Who knew that Will Smith could deliver the year’s most unexpected and profoundly moving love story? He plays Ben a man with a deep dark secret that leads him help seven complete strangers each with their own particular set of circumstances. Constructed like a jigsaw puzzle we slowly get clues to the traumatic events that cause Ben to contact these people and change their lives in ways they never could have anticipated. What he doesn’t expect is to fall in love with one of them -- Emily Posa (Rosario Dawson) a cardiac patient whose heart may be weak but is clearly strong enough to make a difference in the way Ben looks at things. It’s this relationship that becomes the center of Grant Nieporte’s compelling screenplay but as it continues it’s obvious there is more to what Ben is doing a mystery not revealed until the final moments and one you will not easily forget. Will Smith is at his best. He may be the world’s No. 1 movie star at the moment but he’s continually proving himself to be a brilliant actor as well. Reteaming with director Gabriele Muccino who led him to a Best Actor Oscar nomination in The Pursuit of Happyness Smith once again finds his dramatic mojo in the role of a man whose life has been shattered by something so profoundly affecting that he reaches out to strangers in an effort to redeem himself. You will be hard-pressed to find the loveable Will Smith persona anywhere within this character. Dawson also has a career best as the spunky and courageous Emily a role that could have been sloppily sentimentalized and maudlin. She’s a revelation delivering a flawless and luminous performance. And best among the various recipients of Ben’s kindness is Woody Harrelson as a blind man he encounters. Also quite good is Barry Pepper as Ben’s childhood friend who is the only other person “in” on Ben’s master plan helping him to achieve his goal. He rips your heart out when he gets the call from Ben who says “It’s time.” Gabriele Muccino puts it all out there. He is an unapologetically emotional director and some will probably find fault with his style but as the Italian filmmaker proved in Pursuit of Happyness he knows exactly what he’s doing and where he’s taking the story. He’s most successful here in building suspense and an air of mystery around Smith’s character and then bringing it all home in a whopper of a final act. Clearly story acting and gut-level feeling are the three things that drive Muccino and his distinctive stamp and European approach is evident throughout. Most of all he has given Smith and Dawson a real showcase finding the meat of a story that’s one from the heart and good for the soul.
Jagshemash! (Note: Excuse please any and all Borat-isms in this review. They've infiltrated our vernacular--just like they will yours! Chenquieh.) Borat Sagdiyev (Sacha Baron Cohen) a noted celebrity and TV talking head in his native Kazakhstan is set to travel to U.S. and A. for well make benefit glorious nation of Kazakhstan. With a camera crew and his show's director Azamat Bagatov (Ken Davitian) along for the ride Borat stops first in New York City. It is a nice! Like anyone from a faraway land he is amazed that his hotel room is larger than an elevator and by all the peoples on the subway and by Pamela Anderson. In fact he is so smitten after watching his first Baywatch episode that his mission has changed: He will go to California and marry Pamela and hopefully make a sexy time! Of course he and Azamat will still have to cross the country--in their ice cream truck--to get there stopping along the way in the biggest cities and smallest towns and seeing everything from "vanilla faces" and "chocolate faces" to women who get to choose their sexual partners. If Academy voters had any "khram" whatsoever they'd give Cohen an Oscars invite...which he'd promptly parlay into the opening scene for Borat 2. And who in their right mind wouldn't just kill to see that acceptance speech?! But I optimistically digress. Any breakdown of Cohen's inhabitance of his alter ego Borat--one of three from his beloved Da Ali G Show; he's reportedly set to immortalize Bruno his gay Austrian fashionista from the show next--reveals what is stealthily one of the best performance in years. Before you scoff consider the indisputable facts: In Borat Cohen is (a) pretending to be if not totally becoming someone else and (b) has positively just one take to nail each scene and nail each scene he does. If those don't comprise an amazing performance in the most fundamental sense then what's the criterion? And not to be forgotten in all that Cohen pulls off here is Borat's entire straight-faced diction--from the accent to the word usage--which audiences could appreciate more in earnest if their howls of laughter didn't overpower some of the dialogue but who can blame 'em? Lest we forget veteran actor Davitian (a California native!) has a hand in quite a bit of the madness as well. One of his scenes in particular will be burned into your memory for a long time to come. Oh you'll know it when you see it--it's the one that makes a Steve-O stunt look like PBS programming. Borat is admittedly not for everyone because some people just don't like to laugh! In all seriousness--and more so as an obligatory disclaimer--the movie is beyond offensive and some people will walk out. But the worst thing you can do is dismiss it even if you just skip it. Because underneath Cohen's mustache that puts Earl Hickey's to shame his soiled suit and his who's-gonna-know-it's-faux? Kazakh accent the British comedian is interested not in attacking America but rather in exposing its underbelly that is rarely vulnerable--in other words if he didn't want to wake people up with this film it would've been called Cultural Learnings of Switzerland (which still would've been pretty funny). Thus his intentions while not necessarily educational fall somewhere between hilarity and eye-opening satire--not vitriol. Director Larry Charles (Seinfeld Curb Your Enthusiasm Entourage) must have some stories to tell his grandchildren about the guerilla-style hit-and-run filmmaking that was executed but as co-writer star and character creator Cohen shoulders all the onus credit and death threats. His anonymity and privacy might take some hits too. Speaking of which he is indeed Jewish. Unfortunately for Cohen however he's not also black mentally or physically handicapped gay a female a gypsy a Kazakhstani or an animal. Which is to say loosen up people! Nobody goes untouched here least of all the man perpetrating the offenses.