It’s hard for me to judge a movie like Journey 2: The Mysterious Island too harshly because I am not representative of its intended audience. A pre-teen or fifth-grader may not be dissuaded as I was by the blindingly hurried pace plot discrepancies or absence of any character development while watching Brad Peyton’s (Cats and Dogs: The Revenge of Kitty Galore) attempt at reliving the success of Eric Brevig’s original Journey. And you know what? That’s okay because as a family film it adheres to a formula laid out by far superior fantasy adventures and runs its course quickly without ever leaving a moment to reflect on how ridiculous it is.
Essentially a series of set pieces tied together by a thinly drawn father-son story Journey 2 picks up a few years after the first film and finds Sean Anderson (Josh Hutcherson) searching for the titular location where he believes his long-absent grandfather has been stranded. Upon retrieving a coded message from a satellite tower just outside of town he enlists the help of his new ex-Navy stepfather Hank (Dwayne Johnson) to get to the bottom of the mystery. Together they travel to a tropical paradise and hitch a helicopter ride with Gabato (Luis Guzman) and Kailani (Vanessa Hudgens) before crash landing on the Mysterious Island where an action-packed escapade awaits them.
The above description reads like a standard adventure template and that’s exactly what Journey 2 is. With a bare bones script from the writers of Bring it On Again neither director nor actors had significant material to work with but they run jump duck and dive through sets that resemble the jungle-gym from Legends of the Hidden Temple and various theme-park attractions as if they were cast in Peter Jackson’s King Kong giving every scene everything they’ve got. It’s a good thing that the ensemble was so enthusiastic about the picture; though there isn’t much chemistry between them they collectively draw your attention from the gratuitous gimmicky 3D videogame-inspired digital environments and outdated creature design.
Every role has a designated responsibility in this by-the-numbers production: Hutcherson is the brains spitting out expository literary facts to keep the story going throughout while Johnson is clearly the brawn. Guzman with his incessant infantile comedy is the mouth while Hudgens – quite frankly – is the eye candy. Only as a unit can they come close to making Journey 2 entertaining but even when working in relative harmony it’s hard to find much qualitative value in the film. As previously stated Journey 2: The Mysterious Island wasn’t made for all audiences. It will provide a few moments of underage humor and three-dimensional thrills for the kids but everyone else will be wondering why they had to watch The Rock sing “What a Wonderful World” in an adaptation of a Jules Verne novel.
I’ve always been an unabashed fan of Dwayne “The Rock” Johnson a magnetic screen presence whose charm and charisma more than make up for his shortcomings as an actor. That said even I’m finding it harder to defend his choices of roles over the past few years including his most recent turn in the family comedy The Tooth Fairy. Striving to produce quality family-friendly entertainment is certainly a commendable goal Rock but could you do us a favor and throw in the occasional R-rated (or at least PG-13) action flick every once in a while? Please?
The plot of The Tooth Fairy is standard kids-movie stuff: Johnson plays a gruff self-centered minor-league hockey player who after crushing the dreams of a few wide-eyed youngsters is sentenced to two weeks of community service as a tooth fairy. Handed wings a magic wand invisibility spray and other standard fairy accoutrements he’s sent to various children’s houses where he must brave all matter of domestic hazards to fulfill his tooth fairy obligations.
The Rock is usually the best part of otherwise underwhelming movies like this but he actually stumbles out of the gate in The Tooth Fairy overdosing on cheese and ham in an awkward first act. What ultimately makes the movie work is British comic Stephen Merchant recognizable to some as the hapless agent of Ricky Gervais’ chronically underemployed actor in HBO’s Extras who plays The Rock’s beleaguered fairy case worker. With his thin frame and his subtle sharp wit he provides the perfect foil for The Rock’s oversized personality creating just enough of a comedic spark to make The Tooth Fairy a relatively enjoyable if altogether unspectacular experience for both the kids and their babysitters.
WHAT IT’S ABOUT?
Disney takes another whack at “Witch Mountain” having found success more than three decades ago with Escape to Witch Mountain and its sequel. Now the story has been contemporized and Bourne-ified to create what is essentially a nonstop breathless race across long winding roads and two worlds competing for superiority. As in the original two children with extraordinary powers seek to save Earth and their own planet from evil forces. They waste no time jumping into a hapless Las Vegas taxi driver’s cab ordering him to put the pedal to the metal. It soon becomes clear the secret to their quest lies somewhere in Witch Mountain a place where top-secret government activity has been going on for years. With their own alien military leaders in favor of a violent takeover and the U.S. leaders ready for confrontation these two teens Sara and Seth plus their cabbie Jack Bruno race against time to find a better solution for both of their worlds.
WHO’S IN IT?
