Like Madagascar the story starts at the New York Zoo. Samson (Kiefer Sutherland) the lion is once again the star of the show but unlike Madagascar’s Alex Samson claims he came from the wild. He regales the other odd assortment of zoo denizens--including a talkative giraffe (Janeane Garofalo) a lisping anaconda (Richard Kind) a snarky Koala (Eddie Izzard) and a take-charge squirrel (Jim Belushi)--with tales of danger and excitement abroad. Of course Samson can’t tell the real truth that he was actually born in captivity and is making it all up because everyone including his rebellious teenage son Ryan (Greg Cipes) would think less of him. But when Ryan runs away thinking he can’t live up to his dad’s reputation and is mistakenly shipped off to the wild Samson has keep up the charade as the gang embarks on a dangerous mission to rescue him. The lion does come clean at some point in case you were wondering. Another vocal roster of big names another dollar. This time around we’ve got Sutherland Garofalo Belushi all doing the animal thing. There’s also William Shatner as a villainous wildebeest headed for the loony bin after deciding he’s tired of being the prey and turns predator. He’s even got his herd of wildebeest dancing a Busby Berkeley number around a volcano á la Lion King. Sigh. Luckily there is one saving grace--sort of: Izzard as the wisecracking Koala bear Nigel who gets mistaken for a god by the wildebeest and milks it for all its worth which isn’t a whole lot. Still if anyone has seen the British comedian’s hilarious HBO special Eddie Izzard: Dressed to Kill you can just imagine him strutting around as a Koala dressed in women’s clothing and doing his shtick. The Mouse House once again proves it doesn’t have an inventive bone in its body--or even the gumption to realize that had something with potential. Apparently the pitch from writers Mark Gibson and Philip Halprin had been mulling around Disney for about nine years before it got made giving the likes of Nemo and Madagascar a head start (I’d be peeved if I were those writers). But even if The Wild did come first it still wouldn’t be able to measure up mostly because the story is insipid. Wildebeest turning into predators? What’s THAT all about? The CGI-animation is spot on of course but we are definitely taking all of that for granted these days. No now what we want is a good compelling story. If not that then at least we should have a couple of really funny characters--like commando penguins or a fish with short-term memory--to help things move along. The Wild doesn’t have either so while children may be left mildly entertained for an hour and a half parents will be left twiddling their thumbs waiting for it to be over.
Larry the Cable Guy: Health Inspector opens with a man scratching his plumber’s-crack re-using a cotton swab to clean his ear and wearing the sleeveless shirt he uses as a towel. Naturally this is Larry (the Cable Guy) a health inspector. Halfheartedly inspecting the local food joints he’s leading the life that suits him well. But when his boss (Thomas F. Wilson) assigns him a serious-minded female partner (Iris Bahr) his world is turned upside down--or at least made less comfy. Larry’s called in to investigate “some fartin’ Jewish folks” at a swankier restaurant and learns that it’s not an isolated incident. While Larry’s unorthodox methods manage to arouse the interest of a waitress (Megyn Price) with bowel habits that he adores his tactics arouse the ire of the restaurateurs he investigates and it costs him his job. Now he’s forced to do whatever it takes to prove his innocence. Even the D-listers here must’ve gone straight to confession upon accepting these roles to help cushion their bank accounts. Let’s start with Larry the Cable Guy (of the Blue Collar Comedy Tour “Git-R-Done” fame) who is one of the most successful stand-up comics today. He’s right in his element seemingly with fart blanche on toilet humor but to the unconverted he’s a little more than grating. Speaking of grating the (hopefully) affected voice of Bahr makes the movie mostly unlistenable in addition to being unwatchable. But take pity on her for this is no way to jumpstart a movie career. Tony Hale clearly still reeling from the potential cancellation of TV’s Arrested Development (on which he plays Buster) also lowers his star and integrity with an ambiguous character here. And Joe Pantoliano shows his face. The once great character actor reaches a new low with this one even if his performance isn’t all bad. Health Inspector masters the art of the fart. But more disgusting than the settings with which the farts are juxtaposed is the ad nauseam (pun intended) level of over-usage. So congratulations go to along with fart Yoda Larry the Cable Guy director Trent Cooper who makes his feature directorial debut. And might we add what a fart-tastic debut it is! But it’s not all farts ladies and gentleman--all forms of gross-out humor are exploited unlike ever before. On the er serious side the collection of running jokes adds to a few legit laughs. Cooper helms a story that naturally doesn’t work deferring instead to Larry’s natural um charisma. The script offers no segue into Larry’s stand-up persona but anyone who sees this here flick ain’t lookin’ for no dang Oscar winner. Clearly Health Inspector will appeal to Larry’s following but is not meant for those of sound mind.
In a mechanized world an imaginative young inventor Rodney Copperbottom (voiced by Ewan McGregor) wants to be as famous as his hero the greatest inventor of all time Mr. Bigweld (voiced by Mel Brooks). With his father's "follow your dreams and never give up" ringing in his ears Rodney leaves his small town and sets out to the big bad Robot City to meet his idol and show him his invention. Once there Rodney meets the Rusties a ragtag group of street-smart bots lead by the wacky Fender (voiced by Robin Williams) who know the ropes. Rodney finds out that Bigweld has gone into seclusion and Robot City is being taken over by an ambitious robot named Ratchet (voiced by Greg Kinnear) whose motto is "Why Be You When You Could Be New?" Ratchet soon halts production on parts for the older robots. If the bot folk can't afford the new stuff they are gathered up and sent to an underground chop shop where Rachet's hideous mother Madame Gasket (voiced by Jim Broadbent) melts them down and turns them into metal for new parts. But the evil duo's plan is soon spoiled when Rodney and the Rusties start fixing the older models and decide the must get the reclusive Bigweld back on track to fight back.
How can you go wrong with such a fabulous cast? They all do a great job including McGregor as the earnest Rodney Copperbottom; Brooks as the soft-hearted boss Big Weld; Kinnear as the vain and conniving Rachet; Broadbent as the repugnantly evil Gasket; Jennifer Coolidge as the hilarious and lovable big-booty bot Aunt Fanny; Halle Berry as the smart and seductive executive bot Cappy; and Amanda Bynes as the perky Piper determined to prove herself. But once again voice over veteran Robin Williams steals the show as the broke down and chaotic robot Fender. With his hundreds of voices and impersonations animated films fit the frenetic Williams to a tee making him the undisputed king.
Blue Sky Animation and Oscar-winning director Chris Wedge who brought us the delightful Ice Age are back turning in another stellar animated effort. Robots is rivet-ing transporting the audience into a world of mechanics electronics and robotics. The best scene is when Rodney gets to Robot City and goes on a roller coaster "cab" ride with Fender through a maze of whirligigs and gadgets. Good fun. Added into the mix is a groovin' soundtrack that makes you want to get up and dance with the characters while snickering at the songs' innuendos. Overall Robots incorporates vibrant colors above the ground with dark rusted images below to bring to life this lively world of metal folk.