Michael Douglas and Catherine Zeta-Jones showed off a united front at the Super Bowl on Sunday (02Feb14) - the Hollywood couple was briefly spotted together at the big game. Reports initially suggested Douglas was at the game with the couple's son Dylan, but now there's photo evidence that his wife was there too - further proving that the pair is working on its problems following a much-publicised separation which began last year (13).
Wrapped up in a red shawl, a smiling Zeta-Jones was spotted with her husband and son as opera star Renee Fleming belted out the National Anthem just before the start of the game.
The Douglases were among the many stars who were at MetLife Stadium in New Jersey for the Super Bowl - Hugh Jackman took his brother, John Travolta, Sir Paul McCartney and Kevin Costner treated their wives to an evening out and celebrity suites were packed with famous faces like Beyonce and Jay Z, Forest Whitaker, Whoopi Goldberg, former U.S. President Bill Clinton, Jennifer Garner and supermodels Adriana Lima and Alessandra Ambrosio.
Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.
Baz Luhrmann workshopped his Great Gatsby project in New York last weekend with Leonardo DiCaprio reading the part of Jay Gatsby, Tobey Maguire as Nick Carraway and Rebecca Hall in for Daisy Buchanan. Both Deadline and The Wrap reported the news on Monday.
Luhrmann, who has not yet decided whether Gatsby will be his next film, is writing the project with his frequent collaborator, Craig Pearce, and is producing with Catherine Martin and Lucy Fisher and Douglas Wick. The project is set up at Sony. According to Deadline, the reading went well.
Also per Deadline, Luhrmann workshops every script he's considering and there's no guarantee those actors will wind up starring in the film. Reports have also mentioned Amanda Seyfried as a possible Daisy while Deadline's Mike Fleming says he's heard Luhrmann is sweet on Natalie Portman.
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A big hit at the 2008 Sundance Film Festival Hamlet 2 often careens out of control but when it connects the theatre fills with laughter. This is a story of a very frustrated high school drama teacher Dana Marschz (Steve Coogan) who decides to stage his own play--a musical sequel to Hamlet featuring original songs he has composed (titles like “Rock Me Sexy Jesus” and “Gay As the Day Is Long”). Yes he’s aware everyone died at the end of Shakespeare’s immortal classic but the failed actor-turned-teacher has found a way to bring them back to life by using a time machine(!) In any event he’s desperate to save the Tucson school’s arts program which is being cut and he thinks this is the answer. Certainly it’s better he figures than his usual productions which have the students re-enacting live stage versions of popular movies such as Erin Brockovich that are regularly panned by the ninth-grade drama critic. Of course the non-PC nature of the show causes lots of outrage from school officials and community leaders but with the help of ACLU attorney Cricket Feldstein (Amy Poehler) Dana remains steadfast in his determination to go on with the show. Coogan is brilliantly loony and wildly funny in a hit-for-the-fences interpretation of the character. He’s definitely taking chances turning off the audience with his off-the-wall approach to playing this desperate loser who has to resort to teaching bored kids. It’s Coogan’s energy and fresh approach that make the movie work better than it has any right to. Poehler who also scored recently in Baby Mama is hilarious as the take-no-prisoners lawyer who comes to Dana’s defense. Catherine Keener is droll perfection as his bored wife who is having an affair with their boarder Gary underplayed nicely by David Arquette. In the good sport category Elisabeth Shue turns up as…Elisabeth Shue now a local nurse after her movie career supposedly hit the skids. She’s actually very funny spoofing herself and the whole aura of the successful Hollywood star. The students are all first rate including Dana’s star pupils Rand Posin and Epiphany Sellers played amusingly by Broadway’s Spring Awakening cast members Skylar Astin and Phoebe Strole respectively. And special mention to The Ralph Sall Experience for their hilarious musical parodies. Director Andrew Fleming lets the gags fly with abandon and gets much of the broad bits to actually work. He and screenwriter Pam Brady forge a close collaboration that results in a pretty good hit-to-miss ratio on the laugh meter; anyone expecting subtlety has wandered into the wrong theatre. Working with a wonderful group of actors with plenty of improvisational experience certainly has helped here and Fleming’s film has the look and feel of a by-the-seat-of-your-pants experience. The actual staging of Hamlet 2 is rather inspired with the multitude of wacky musical numbers cleverly presented. The Southwestern high school that Coogan’s character is stuck in is spot-on although Tucson residents probably won’t appreciate the numerous jokes made at the expense of their town.