Fast becoming Disney’s go-to guy Dwayne Johnson (formerly known as The Rock) follows up his hit football comedy The Game Plan with another family-oriented tale in which he again gets upstaged by kids. His Jack Bruno proves the perfect foil this time as he gets to be funny cynical commanding and heroic all in the course of about 97 minutes. As events careen out of his control Johnson grows increasingly exasperated and that’s part of the fun. As Sara a smart extraterrestrial teen Anna-Sophia Robb (Bridge to Terabithia) is ideally cast bringing a nice believability to the role without falling into stereotypes. Seth is well played but with one-note earnestness by Alexander Ludwig who still comes off a little too robotic at times. As an astrophysicist who gets caught up in the trio’s predicament Carla Gugino is a delight. Lead among the antagonists is Irish actor Ciaran Hinds who is properly mean and heartless when it comes to aliens of any stripe. Director Garry Marshall has an amusing cameo as a self-styled UFO expert and there are brief but welcome appearances by the all-grown-up Kim Richards and Ike Eisenmann who played the ‘70s incarnation of the alien kids in the earlier films. Richards’ face-to-face meeting with Robb is especially sweet.
The filmmakers wisely keep the retro tone of the book and earlier films while using state-of-the-art visual effects and movie magic. A lot of sci-fi movies have come along since Escape to Witch Mountain premiered in 1975 – see Star Wars Close Encounters and E.T. And while Witch Mountain circa 2009 won’t do anything to make us forget those classics it’s good fun -- like welcoming back an old friend.
There’s no complexity in sight and the story isn’t given a lot of time to breathe. We barely get to know Jack Bruno before the kids have hijacked his cab and the whirlwind begins. A little more exposition and plot development would have been welcomed for those with an attention span beyond two minutes.
There are lots of first-rate action set pieces including a collision with a train and a chase through a Vegas casino but the climactic spaceship battle can’t be topped. Kids are going to eat this sequence up.
After showing Jack her alien prowess for the first time by making various items in his cab float in mid-air Sara says “you humans don’t move objects because you don’t develop your full brain capacity”. Bruno replies “No I don’t do it because it’s kind of creepy.”
When retired U.S. Special Forces Soldier Chris Vaughn (Johnson) returns to Kipsat County Wash. it's only to find his hometown overrun with crime drugs and violence. The old mill where Chris's father (John Beasley) worked for most of his life is closed and the town's only thriving industry is the Wild Cherry casino. Even Chris' high school sweetie Deni (Ashley Scott) couldn't resist the Wild Cherry's lure; she's become a peepshow dancer to "pay the bills." But Chris really loses it when he discovers the casino's dealers are using loaded dice--and he starts a brawl that ends with the security team carving up his chest and abdomen with a rusty Exacto knife. Chris also learns that that his old high school rival the casino's owner Jay Hamilton (Neal McDonough) has transformed the mill into a crystal meth lab and is using the casino's menacing security staff to sell the drugs to innocent kids. Chris strikes back by running for sheriff firing the entire police department on his first day and with the help of a cedar two-by-four and his deputy and buddy Ray Templeton (Johnny Knoxville) restores peace to the Pacific Northwest.
Johnson looking buffer than ever is well cast in the role of Chris: He's a fearless and determined soldier with beyond-human fighting skills. But while the film takes advantage of Johnson's brawn it fails to take advantage of his brain. In last year's comedy The Rundown Johnson proved he was more than a muscle-bound action star; he oozed charm and was surprisingly witty. With Walking Tall he never gets a chance to flex his acting muscles; if anything they atrophy. The only skills Johnson gets to show off are his ability to swing a plank at someone's shins and his unique way of bashing skulls against slot machines. Johnson's sidekick Ray played by Knoxville of MTV's Jackass fame is an ex-junkie who after spending a couple of years in the slammer is content with living in a camper and doing odd jobs around town. With his scraggly appearance and klutzy demeanor Knoxville supplies the film with brief interludes of humor amid the slam fest including a scene in which he stabs a bad guy with a potato peeler. Johnson and Knoxville would have made a first-rate action team had they had more screen time together.
A WWE production with Vince McMahon serving as executive producer Walking Tall has none of the subtlety of director Kevin Bray's last film All About the Benjamins and all the elements of a wrestling match. As with wrestling the film begins by melodramatically establishing the story (Chris and his family's lives are devastated by the mill's closure) and just like rival pugilists who publicly taunt the favored wrestler Chris challenges Jay--not for the world title but at least for control of Kipsat County--in a never-ending battle between good and evil that mimics wrestling to a T. But what's entertaining in the ring doesn't translate to film especially when the good guy running the town is a maniacal meathead. Chris is supposed to be the protagonist who single-handedly saves the town but who's responding to the citizens' domestic violence calls for example when the sheriff fires the entire precinct and spends 24 hours a day casing the casino? Never mind the fact that he has sex with his girlfriend in his office while he's on the clock.