WHAT IT’S ABOUT?
Pixar makes it ten gems in a row with this enchanting animated story of 78-year-old Carl Fredricksen a recent widower who decides to fulfill his (plus his late wife’s) lifelong dream of tying thousands of balloons to their house and floating off to a mountaintop in South America. But he soon discovers a stowaway in the form of Russell a precocious eight-year-old “Wilderness Explorer” who he reluctantly allows to accompany him on his journey. Together the unlikely pair embark on the adventure of a lifetime encountering Kevin a rare 13-foot tall-flightless bird; Dug an overly-friendly talking pooch; and Charles Muntz a once-famous adventurer who now lives alone in a massive airship surrounded by a pack of attack dogs.
WHO’S IN IT?
Sticking to their general custom of casting actors not big stars in key voice roles Pixar assembled a superb cast for Up led by veteran TV star Ed Asner (The Mary Tyler Moore Show) as the aged Carl who takes flight in his house and finds there is a lot to learn about life even as you near death. Asner’s grumpy delivery provides the perfect counterpoint to nine-year-old Jordan Nagai’s Russell a bright and optimistic kid who proves an invaluable assistant to Carl throughout their journey. Christopher Plummer (The Sound of Music) is authoritative and intriguing as the obsessed Muntz and John Ratzenberger (Cheers) extends his streak of Pixar films to 10 as a construction engineer who tries to convince Carl to sell his house. Bob Peterson does delightful double duty as two of the key dog voices lovable Dug and the menacing Alpha head of the pack.
Like Pixar’s previous Oscar-winning masterpiece Wall-E Up is a ‘toon that is not content to explore the same places we’ve seen in previous animated blockbusters. Centering an action comedy around a 78-year-old man isn’t a strategy you’ll find in the youth-obsessed Hollywood recipe book but it pays great dividends here with a moral that life’s greatest adventure is the one you share with someone you love. The non-humans — particularly Kevin and Dug — are hilarious and unique and a silent sequence detailing the courtship and marriage of the Fredricksens is a sweet touch that could have come straight out of a Charlie Chaplin movie.
With a string of critically-acclaimed hits that includes Toy Story Finding Nemo The Incredibles Ratatouille Wall-E and now Up Pixar is ruining it for everyone else. There is simply no way they can be topped when it comes to pushing the boundaries of animated movies. Bad for other studios. Good for us.
Could Up which just became the first animated film to open the Cannes Film Festival also become the first to be nominated for the Best Picture Oscar since Beauty and the Beast in 1991 (before the Animation category was even established)? At this point in the year it’s actually a good bet. Whatever the case expect Up to earn several nominations come Oscar time.
A swashbuckling swordfight across the skies between two near-octogenarians? It’s the best action scene in a summer full of ‘em.
NETFLIX OR MULTIPLEX?
Oh pleeeeeease! Get to a theater fast. Up is also available in 3-D at select locations. Either way it’s a must-see.
We are first introduced to our bushy-haired redhead friend Napoleon (Jon Heder) in a vintage unicorn T-shirt dangling a superhero action figure out the window of his school bus. When his much younger friend asks "What are you going to do today Napoleon?" our protagonist's first words are marked with an attitude that is unmatched by anybody other than Napoleon himself "Whatever I feel like!" Napoleon and his chat room surfing brother Kip (Aaron Ruell) 31 with braces live with their biker grandma (Sandy Martin) until she's injured quad running at the dunes and Uncle Rico (Jon Gries) comes to babysit. Dynamite becomes the campaign manager for the class presidency of his best friend a new Mexican student named Pedro (Efren Ramirez) handing out key chains made by expert friendship bracelet-maker Deb (Tina Majorino). Dynamite also wins over the likes of Trisha (Emily Kennard) with a personal drawing of her that took forever he winsomely says "to finish the shading on her upper lip"; wears a vintage suit to his school dance; and injures his scrotum with a time machine purchased on the Internet. If this proud geek wasn't being kicked during class and pushed into lockers after he could just as easily be considered the coolest dork in town.
Jon Heder masters the coolness of weird and the awkwardness of youth through his social reject Napoleon Dynamite. Heder certainly has the open-mouthed squinty-eyed spectacle-clad doofus down to a T. From breaking an excessive sweat after practicing dance moves in his room to throwing fruit at his Uncle Rico to showing a pent-up rage while dancing for Pedro's candidacy speech Heder does every little thing with a resentful anger that makes his performance unforgettable and oh so laughable. As dazzling as he is alone Heder's act benefits when complemented by his equally outrageous costars. Ruell does a notable job portraying the fragility of his character Kip perfectly displaying the transition from computer geek to ghetto superstar thanks to new girlfriend LaFawnduh (Shondrella Avery). Gries is Uncle Rico--his constant nostalgic comments about his chance to "make State" in high school football in 1982 really start to get on your nerves. But Majorino takes the cake for the hilarity with which she depicts her character down to her hairstyles outfits jobs and hobbies. Her character Deb is eerily reminiscent of Dawn Wiener (Heather Matarazzo) from 1995's dork homage Welcome to the Dollhouse. One of the most attractive things about the movie is the organic love story that unfolds as Napoleon and Deb realize that they're in fact two peas in a pod.
Jared Hess directs Dynamite written by him and wife Jerusha. This movie is his baby as his only other directing and production credits include Peluca 2003's 9-minute short film focused on the character of Napoleon Dynamite then dubbed Seth. Without special effects or an expensive budget Dynamite will blow you away with its simple cinematography paralleled by the plain rural town in which the movie is set. Each of his characters has a specific quirky personality that they stay true to every minute on camera. Dynamite's Deb seems to look to Welcome to the Dollhouse's Dawn for fashion and boy advice. The two films are geek anthems that are both pathetic and inspiring at the same time. Just as Dollhouse reached its peak with a fuming Dawn marching over to her male obsession and releasing her rage over years of being unaccepted Dynamite reaches a whole new peak with the curiously angry Napoleon putting on an emotional dance performance in front of his victim of choice--the entire student body class.