Author Stephanie Meyer unleashed a phenomenon with her Twilight novels a teen vampire romance that has spurned a teen cult following. The good news is the movie is surprisingly just as potent -- a spellbinding terribly romantic hypnotic and entertaining film. At its heart are the elements that make any teen drama work; in this case it’s forbidden love. It starts with 16 year-old Bella Swan (Kristen Stewart) who relocates from her sunny Phoenix to the cold gray foreboding atmosphere of Forks Washington to live with her father. At her new high school she meets the incredibly attractive but mysterious Cullen clan including the allusive Edward (Robert Pattinson) who immediately intrigues her. What she doesn’t know yet is that Edward and his “family” are a group of vegetarian vampires who drink only animal blood and must live in the terminally cloudy region of Northwest. Edward tries to drive a determined Bella away by revealing his true identity but soon realizes she is the girl of his dreams. But as the two begin their complicated romance things get dicey when another group of um meat-lovin’ vampires target Bella. Teen Beat should clear their covers for a new group of stars sure to become huge with the female teen set -- and probably their mothers as well. Exuding a brooding reserve and air of mystery the follicley-endowed Robert Pattinson is reminiscent of James Dean and completely believable as a conflicted bloodsucker who becomes dangerously attracted to a mere mortal. His Edward’s unpredictable nature becomes irresistible for the attractive Kristen Stewart’s Bella as she grows closer to him despite his attempts to keep her at arm’s length. Not since Baby yearned for Johnny Castle in Dirty Dancing has there been such an effective pairing for the acne-challenged set. Pattinson and Stewart simmer with teen angst and desire and could be the next big thing -- especially if there are more Twilight sequels to follow. The Cullen clan led by foster parents Peter Facinelli and Elizabeth Reaser is perfectly cast with a good looking bunch of vampiric thesps including newcomers Ashley Green Kellan Lutz Jackson Rathbone and Nikki Reed. Red-headed Rachelle LeFevre as bad vamp Victoria is ideal along with Cam Gigandet and Edi Gathegi as the guys in her group of nomadic vampires. Director Catherine Hardwicke has certainly shown she understands the ever-changing moods of youth with her previous efforts (Thirteen Lords of Dogtown). But those flicks were just warm-ups for what she taps into with Twilight. She creates a wonderful creepy kind of muted dark and cloudy society with imposing camera angles and aching teen lust from her bright red-lipped hormonally charged leads. And thankfully she leaves the fangs on the cutting room floor. These vampires are actually relatable and Hardwick takes what could have been an awful juvenile programmer and lifts it into a different league creating not only a movie that should cross over beyond it’s target demo but one that makes us genuinely excited for the inevitable sequels.
Helen McCarter (Kimberly Elise) thought she had the perfect life with lawyer husband Charles (Steve Harris): a big house lots of creature comforts and a stable--albeit staid--marriage. But Helen's world shatters when Charles tells her on the eve of their 18th wedding anniversary that he wants a divorce and literally kicks her out of their spacious mansion to make room for another woman. Devastated she runs to her beloved pot-smokin' gun-totin' grandmother Madea (Tyler Perry) who lets Helen know she's a proud beautiful black woman who nonetheless should whoop the bastard's ass. As hurt as she is Helen really just wants to pick up the pieces and move on if she can. She finds guidance and empowerment from her family and friends including new friend Orlando (Shemar Moore) a drop-dead gorgeous construction worker whose sweet and sincere ways more than help Helen get through her pain. And he cooks too. Really there's no contest.
The main cast members aptly portray their roles formulaic as they are. Kimberly Elise (The Manchurian Candidate) as the grievously wronged wife has the toughest job trying to convey all the crazy mixed-up feelings Helen has for the ex-husband while trying to jumpstart her life. Steve Harris (TV's The Practice) as the callous husband and Shemar Moore (TV's The Young and the Restless) as the too-good-to-be-true suitor represent the two opposites sides of the coin. Even Cicely Tyson makes an appearance as Helen's invalid mother who seems just a little too healthy to be in a nursing home. But it's Tyler Perry who turns out to be the true mad black woman. The film comes alive when he's onscreen either playing the outrageous Madea--complete with wig makeup and padding--or Madea's brother Joe a lecherous old coot. Perry even gets to play it straight as Helen's kindly cousin Brian who has a junkie for a wife (played by Tamara Taylor with the usual vacant twitchy neediness). It would have been a long hour and a half without him.
Perry obviously writes from the heart having struggled through his younger years to become a well-known playwright. And with music video director Darren R. Grant at the helm Diary of a Mad Black Woman has all the best intentions. It's certainly a buoyant portrait of African-American life and culture that also speaks to anyone who has had to grapple with betrayal and hurt at the hands of those they love. But the stage-trained Perry somehow misses the subtleties of writing for film. Diary doesn't know what kind of genre it wants to be jumping from raucous comedy á la Big Momma's House to mind-numbing drama á la Waiting to Exhale. The characters don't have any complexities and are drawn very black or white. It also takes an awfully long time for our heroine to figure out what direction she's going to take when we could tell her in the first 30 minutes as to whom she should end up with. In the meantime we must endure several melodramatic set pieces filled with elaborate speeches about revenge love relationships redemption religion and all that which are meant to hit us hard with their poignancy. Perry might consider keeping the highfalutin writing for the stage and think about an acting career in film.