Fela!, about the life of revered African world music star Fela Kuti, will go up against Green Day's American Idiot, Memphis, and Million Dollar Quartet in the coveted Best Musical category at the 64th annual prizegiving, which honours the best on Broadway.
Meanwhile, Grammer and Hodge, who star as a camp gay couple in La Cage, will compete against Sean Hayes (Promises, Promises), Chad Kimball (Memphis) and Sahr Ngaujah (Fela!) for Best Performance by a Leading Actor in a Musical.
The evening is sure to be a star-studded event, with Hollywood actors Jude Law (Hamlet), Alfred Molina (Red), Liev Schreiber (A View from the Bridge), Christopher Walken (A Behanding in Spokane) and Denzel Washington (Fences) pitted against each other for the Best Performance by a Leading Actor in a Play award.
Washington's co-star Viola Davis will battle it out in the category for Best Performance by a Leading Actress in a Play, against Valerie Harper (Looped), Linda Lavin (Collected Stories), Laura Linney (Time Stands Still) and Jan Maxwell (The Royal Family).
Catherine Zeta-Jones (A Little Night Music), Kate Baldwin (Finian's Rainbow), Sherie Rene Scott (Everyday Rapture), Montego Glover (Memphis) and Christiane Noll (Ragtime) received nods for Best Performance by a Leading Actress in a Musical, and Scarlett Johansson's Broadway debut in A View from the Bridge has earned her a nomination for Best Performance by a Featured Actress in a Play.
Nominations for Best Play include In the Next Room (or The Vibrator Play), Next Fall, Red and Time Stands Still.
The winners will be announced on 13 June (10) at Radio City Music Hall in New York City.
The main list of nominees is as follows:
In the Next Room (or The Vibrator Play)
Time Stands Still
Million Dollar Quartet
Best Book of a Musical:
Everyday Rapture - Dick Scanlan and Sherie Rene Scott
Fela! - Jim Lewis & Bill T. Jones
Memphis - Joe DiPietro
Million Dollar Quartet - Colin Escott and Floyd Mutrux
Best Original Score (Music and/or Lyrics) Written for the Theatre:
The Addams Family - Music & Lyrics: Andrew Lippa
Enron - Music: Adam Cork, Lyrics: Lucy Prebble
Fences - Music: Branford Marsalis
Memphis - Music: David Bryan, Lyrics: Joe DiPietro, David Bryan
Best Revival of a Play:
Lend Me a Tenor
The Royal Family
A View from the Bridge
Best Revival of a Musical:
La Cage aux Folles
A Little Night Music
Best Performance by a Leading Actor in a Play:
Jude Law - Hamlet
Alfred Molina - Red
Liev Schreiber - A View from the Bridge
Christopher Walken - A Behanding in Spokane
Denzel Washington - Fences
Best Performance by a Leading Actress in a Play:
Viola Davis - Fences
Valerie Harper - Looped
Linda Lavin - Collected Stories
Laura Linney - Time Stands Still
Jan Maxwell - The Royal Family
Best Performance by a Leading Actor in a Musical:
Kelsey Grammer - La Cage aux Folles
Sean Hayes - Promises, Promises
Douglas Hodge - La Cage aux Folles
Chad Kimball - Memphis
Sahr Ngaujah - Fela!
Best Performance by a Leading Actress in a Musical:
Kate Baldwin - Finian's Rainbow
Sherie Rene Scott - Everyday Rapture
Montego Glover - Memphis
Christiane Noll - Ragtime
Catherine Zeta-Jones - A Little Night Music
Best Performance by a Featured Actor in a Play:
David Alan Grier - Race
Stephen McKinley Henderson - Fences
Jon Michael Hill - Superior Donuts
Stephen Kunken - Enron
Eddie Redmayne - Red
Best Performance by a Featured Actress in a Play:
Maria Dizzia - In the Next Room (or The Vibrator Play)
Rosemary Harris - The Royal Family
Jessica Hecht - A View from the Bridge
Scarlett Johansson - A View from the Bridge
Jan Maxwell - Lend Me a Tenor
Best Performance by a Featured Actor in a Musical:
Kevin Chamberlin - The Addams Family
Robin De Jesus - La Cage aux Folles
Christopher Fitzgerald - Finian's Rainbow
Levi Kreis - Million Dollar Quartet
Bobby Steggert - Ragtime
Best Performance by a Featured Actress in a Musical:
Barbara Cook - Sondheim on Sondheim
Katie Finneran - Promises, Promises
Angela Lansbury - A Little Night Music
Karine Plantadit - Come Fly Away
Lillias White - Fela!
Best Direction of a Play:
Michael Grandage - Red
Sheryl Kaller - Next Fall
Kenny Leon - Fences
Gregory Mosher - A View from the Bridge
Best Direction of a Musical:
Christopher Ashley - Memphis
Marcia Milgrom Dodge - Ragtime
Terry Johnson - La Cage aux Folles
Bill T. Jones - Fela!
Rob Ashford - Promises, Promises
Bill T. Jones - Fela!
Lynne Page - La Cage aux Folles
Twyla Tharp - Come Fly Away
Jason Carr - La Cage aux Folles
Aaron Johnson - Fela!
Jonathan Tunick - Promises, Promises
Daryl Waters & David Bryan - Memphis
Best Scenic Design of a Play
John Lee Beatty - The Royal Family
Alexander Dodge - Present Laughter
Santo Loquasto - Fences
Christopher Oram - Red
Best Scenic Design of a Musical:
Marina Draghici - Fela!
