Those keeping up with the continuous roll out of awards circuit nominations have, by now, come to notice a trend. Despite the wide variety of organizations offering recognition of film achievement, each year there are bound to be some mainstays: specific movies that top every venue's list.
So far, 2012's nomination championship falls in the lap of Lincoln, Steven Spielberg's beloved biopic about America's 16th president. The British Academy of Film and Television Arts has revealed its nominations, cementing Lincoln as the past year's most impressive spectacle. The historical drama earns 10 nods from BAFTA, including the top honor of Best Film. In Lincoln's company are other unsurprising entries: Les Miserables and Life of Pi each take in nine nominations (both Best Film candidates as well), and Argo ropes in seven (another top honor hopeful). Check out the full list of nominees below.
LIFE OF PI
ZERO DARK THIRTY
OUTSTANDING BRITISH FILM
THE BEST EXOTIC MARIGOLD HOTEL
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
BART LAYTON (Director), DIMITRI DOGANIS (Producer) — The Imposter
DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) — McCullin
DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) — Wild Bill
JAMES BOBIN (Director) — The Muppets
TINA GHARAVI (Director/Writer) — I Am Nasrine
FILM NOT IN THE ENGLISH LANGUAGE
RUST AND BONE
SEARCHING FOR SUGAR MAN
WEST OF MEMPHIS
MICHAEL HANEKE — Amour
BEN AFFLECK — Argo
QUENTIN TARANTINO — Django Unchained
ANG LEE — Life of Pi
KATHRYN BIGELOW — Zero Dark Thirty
AMOUR (Writer: Michael Haneke)
DJANGO UNCHAINED (Writer: Quentin Tarantino)
THE MASTER (Writer: Paul Thomas Anderson)
MOONRISE KINGDOM (Writers: Wes Anderson, Roman Coppola)
ZERO DARK THIRTY (Writer: Mark Boal)
ARGO (Writer: Chris Terrio)
BEASTS OF THE SOUTHERN WILD (Writers: Lucy Alibar, Benh Zeitlin)
LIFE OF PI (Writer: David Magee)
LINCOLN (Writer: Tony Kushner)
SILVER LININGS PLAYBOOK (Writer: David O. Russell)
BEN AFFLECK — Argo
BRADLEY COOPER — Silver Linings Playbook
DANIEL DAY-LEWIS — Lincoln
HUGH JACKMAN — Les Misérables
JOAQUIN PHOENIX — The Master
EMMANUELLE RIVA — Amour
HELEN MIRREN — Hitchcock
JENNIFER LAWRENCE — Silver Linings Playbook
JESSICA CHASTAIN — Zero Dark Thirty
MARION COTILLARD — Rust and Bone
ALAN ARKIN — Argo
CHRISTOPH WALTZ — Django Unchained
JAVIER BARDEM — Skyfall
PHILIP SEYMOUR HOFFMAN — The Master
TOMMY LEE JONES — Lincoln
AMY ADAMS — The Master
ANNE HATHAWAY — Les Misérables
HELEN HUNT — The Sessions
JUDI DENCH — Skyfall
SALLY FIELD — Lincoln
ANNA KARENINA (Dario Marianelli)
ARGO (Alexandre Desplat)
LIFE OF PI (Mychael Danna)
LINCOLN (John Williams)
SKYFALL (Thomas Newman)
ANNA KARENINA (Seamus McGarvey)
LES MISÉRABLES (Danny Cohen)
LIFE OF PI (Claudio Miranda)
LINCOLN (Janusz Kaminski)
SKYFALL (Roger Deakins)
ARGO (William Goldenberg)
DJANGO UNCHAINED (Fred Raskin)
LIFE OF PI (Tim Squyres)
SKYFALL (Stuart Baird)
ZERO DARK THIRTY (Dylan Tichenor, William Goldenberg)
ANNA KARENINA (Sarah Greenwood, Katie Spencer)
LES MISÉRABLES (Eve Stewart, Anna Lynch-Robinson)
LIFE OF PI (David Gropman, Anna Pinnock)
LINCOLN (Rick Carter, Jim Erickson)
SKYFALL (Dennis Gassner, Anna Pinnock)
ANNA KARENINA (Jacqueline Durran)
GREAT EXPECTATIONS (Beatrix Aruna Pasztor)
LES MISÉRABLES (Paco Delgado)
LINCOLN (Joanna Johnston)
SNOW WHITE AND THE HUNTSMAN (Colleen Atwood)
MAKE UP & HAIR
ANNA KARENINA (Ivana Primorac)
HITCHCOCK (Julie Hewett, Martin Samuel, Howard Berger)
THE HOBBIT: AN UNEXPECTED JOURNEY (Peter Swords King, Richard Taylor, Rick Findlater)
