Hollywood, always at a loss to keep churning out original entertainment often likes to take characters from other shows and give them their own vehicle. Some are successful... but others, you find youself asking - what if they took THIS character and gave them a spin-off instead?
After Homicide ended its run, John Munch got to mosey his way from Baltimore to New York to join Law & Order: SVU. Richard Belzer's a fine actor, but Andre Braugher's Pembleton was the backbone of Homicide. Imagine him and Ice-T on the same set?
Laura Winslow/Family Matters
This would have been a reward for Winslow's putting up with Steve Urkel. Urkel could have been on the first episode of the new show...and had a bank safe dropped on his head. Then she could have gone on dates with real interesting people that didn't involve a nerd stepping dangerously close to the line of stalking.
Dylan McKay/Beverly Hills, 90210
Brandon Walsh: too earnest. Kelly Taylor: too annoying. David Silver: Too generic '90s. Steve Sanders: Too many shiny teeth. Donna Martin: Ha ha ha. No. So Dylan, the world-weary fellow would have been perfect for his own show.
Shawn Hunter/Boy Meets World
There's a Girl Meets World spin-off/reboot happening, but Hunter should have had his own show after Boy Meets World. Rider Strong would have had to stop looking constipated when he was supposed to be feeling moody though. He could have ditched his half-brother Jack, but Eric Matthews would need to make appearances just to keep the comedy level high.
Joey Tribbiani got the spin-off, but the witty Bing would have been the better choice. Could it BE any more obvious? Monica would have had to go, but Matthew Perry could carry the show. Perhaps this would have halted Perry's horrible post-Friends freefall.
What, you thought I would suggest Niles Crane, which would mean another show featuring a stuffy psychiatrist? They could have had Martin go to Boston to get away from everyone and find a new aide for him. Ted Danson could take a break from CSI and reprised Sam Malone.
Dr. Dick Solomon/3rd Rock From The Sun
Any show with just John Lithgow would have been awesome and I know I don't risk incurring the wrath of the Big Giant Head by saying this. Lithgow has the face and personality to carry his own just as Solomon. He coud have a fake Inception dream scene with Joseph Gordon-Leavitt.
Jazz/The Fresh Prince of Bel Air
Jazz could barely act his way out of a paper bag sometimes, but it would have been fun to see how many different ways he could get thrown out of houses in his own show. I always had a soft spot for him and his doomed courtship of Hilary Banks.
Sophia Petrillo/Golden Girls
Let's forget that Golden Palace dreck, shall we? Sophia deserved better and she could have ruled her own nursing home. Out of the four "girls," she was the most feisty, funny and quotable of them all. Forget Shady Pines - Petrillo Manor would have been infinitely better.
10. Ricardo Tubbs/Miami Vice
Tubbs was the smoother of the two on Miami Vice. I'm talking the Philip Michael Thomas Tubbs here, not Jamie Foxx. Thomas danced circles around Foxx when it came to suaveness. Tubbs could have opened up an agency in Los Angeles - that OTHER place with extremely attractive women and high style.
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Assuming you’ll be able to understand about half of what’s being said due to the mumbling and thick accents here’s the gist of this Miami Vice: James “Sonny” Crockett (Colin Farrell) and Ricardo “Rico” Tubbs (Jamie Foxx) are the unsmiling leaders of a top-notch Miami-Dade vice squad whose job it is to take down the bad guys. But when they go deep undercover to expose yet another global drug cartel—which includes factions of the Aryan brotherhood (nice bunch)--their lives are put on the line especially after Crockett ends up falling for Chinese-Cuban Isabella (Gong Li) an intoxicating player for the other side. So back and forth we go: The good guys have the drugs; the bad guys want them back; the boys drive speed boats real fast have sex with their girls in the shower—blah blah blah—until finally some action. And when it all goes down it goes down hard. [Cue the synthetic drum solo.] Although you do miss a bit of that Don Johnson spirit Farrell and Foxx actually hold up just fine as the re-envisioned Crockett and Tubbs minus the jovial rapport and pink T-shirts. They look good in the Armani suits with stubbly faces and the dark sunglasses talking the talk and wielding firearms like pros. Everyone around them are equally Vice-esque especially the two female detectives—Trudy Joplin and Gina Calabrese—brought back from the original show. Played by Naomie Harris (Pirates of the Caribbean: Dead Man's Chest) and Elizabeth Rodriguez (Blow) respectively these girls simply kick ass. The only one who sticks out like a sore thumb is Gong Li. She looks the part—all steely and indifferent—but once the accomplished Chinese actress (Memoirs of a Geisha) opens her mouth she is way out of her element. It’s actually cringe-worthy watching her try to be tough speaking languages (even Spanish) she is not at all familiar with. And on top of that Gong and Farrell have zero chemistry making their supposedly steamy love scenes tepid indeed. What a waste of good-looking skin. Michael Mann is arguably one of the best writer/directors of crime drama today having crafted such sleek hard-hitters as Heat and Collateral. Returning to the innovative ‘80s show that helped put him on the map must have been a no-brainer even if he was reluctant to do it at first. Apparently Mann wanted to make Vice originally as a gritty feature film but got pigeonholed by the network. Maybe that was good thing because in holding back a bit Mann managed to make it one of the coolest crime series ever combining pulse-racing action with synergized music. But after getting burnt out by the network grind Mann is back to revisit the Vice world again taking it in the direction he originally planned. This Miami Vice is a hard cruel place almost too serious. There’s the little Mann stamps all over it—the overhead shots the clipped dialogue the grainy night vistas—but what’s happened between the first Vice and now is how tired the subject matter has become. Undercover cops/drug smuggling movies are old hat something we’ve seen played out hundreds of times before. And unfortunately Mann offers nothing new. Maybe he should have just left well enough alone.
The film version of 1980s TV series Miami Vice is in serious trouble after experiencing budget problems and less-than-stellar reviews, according to press reports.
The movie stars Oscar winner Jamie Foxx and Colin Farrell and is set for its release on July 28. The remake cost $125 million to make. A source at Universal Pictures tells Fox News correspondent Roger Friedman, "And that's just what we're admitting to. It's probably more like $150 million.
Director Michael Mann has reportedly been furiously editing the film, which apparently fails to capture the spirit of the original hit series.
A source adds, "Michael still has time to fix it, but not much. But he would have to pull off a miracle to make it work."
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