After catching her live-in boyfriend in a compromising position Amanda sets out to find a new place to live. She ends up rooming with four supermodels (Shalom Harlow Ivana Milicevic Sarah O'Hare and Tomiko Fraser) whose apartment has a great view -- especially of Jim the "perfect guy" across the way. When Amanda in a "Rear Window"- type scenario witnesses Jim committing what she thinks is a murder she sets out to prove that he did it. However to her surprise she ends up falling head over heels (literally a lot of the time) for him instead.
The chemistry between Prinze and Potter is near perfect. Potter does a great job of playing a klutzy girl who can't seem to stay on her feet long enough to have a conversation with Jim. But then again who could? Prinze exudes his usual charm and winning smile while at the same time showing great comic timing. The more pivotal moments with the four models who are "struggling " as they like to say are well done and surprisingly hysterical. Who needs a drama when you can have four models who are actually funny?
Director Mark S. Waters and Prinze Jr. are together again after their 1997 film "The House of Yes." "Head Over Heels" is a cross between "Fatal Attraction " "An Officer and a Gentleman" and "There's Something About Mary " which means it's a bit muddled in its direction. Waters tries a little too hard for the shock value while at the same time trying to convey romantic comedy elements almost overshadowing the performances of the actors. But hey then again we get to see supermodels covered in poop. Priceless. Still the fairly clever and darker script plus the winning chemistry between the lead actors makes it worthwhile.
Sultry culinary genius Isabella (Penélope Cruz) leads an idyllic life running a seaside restaurant in Brazil with her husband Toninho (Murilo Benício) - until she finds Toninho in bed with another woman that is. Heartbroken she heads off to San Francisco and immediately finds work as -- what else? -- the host of a TV cooking show. Screwball comedy complications ensue as a prayer to a Brazilian goddess goes awry Isabella's show becomes a hit and a penitent Toninho arrives to try and win his wife back.
Perma-pouting Spanish dish Cruz ("All About My Mother") is a solid actress with an excess of on-screen charisma but she isn't particularly well served by her first Hollywood starring vehicle. Hampered by their thick accents she and hunky Brazilian co-star Benício ("Orfeu") fight their way through hokey exchanges that have no business being in English anyway. (The whole film would have gone down more smoothly in Brazil's romantic tongue Portuguese.) Of the supporting players Harold Perrineau ("The Best Man") generates the most sparks putting a surprisingly fresh spin on one of the more tired modern screen clichés: the strapping black drag queen.
Venezuelan-born helmer Fina Torres ("Celestial Clockwork") adopts the candy-shop approach to commercial storytelling packing her film with enough sexy stars bright South American colors and tangy bossa nova tunes to distract viewers from the lame predictability of Vera Blasi's script. Pinching ingredients from the Mexican food-and-sex smash "Like Water For Chocolate " the filmmakers cobble together a passable romantic fantasy in the Latin American magical-realist tradition. Too bad most of the comedy falls flatter than a Brazilian crèpe.
For nine months prior to World War II in an extraordinary act of mercy the United Kingdom opened its doors to over 10 000 Jewish and other children escaping the clutches of the Third Reich. The organization and transportation of these children from Germany Austria and Czechoslovakia into foster homes and hostels was known as the Kindertransport (child transport). Stills newsreel footage re-creations and present-day interviews with children and parents who experienced this event form the narrative.
Single-camera interviews with Kindertransport survivors are the backbone of this stirring documentary. Interspersed with intensely researched films and salvaged photographs are simple straightforward accounts of practical emotional and often amusing experiences. Weaved sparingly throughout the film narrator Judi Dench gives "Into the Arms of Strangers" the proper authoritative voice bridging the many engrossing stories by tangible real people.
Equally balancing the tragedies of wartime with the precious celebration of life and family director Harris (writer/director of the Academy Award-winning "The Long Way Home " an account of post-war Holocaust survivors) manages to capture the heart and soul of these courageous and often unwitting children past and present. Additional credit must be paid to Gary Rydstrom's ("Toy Story 2 " "Titanic") phenomenal well-crafted sound design which allows the footage and photography to leap from the screen and raise this documentary into an involving three-dimensional tale. Together these two filmmakers make a formidable team.