LES MISÉRABLES (Lisa Westcott)
LINCOLN (Lois Burwell, Kay Georgiou)
DJANGO UNCHAINED (Mark Ulano, Michael Minkler, Tony Lamberti, Wylie Stateman)
THE HOBBIT: AN UNEXPECTED JOURNEY (Tony Johnson, Christopher Boyes, Michael Hedges, Michael Semanick, Brent Burge, Chris Ward)
LES MISÉRABLES (Simon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst)
LIFE OF PI (Drew Kunin, Eugene Gearty, Philip Stockton, Ron Bartlett, D. M. Hemphill)
SKYFALL (Stuart Wilson, Scott Millan, Greg P. Russell, Per Hallberg, Karen Baker Landers)
SPECIAL VISUAL EFFECTS
THE DARK KNIGHT RISES (Paul Franklin, Chris Corbould, Peter Bebb, Andrew Lockley)
THE HOBBIT: AN UNEXPECTED JOURNEY (Joe Letteri, Eric Saindon, David Clayton, R. Christopher White)
LIFE OF PI (Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer)
MARVEL AVENGERS ASSEMBLE (Nominees TBC)
PROMETHEUS (Richard Stammers, Charley Henley, Trevor Wood, Paul Butterworth)
HERE TO FALL
I’M FINE THANKS
THE MAKING OF LONGBIRD
THE VOORMAN PROBLEM
Click here to read about BAFTA's Rising Star Award nominations, which include Elizabeth Olsen and Juno Temple.
[Photo Credit: David James/20th Century Fox]
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In a post-Harry Potter Avatar and Lord of the Rings world the descriptors "sci-fi" and "fantasy" conjure up particular imagery and ideas. The Hunger Games abolishes those expectations rooting its alternate universe in a familiar reality filled with human characters tangible environments and terrifying consequences. Computer graphics are a rarity in writer/director Gary Ross' slow-burn thriller wisely setting aside effects and big action to focus on star Jennifer Lawrence's character's emotional struggle as she embarks on the unthinkable: a 24-person death match on display for the entire nation's viewing pleasure. The final product is a gut-wrenching mature young adult fiction adaptation diffused by occasional meandering but with enough unexpected choices to keep audiences on their toes.
Panem a reconfigured post-apocalyptic America is sectioned off into 12 unique districts and ruled under an iron thumb by the oppressive leaders of The Capitol. To keep the districts producing their specific resources and prevent them from rebelling The Capitol created The Hunger Games an annual competition pitting two 18-or-under "tributes" from each district in a battle to the death. During the ritual tribute "Reaping " teenage Katniss (Lawrence) watches as her 12-year-old sister Primrose is chosen for battle—and quickly jumps to her aid becoming the first District 12 citizen to volunteer for the games. Joined by Peeta (Josh Hutcherson) a meek baker's son and the second tribute Effie the resident designer and Haymitch a former Hunger Games winner-turned-alcoholic-turned-mentor Katniss rides off to The Capitol to train and compete in the 74th Annual Hunger Games.
The greatest triumph of The Hunger Games is Ross' rich realization of the book's many worlds: District 12 is painted as a reminiscent Southern mining town haunting and vibrant; The Capitol is a utopian metropolis obsessed with design and flair; and The Hunger Games battleground is a sprawling forest peppered with Truman Show-esque additions that remind you it's all being controlled by overseers. The small-scale production value adds to the character-first approach and even when the story segues to larger arenas like a tickertape parade in The Capitol's grand Avenue of Tributes hall it's all about Katniss.
