping new clip is set to the ethereal music of Sigur Ros, and finished up with a quick one-two punch from Coldplay's recent hit "Paradise," which adds to the clanging, dazzling beauty the trailer presents.
The film--which will surprise no one to learn is being presented in 3D--tells the story of an Indian boy named Pi and the adventures he endures after a devastating shipwreck strands him in the middle of the ocean on a teeny-tiny boat with a cavalcade of critters for 227 days.
The film stars Irfan Khan, Gérard Depardieu, Suraj Sharma and Adil Hussain.
Life Of Pi will be released on November 21st, 2012.
[Photo Credit: 20th Century Fox]
Follow Alicia on Twitter @alicialutes
'Life of Pi' First Look: A Man and a Tiger Are On a Boat... — PHOTO
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Theatrics slapstick and cheer are cinematic qualities you rarely find outside the realm of animation. Disney perfected it with their pantheon of cartoon classics mixing music humor spectacle and light-hearted drama that swept up children while still capturing the imaginations and hearts of their parents. But these days even reinterpretations of fairy tales get the gritty make-over leaving little room for silliness and unfiltered glee. Emerging through that dark cloud is Mirror Mirror a film that achieves every bit of imagination crafted by its two-dimensional predecessors and then some. Under the eye of master visualist Tarsem Singh (The Fall Immortals) Mirror Mirror's heightened realism imbues it with the power to pull off anything — and the movie never skimps on the anything.
Like its animated counterparts Mirror Mirror stays faithful to its source material but twists it just enough to feel unique. When Snow White (Lily Collins) was a little girl her father the King ventured into a nearby dark forest to do battle with an evil creature and was never seen or heard from again. The kingdom was inherited by The Queen (Julia Roberts) Snow's evil stepmother and the fair-skinned beauty lived locked up in the castle until her 18th birthday. Grown up and tired of her wicked parental substitute White sneaks out of the castle to the village for the first time. There she witnesses the economic horrors The Queen has imposed upon the people of her land all to fuel her expensive beautification. Along the way Snow also meets Prince Alcott (Armie Hammer) who is suffering from his own money troubles — mainly being robbed by a band of stilt-wearing dwarves. When the Queen catches wind of the secret excursion she casts Snow out of the castle to be murdered by her assistant Brighton (Nathan Lane).
Fairy tales take flack for rejecting the idea of women being capable but even with its flighty presentation and dedication to the old school Disney method Mirror Mirror empowers its Snow White in a genuine way thanks to Collins' snappy charming performance. After being set free by Brighton Snow crosses paths with the thieving dwarves and quickly takes a role on their pilfering team (which she helps turn in to a Robin Hooding business). Tarsem wisely mines a spectrum of personalities out of the seven dwarves instead of simply playing them for one note comedy. Sure there's plenty of slapstick and pun humor (purposefully and wonderfully corny) but each member of the septet stands out as a warm compassionate companion to Snow even in the fantasy world.
Mirror Mirror is richly designed and executed in true Tarsem-fashion with breathtaking costumes (everything from ball gowns to the dwarf expando-stilts to ridiculous pirate ship hats with working canons) whimsical sets and a pitch-perfect score by Disney-mainstay Alan Menken. The world is a storybook and even its monsters look like illustrations rather than photo-real creations. But what makes it all click is the actors. Collins holds her own against the legendary Julia Roberts who relishes in the fun she's having playing someone despicable. She delivers every word with playful bite and her rapport with Lane is off-the-wall fun. Armie Hammer riffs on his own Prince Charming physique as Alcott. The only real misgiving of the film is the undercooked relationship between him and Snow. We know they'll get together but the journey's half the fun and Mirror Mirror serves that portion undercooked.
Children will swoon for Mirror Mirror but there's plenty here for adults — dialogue peppered with sharp wisecracks and a visual style ripped from an elegant tapestry. The movie wears its heart on its sleeve and rarely do we get a picture where both the heart and the sleeve feel truly magical.
Top Story: Man Charged With Stalking Sheryl Crow
A former Navy diver was charged Wednesday with three counts of stalking and harassing singer Sheryl Crow, Reuters reports. Ambrose Kappos, 37, of New York, was also charged with burglary for breaking into the Hammerstein Ballroom near New York's Herald Square on Monday when Crow was rehearsing for a benefit show. Bail was set at $15,000 cash or a $45,000 bond but Kappos' court-appointed lawyer said it was doubtful his client would be able to raise the money to be released. He is due back in court on Friday to learn if he has been indicted on the charges. If convicted, Kappos could face seven years in prison.