Kindly chemistry whiz Sherman (Eddie Murphy) has found the love of his life in cutie colleague Denise (Janet Jackson) who appreciates the heart of gold beneath his extra-large exterior. But the hero's happiness is threatened when his irrepressible alter-ego Buddy Love (Murphy) reappears with a scheme to wreak havoc with Sherman's newly discovered youth potion.
"The Klumps" displays Murphy's remarkable talent for submerging himself in diverse characters even more prominently than the original did. He impressively expands upon the four Klump family members he plays with the aid of Rick Baker's Oscar-winning prosthetic makeup effects -- especially his hilarious turn as sex-crazed Granny Klump. Larry Miller is amusingly caustic as the dean of Sherman's college while pop diva Jackson deserves credit simply for keeping a straight face opposite Murphy's various incarnations.
Peter Segal ("Tommy Boy") hands in a polished if not particularly inspired piece of broad comedy that achieves its primary purpose -- staying out of Murphy's way as he works his special magic. The filmmakers pay little attention to the brainless shamelessly mechanical plotline devoting nearly all their energy to fart and sex gags that if anything aim lower than the original film's. We're talking about a flick draws one of its biggest laughs from a character getting sodomized by a giant hamster. Baby that's nasty!
It worked for Rob Schneider. Why not Dana Carvey?
The popular "Saturday Night Live" alum, largely out of the public eye since his heart surgery in 1997, will get a helping hand in reviving his career from A-lister (and fellow ex-"SNL" guy) Adam Sandler. Today's Daily Variety says Sandler will produce a Disney comedy that will both star and be co-written by Carvey.
The comedian, best known for yukking it up as shy Garth to Mike Myers' metal-head Wayne in the "Wayne's World" sketches and big-screen movies, is in talks with the studio, Sandler and producing partner Jack Giarraputo. They're the team responsible for Schneider's surprise holiday hit "Deuce Bigalow: Male Gigolo."
Mum's the word on the plot for Carvey's starring vehicle. But he'll get some notice as a supporting player in Sandler's upcoming comedy "Little Nicky." And if "Deuce's" $64 million domestic gross is any indication, the former Church Lady might be taking up a healthy collection.
Carvey underwent an angioplasty procedure in October 1997, at age 42. It was the capper on a down period for the comic, who flamed out professionally in 1996 with the ill-fated run of his ABC primetime vehicle "The Dana Carvey Show."
CAUGHT IN 'TRAFFIC': Harrison Ford and Catherine Zeta-Jones don't mind being stuck in Steven Soderbergh's "Traffic."
Trade-paper reports today say that the two stars have climbed aboard the Fox vehicle, which was once in danger of being junked. It's now parked at the studio's arthouse division, Fox Searchlight.
Ford will play a judge who becomes a U.S. drug czar. The film's based on the British miniseries "Traffik." Things get complicated when the judge's daughter becomes a serious crack cocaine and heroin addict.
The film is Ford's first foray into arthouse filmmaking. According to Variety, the actor will take a major pay cut from his usual $20 million fee. Shooting is set to begin April 2.
GIRLS IN THE 'HOUSE': Actresses Diane Lane and Leelee Sobieski will square off as mother-daughter rivals in "The Glass House." Variety says that the Columbia-based drama starts shooting this spring with television's Daniel Sackheim at the helm.
The 17-year-old Sobieski, last seen strutting in "Eyes Wide Shut," will star as a teen-ager taken in by a Malibu, Calif., couple after her parents die in a car accident.
'MONKEY' BUSINESS FOR NBC: "Dharma & Greg" star Thomas Gibson will be paid $1.5 million to monkey around in NBC's latest Hallmark Entertainment miniseries. The four-hour project, called "The Monkey King," co-stars Bai Ling. Russell Wong is in negotiations to play the title role.
The story, by "M Butterfly" playwright David Henry Hwang, is about a young American businessman and an academic who journey to China to do battle with mythical monsters.