For fans the script hits every beat a nearly note-for-note interpretation of author Suzanne Collins' original novel—but those unfamiliar shouldn't worry about missing anything. Ross knows his way around a sharp screenplay (he's the writer of Big Pleasantville and Seabiscuit) and he's comfortable dropping us right into the action. His characters are equally as colorful as Panem Harrelson sticking out as the former tribute enlivened by the chance to coach winners. He's funny he's discreet he's shaded—a quality all the cast members share. As a director Ross employs a distinct often-grating perspective. His shaky cam style emphasizes the reality of the story but in fight scenarios—and even simple establishing shots of District 12's goings-on—the details are lost in motion blur.
But the dread of the scenario is enough to make Hunger Games an engrossing blockbuster. The lead-up to the actual competition is an uncomfortable and biting satire of reality television sports and everything that commands an audience in modern society. Katniss' brooding friend Gale tells her before she departs "What if nobody watched?" speculating that carnage might end if people could turn away. Unfortunately they can't—forcing Katniss and Peeta to become "stars" of the Hunger Games. The duo are pushed to gussy themselves up put on a show and play up their romance for better ratings. Lawrence channels her reserved Academy Award-nominated Winter's Bone character to inhabit Katniss' frustration with the system. She's great at hunting but she doesn't want to kill. She's compassionate and considerate but has no interest in bowing down to the system. She's a leader but she knows full well she's playing The Capitol's game. Even with 23 other contestants vying for the top spot—like American Idol with machetes complete with Ryan Seacrest stand-in Caesar Flickerman (the dazzling Stanley Tucci)—Katniss' greatest hurdle is internal. A brave move for a movie aimed at a young audience.
By the time the actual Games roll around (the movie clocks in at two and a half hours) there's a need to amp up the pace that never comes and The Hunger Games loses footing. Katniss' goal is to avoid the action hiding in trees and caves waiting patiently for the other tributes to off themselves—but the tactic isn't all that thrilling for those watching. Luckily Lawrence Hutcherson and the ensemble of young actors still deliver when they cross paths and particular beats pack all the punch an all-out deathwatch should. PG-13 be damned the film doesn't skimp on the bloodshed even when it comes to killing off children. The Hunger Games bites off a lot for the first film of a franchise and does so bravely and boldly. It may not make it to the end alive but it doesn't go down without a fight.
After garnering widespread praise (and an Oscar nomination for screenwriting) for his 2000 directorial debut You Can Count on Me Kenneth Lonergan was in-demand. In September 2005 the writer/director began production on a follow-up feature: Margaret which touted Anna Paquin Matt Damon Mark Ruffalo Matthew Broderick Allison Janney as well as legendary filmmakers Sydney Pollack and Anthony Minghella (The English Patient) as producers. The movie wrapped production in a few months time. The buzz was already growing.
Now six years later the movie is finally hitting theaters. So…what took so long?
The journey to this point hasn't been an easy one and it shows. If a film's shot footage is a block of granite and the editing process is the careful carving that turns it into a statuesque work of art Margaret feels like it was attacked by a blind man with a jackhammer. The film is a cinematic disaster a mishmash of shallow characters overwrought politics and sporadic tones. The story follows Lisa Coen (Paquin) a New York teenager who finds herself drowning in chaos after distracting a bus driver (Ruffalo) causing him to hit and kill a pedestrian (Janney). Initially Lisa tells the police it was all an accident but as time passes regret takes hold and the girl embarks on a mission to take down the man she now regards as a culprit. That's just the tip of the iceberg–along the way Lisa deals with everyday teen stuff: falling for her geometry teacher (Damon) combating her anxiety-ridden actress mother losing her virginity dabbling in drugs debating 9/11 and the Iraq War cultivating a relationship with her father in LA and more. There are about eight seasons of television stuffed into Margaret but even a two and a half hour run time can't make it all click.
For more on Margaret check out Indie Seen: Margaret the Long Lost Anna Paquin/Matt Damon Movie
Reeve's animated feature moves forward
Yankee Irving, a computer-animated feature film that Christopher Reeve had been directing at the time of his death last weekend, will remain in production, producer Morris Berger told The Associated Press yesterday. But Berger said IDT Entertainment had not yet decided who will take over as director. "We've just been addressing personal issues and the great loss and reassuring our staff that the production will go on," he said. "Tomorrow we'll think those things through." Yankee Irving is about a father and his baseball playing son who overcomes personal obstacles to realize his dreams. Reeve, who had overseen the project for the past year, once described it as "captivating, with the perfect blend of warmth and wit." Reeve had been overseeing the film's production from his home office in Pound Ridge, N.Y., through a videoconferencing system set up by IDT, and regularly sent electronic files of character designs and animatics filled with notes to the company's animation production offices. Voice casting and theatrical distribution for Yankee, which is scheduled for release sometime in 2006, have yet to be announced. The Superman star died Sunday after suffering a heart attack and slipping into a coma the previous day. He was 52.