Shyamalan Boards Pi Project
Filmmaker M. Night Shyamalan could make his first film outside the Walt Disney Co. banner since his supernatural thriller The Sixth Sense in 1999. According to Variety, Shyamalan is looking to adapt the survival-at-sea tale Life of Pi, the prizewinning novel by Yann Martel, for 20th Century Fox. Pi is about a deeply religious 16-year-old Indian boy en route to a new life in Canada with a Noah's Ark of animals from his father's zoo in Pondicherry when the freighter transporting him sinks. The boy escapes in a lifeboat with a Bengal tiger, an orangutan, a zebra with a broken leg and a hyena, and becomes convinced that his own survival hinges on the wild cat. Shyamalan reportedly connected with the project because the protagonist, Pi, hails from his birthplace--Pondicherry, Tamil-Nadu province, in India. Fox is hoping Shyamalan will make Pi his next pic after wrapping The Village (previously titled The Woods), set for release in August. The pact breaks Disney's hold on the director, whose The Sixth Sense, Unbreakable and Signs have grossed $1.3 billion worldwide for the studio.
Siegfried: Tiger Was Protecting Horn
Speaking of one whose life was affected by a tiger, Siegfried Fischbacher, half of the Las Vegas performance duo "Siegfried & Roy," said in an interview on CNN's Larry King Live Wednesday that the 600-pound white tiger was trying to help Roy Horn after the magician took a fall in the middle of a performance on Friday at the Mirage hotel-casino. "I just saw that the tiger grabbed him on the sleeve ... and Roy said, 'Let go,' and the tiger let go and Roy bent back and he slipped," Fischbacher said. "The tiger (grabbed) Roy in the neck and he pulled him back on stage." Fischbacher added that the tiger sensed heightened danger when he and an animal trainer ran to Horn's aid and suggested the animal took him backstage to protect him. Horn is in critical but stable condition at University Medical Center in Las Vegas.
Roger Moore Knighted
Former James Bond actor Roger Moore was knighted by Queen Elizabeth Thursday for his work as a goodwill ambassador for the United Nation Children's Fund, Reuters reports. Moore took over the role of secret agent 007 from Sean Connery in the 1973 film Live and Let Die. His last Bond film was 1985's A View to a Kill. The 75-year-old actor also had a word for fellow actor-turned-politician Arnold Schwarzenegger, who will become California's next governor. "If he does all the things that he says he will, then California will be an even better place to live in," Moore said.
Tribeca Announces Dates for Third Fest
The third annual Tribeca Film Festival will run from May 1-9, 2004 in Lower Manhattan. According to Variety, the festival announced a call for screenplay submissions to the Tribeca/Sloan development program for feature projects with a scientific or technological theme. The screenplay program, funded by the Alfred P. Sloan Foundation, provides financial support and mentorship over a one-year period from an advisory panel of filmmakers and experts in science and technology. Submission information for both the festival and Tribeca/Sloan program is available at www.tribecafilminstitute.org.
McCartney, Starr Attend Premiere of Harrison Tribute Pic
Paul McCartney and Ringo Starr, the two surviving members of the Beatles, joined family and friends of George Harrison for the British premiere Wednesday of Concert for George, a filmed tribute concert for their bandmate who died of cancer nearly two years ago. "It's a great film," McCartney told The Associated Press. "It was a great night and it was lovely to take part in it and to be here with all our friends." Other guests included Eric Clapton, Robbie Coltrane and former race driver Damon Hill. Concert for George, which was performed last year at Royal Albert Hall, will have a limited theatrical release Oct. 10, and will be available on DVD Nov. 17.
Napster 2.0 Debuts in Limited Release
A new pay version of Napster debuted today in limited release almost a year after the pioneer file-swapping service was salvaged from software maker Roxio Inc. The company shelved its former online music service, pressplay, and is moving subscribers to a beta version of Napster 2.0, the AP reports. Napster 2.0 will launch with more than a half-million songs from all the major music labels and offer individual song at $1 per song and album downloads for about $10. Monthly subscription services will also be available. Roxio is betting the Napster brand will help set its service apart from other digital music retailers, including Apple Computers' iTunes, Buy.com's BuyMusic.com, RealNetworks' Rhapsody, MusicNow and MusicNet.
ABC To Air Wife-Swapping Show
ABC has agreed to air a local version of the UK reality series Wife Swap for a six-week run next summer. The show follows women from different social backgrounds who switch families for two weeks. Wife Swap, which will be renamed Trading Moms in the United Sates, has been a hit on the UK's Channel 4, drawing 5 million viewers. According to The Hollywood Reporter, ABC had previously commissioned a pilot show from the show's producer, RDF Media, which declined to provide further details.
Group Opposes Embedded Product Placement
When judge Simon Cowell takes a sip from a red Coca-Cola cup right in th