WHAT IT’S ABOUT?
Based on Noel Coward’s 1928 play and set in that period Easy Virtue is about John Whittaker a young Englishman who falls madly in love with a flamboyant American woman named Larita whom he immediately marries and brings home to meet his stuffy all-airs English family. What ensues is a battle of wits that turns to war between the visiting yank and her new mother-in-law who is determined to prove to her son that he has made an egregious mistake.
WHO’S IN IT?
Jessica Biel takes a flying thespic leap and holds her own in the middle of a sterling cast of fine British talent as Larita the feisty young wife of a naïve young man who has fallen head-over-heels in love with her and expects his stuffy upper-crust family to fall in line. Biel is a delight as this thoroughly modern miss and shows she can adapt to the witty rhythms of Noel Coward’s rapid-fire repartee with the best of ‘em. And the best of ‘em includes the wonderfully talented and woefully underrated Kristin Scott Thomas (The English Patient) as the doubting Mrs. Whittaker who doesn’t quite welcome the American intruder with open arms. Thomas’ performance is reminiscent of the haughty English societal roles she began her career with but she adds a dollop of vinegar to this one and appropriately glams down for full effect. Ben Barnes (The Chronicles of Narnia: Prince Caspian) is at once smitten and perplexed as the impressionable new groom while the ever-reliable and appealing Colin Firth steals it all as his cynical and dour father the only other family member who sees the spark in Larita.
Shot entirely in some stunning stately mansions in the environs around Berkshire and Cambridgeshire Easy Virtue expertly captures the flavor of a sophisticated late-'20s British romp. The fresh and inspired casting of Biel in her first English foray should also find contemporary audiences responding. Although he occasionally opens things up a bit (including a very funny fox hunt) director Stephen Elliott wisely lets his cast take center stage with Coward’s constant zingers and spicy dialogue.
There’s nothing really new here that will make you go “Wow.” Though it’s all “been there seen that ” Easy Virtue is still done with verve and style. It’s a hoot for those who miss this kind of theatrical experience on the big screen.
When the others have retired to the patio Biel’s character accidentally sits on Mrs. Whittaker’s prized little pooch sadly squashing the poor little bugger to death. Her subsequent Lucy-esque attempts to cover up the crime are slapstick silly fun giving Biel the opportunity to display the kind of comic chops she didn’t get to show opposite Adam Sandler and Kevin James in I Now Pronounce You Chuck and Larry.
NETFLIX OR MULTIPLEX?
Netflix. The widescreen cinematography is nice to look at but this little trifle will play just fine at your own estate.
September 25, 2004 11:24am EST
Shaun (Simon Pegg) is an ambitionless electronics salesman whose idea of grabbing life by the throat is chugging beer at the local pub the Winchester. After three years Shaun's ennui starts to grate on his girlfriend Liz (Kate Ashfield) who presents the 29-year-old slacker with an ultimatum: Set some goals or get ready for the single life. Of course it isn't long before Liz dumps lazybones Shaun who drowns his sorrows in a pint of cold ale at--where else? The Winchester of course along with his out-of-shape and equally lethargic buddy Ed (Nick Frost). What Shaun and Ed are too wasted to realize however is that the good people of London are turning into zombies all around them. When Shaun is almost bitten by a strange pale lady lurking in his garden he realizes something's up--namely that the dead have risen and are feasting on the living. A newly-inspired Shaun springs into action and comes up with the perfect plan to thwart the undead. With the help of Ed he rounds up Liz her roommates his mom and stepfather and takes them to his idea of a safe haven: The Winchester!
As Shaun Pegg who had a small roles in the HBO miniseries Band of Brothers and the comedy 24 Hour Party People is quite endearing. Although he's shiftless Shaun is someone everyone can relate to--stuck in a comfort zone with no plan to change in his life. But Pegg brings some complexity to the character giving Shaun a sympathetic edge. Of course the film tends to overplay the sympathy card complete with shots of Shaun's fake tears after he splits with Liz. But in the end Shaun is not the lazy loser Liz and her friends all thought he was--just an easy-going guy who enjoys the simpler things in life. Ashfield who has starred in several British feature films is also impressive as Shaun's disapproving girlfriend. The on-screen chemistry between the two stars is surprisingly sweet and almost too down to earth for a parody; sure it's silly at times but incredibly believable. Frost meanwhile nails the sidekick role of Ed--a character you'll first despise but eventually grow to almost love.
In vein of his 1995 spaghetti Western spoof A Fistful of Fingers writer/director Edgar Wright uses his parodying skills once again for his second feature Shaun of the Dead--this time lampooning George Romero's 1978 zombie classic Dawn of the Dead. Like Romero whose zombie films take a satirical look at American counterculture of the late 60s Wright's Shaun takes aim at the dreadful idleness plaguing the underachieving Gen-Xers. The film's first 30 minutes are undoubtedly its best as Shaun and other young Londoners mechanically go through the motions of life without ever taking the time to smell the proverbial roses; they schlep to work traipse to the pub and slump into bed never fully appreciating their lives. While anticipating the imminent onslaught of zombies Wright takes pleasure in blurring the lines between the undead and the just plain lethargic. But the film loses its focus once Shaun's character takes a heroic turn and we are forced to endure several poignant moments with his mom and stepdad. Remember Shaun is suppose to be a zombie satire not a Lifetime movie of the week.