FCC to fine Fox for indecency violation
The Federal Communications Commission is reportedly preparing to levy a $1 million fine against Fox Broadcasting Co. and its affiliates for indecency violations dating back to April 2003 with an episode of the reality show Married by America, Reuters reports. According to Monday's edition of Television Week, the content in question involved lascivious banter among Married contestants and a segment that involved contestants licking whipped cream off each other's bodies. The weekly newspaper reported the fine stemmed from a complaint lodged by watchdog group the Parents Television Council. The fine comes less than a month after the FCC formally issued its $550,000 fine against CBS for Janet Jackson breast-baring incident during the Super Bowl telecast in February 2003.
Travolta to guest star on Alley's Fat Actress
Kirstie Alley, whose upcoming Showtime series Fat Actress is set to debut in March, will be in good company. The AP reports Alley's Look Who's Talking co-star John Travolta will make a guest appearance on the seven-episode, unscripted comedy series. Based on Alley's real-life struggles, the show follows a semi-fictional film and TV star as she comically contends with an unforgiving public and media over her struggles with weight. The actors will largely improvise based on a story outline. Travolta joins several guest stars slated for the reality hybrid, including his own actress wife, Kelly Preston, NBC Universal TV Group President Jeff Zucker and Hangin' With Mr. Cooper's Mark Curry.
Democrats want anti-Kerry docu shelved
The Democratic Party is expected to file a complaint today with the Federal Election Commission against the broadcasting company Sinclair Broadcast Group for their plans to air a documentary criticizing presidential candidate John Kerry, the AP reports. Stolen Honor: Wounds That Never Heal, made by Vietnam veteran and former journalist Carlton Sherwood, chronicles Kerry's 1971 testimony before Congress and includes interviews with Vietnam prisoners of war and their wives, who claim Kerry's testimony demeaned them and led their captors to hold them longer. Democratic National Committee Chairman Terry McAuliffe argues Sinclair is acting as a mouthpiece for the Republican Party rather than a legitimate news outlet. Campaign finance records show that company's executives have donated thousands of dollars to Bush's campaign.
Cates to take on Academy Awards again
Gil Cates has signed on to produce next year's Academy Awards, making it his 12th time behind the star-studded Hollywood bash, AP reports. "With 11 shows under his belt, no other producer, living or dead, even comes close to the depth of Gil's experience," said Frank Pierson, President of the Academy of Motion Picture Arts and Sciences. "We're lucky to have him back." Cates added, "I already have ideas whirling around in my head and can't wait to see them through to fruition on Oscar night." The 77th Academy Awards will be preceded by the telecast of the Academy's official pre-show red carpet arrivals from 5 to 5:30 p.m., which Cates will also executive produce.
Apprentice Troy McClain shopping for a college
Troy McClain, who was fired by Donald Trump during the first season of the TV reality show The Apprentice, is currently fielding offers from several colleges and universities, including Boise State, Columbia University and Albertson College of Idaho. McClain, who was one of the most successful and popular members on the inaugural season of The Apprentice, later said on his Tonight Show appearance it was his lack of a college degree eventually did him in. Trump heard his comment and offered to send McClain to the college of his choice. "This man, with an education, will be unbeatable," Trump said at the time. McClain started looking hard at Boise State after President Bob Kustra contacted him personally over the summer, his manager Ed Moore told the AP.
Madonna, Prince top Billboard touring awards
Madonna is one of the top finalist for Billboard's Backstage Pass Awards, which recognizes top achievements in touring and are based on ticket sales tabulated in Billboard's Boxscore Reports, LaunchMusic reports. Other finalists include Prince, Shania Twain, Josh Groban, Linkin Park and John Mayer. The awards will be presented Nov. 8 and 9 in New York.
Kit Bowen contributed to this report.