Christine Jones - American Idiot
Derek McLane - Ragtime
Tim Shortall - La Cage aux Folles
Best Costume Design of a Play:
Martin Pakledinaz - Lend Me a Tenor
Constanza Romero - Fences
David Zinn - In the Next Room (or The Vibrator Play)
Catherine Zuber - The Royal Family
Best Costume Design of a Musical:
Marina Draghici - Fela!
Santo Loquasto - Ragtime
Paul Tazewell - Memphis
Matthew Wright - La Cage aux Folles
Best Lighting Design of a Play:
Neil Austin - Hamlet
Neil Austin - Red
Mark Henderson - Enron
Brian MacDevitt - Fences
Best Lighting Design of a Musical:
Kevin Adams - American Idiot
Donald Holder - Ragtime
Nick Richings - La Cage aux Folles
Robert Wierzel - Fela!
Best Sound Design of a Play:
Acme Sound Partners - Fences
Adam Cork - Enron
Adam Cork - Red
Scott Lehrer - A View from the Bridge
Best Sound Design of a Musical:
Jonathan Deans - La Cage aux Folles
Robert Kaplowitz - Fela!
Dan Moses Schreier and Gareth Owen - A Little Night Music
Dan Moses Schreier - Sondheim on Sondheim
Special Tony Award for Lifetime Achievement in the Theatre:
Regional Theatre Tony Award:
The Eugene O'Neill Theater Center, Waterford, Connecticut
Isabelle Stevenson Award:
David Hyde Pierce
Tony Honors for Excellence in the Theatre:
Alliance of Resident Theatres/New York
Looney Tunes: Back in Action revisits an age-old Tunes question: Why does the affable Bugs reap all the fame and glory while the egocentric Daffy gets shafted again and again? Our duck friend quite frankly has had it up to his skinny neck playing second fiddle to the carrot muncher. All Daffy wants is a little recognition from the studio but the brothers Warner (actual twin brothers as we come to find out) decide instead to let Daffy out of his contract on the advice of their no-nonsense VP of comedy Kate Houghton (Jenna Elfman). Bugs however knows they're making a mistake. Even though Daff bears the brunt of the abuse Looney Tunes would fail without him and Bugs convinces the powers that be they need the nutty mallard. If the plot had only followed this thread--perhaps showing Daffy on the skids--then maybe the film wouldn't have spiraled into Looneyville. Unfortunately Daffy ends up hooking up with the hunky D.J. Drake (Brendan Fraser) a studio security guard who finds out that his famous movie star father Damian Drake (Timothy Dalton) is really a secret agent hunting for a mysterious diamond known as the Blue Monkey a supernatural gem that can turn the planet's population into monkeys. The evil head of the Acme Corporation Mr. Chairman (Steve Martin) wants the diamond for his own diabolical plans and he's kidnapped D.J.'s dad in an effort to get it. Now the gang has to get the diamond save D.J.'s dad and of course save the world.
It might be a little hard to act subtly around cartoon characters but these aren't your ordinary cutesy Mickey Mouse types. Bugs Daffy Porky Yosemite Sam and Foghorn Leghorn are pros at comic timing able to spar with the best of them throw out zingers without a second thought and slay you with a droll glance at the camera. It isn't really necessary for the human actors to match their madcap-ness; just reacting would have sufficed. Fraser comes off the best of the human bunch; since he's had practice (Monkeybone) he easily interacts with his animated co-stars and deftly handles the doubletakes and jabs at pop culture. Elfman on the other hand sputters and goes bug-eyed every time she encounters silliness. She looks uncomfortable doing the green screen thing especially when she's trying to look natural when peeling a distraught duck from around her waist. Martin's highly anticipated turn as Mr. Chairman turns out to be the biggest disappointment. The over-the-top character is reminiscent of Martin's hysterically funny Rupert the Monkeyboy in 1988's Dirty Rotten Scoundrels but Martin turns Mr. Chairman--an angry schoolboy with knee socks and matted-down hair who never grew up--into a caricature of ridiculous proportions and unlike Rupert who came in small hilarious doses Mr. Chairman gets very tiresome very quickly.
Back in Action's animation is well done more engaging and ambitious than its 1996 predecessor Space Jam in which the action mostly took place in Looney Tunes land; here animated characters go the Who Framed Roger Rabbit? route and Bugs Daffy and the rest coexist harmoniously with humans in the real world. But despite its aspirations Back in Action leaves out vital elements that made Space Jam appealing. While the earlier film stuck to a simple plot Back in Action guided by director Joe Dante (Small Soldiers The 'Burbs) tries too hard to keep things wild and wacky while incorporating elements of '60s heist pics and action-adventure scenes and in the process loses sight of the most important ingredient in any kids movie: the story. Tykes may have limited attention spans but if the story's good they will watch. Granted some individual bits are laugh-out-loud funny particularly the scene in the Warner Bros. commissary where a stuttering Porky Pig complains about being politically incorrect with Speedy Gonzales while an animated Shaggy and Scooby-Doo berate actor Matthew Lillard for playing Shaggy as such a bonehead in the live-action Scooby-Doo. These scenes prove that if any cartoon characters could pass themselves off as real celebrities in the entertainment industry the gang from Looney Tunes could but moments like these simply can't overcome a contrived plot and juvenile antics.