On the eve of the release of Paul, a movie about two aging geeks who find an alien while on a road trip to Comic-Con, we figured it would be a good time to revisit our favorite sci-fi road trips. We’re not talking about a sci-fi journeys, either. These movies aren’t just about a group of people hiking toward some far off destination, they’re about that great American tradition of hoping in a vehicle (of some sort) and heading off on a mission, be it to accomplish a precise goal or to simply wander. As long as they’re in a vehicle when they do it, it’s up for consideration-- and the great thing about sci-fi is that the vehicles can get pretty crazy.
Also, be wary of spoilers below for any of the films you haven’t seen.
The Vehicle: 1977 Ford Mustang Cobra II
The Travelers: Jenny Hayden (Karen Allen) and the Starman (Jeff Bridges)
The Destination: From Wisconsin to Arizona so the Starman can catch an intergalactic ride away from the stupid people who shot down his peace-bringing spaceship.
Trip Highlight: There’s a lot to pick from in John Carpenter’s Starman - resurrecting a deer, fighting the truckers, fleeing the NSA - but the highlight would have to be Starman driving their car directly into a gas tanker while they’re both inside. It takes balls to intentionally blow up your road-tripping ride, even if you are a space alien.
Close Encounters of the Third Kind
The Vehicle: A variety of station wagons and trucks, but it all begins in a yellow Ford-F250.
The Travelers: Roy Neary (Richard Dreyfuss) and Jillian (Melinda Dillon)
The Destination: Devils Tower National Monument in Wyoming
Trip Highlight: The arrival of the mothership, of course. It technically happens after they’ve reached their destination, but we’re still counting it since it’s the start of a second road trip for Roy. Except where he’s going, they don’t need roads. (Sorry, it had to be said.)
The Vehicle: The spaceship Icarus II
The Travelers: A team of eight scientists
The Destination: The sun
Trip Highlight: Some crazy stuff goes down in Sunshine, but as insane as stuff gets, the trip highlight has to be the spacewalk Kaneda and Capa take to make repairs after Trey forgets to adjust the heat shield for their new trajectory. Not only is it a visually awesome scene, but it’s essentially the most high-stakes tire change ever seen in a road trip movie.
2001: A Space Odyssey
The Vehicle: The spaceship Discovery One
The Travelers: David Bowman (Keir Dullea), Dr. Franke Poole (Gary Lockwood) and Hal 9000
The Destination: Jupiter, though no one knows what to expect when they get there.
Trip Highlight: Dave’s mind-bending trip into the monolith orbiting Jupiter, which in turn sent countless college kids on acid trips of their own while trying to figure out just what in the hell the ending of 2001: A Space Odyssey means.
The Vehicle: A pimped-out Winnebago Chieftain
The Travelers: Lone Star (Bill Pullman) and Barf (John Candy)
The Destination: Planet Druidia to stop President Skroob (Mel Brooks) from stealing all of its air.
Trip Highlight: Lone Star and Dark Helmet’s duel inside Mega Maid’s ear, which taught the world over the heartwarming message that you don’t need a special ring to use the Schwartz as long as you’re pure of heart. Or something.
The Vehicle: A 1984 Chevy Van
The Travelers: A group of geeks on a mission to see Star Wars Episode I: The Phantom Menace early.
The Destination: Skywalker Ranch
Trip Highlight: A surprise encounter with William Shatner in Las Vegas, who then tells them what they need to do to infiltrate Skywalker Ranch. Sure, the movie may not be all that great, but it’s scenes like this that prove its intentions were in the right place.
The Lord of the Rings: The Two Towers
The Vehicle: Treebeard, the oldest Ent of Middle Earth
The Travelers: Merry (Dominic Monaghan) and Pippin (Billy Boyd)
The Destination: Isengard
Trip Highlight: Merry and Pippin going to battle riding atop giant, ancient walking trees of doom. Enough said.
The Hitchhiker’s Guide to the Galaxy
The Vehicle: The spaceship Heart of Gold
The Travelers: Arthur Dent (Martin Freeman), Ford Prefect (Mos Def) Zaphond Beeblebrox (Sam Rockwell), Trillian (Zooey Deschanel) and Marvin (Alan Rickman/Warwick Davis)
The Destination: The planet Magrathea, which contains the answer to the Question of Life, the Universe and Everything
Trip Highlight: All manner of insane and improbable things happen in The Hitchhikers Guide to the Galaxy, so it’s hard to pick just a single highlight. However, we’ve got to hand it to Marvin the Paranoid Android for saving the day by turning the Point-of-View gun on the Vogons, causing them to be overcome with crippling despair.
The Vehicle: Virgil, a deep-Earth drilling vessel.
The Travelers: A team of scientists and astronauts trying to restart the Earth’s molten core, which has stopped spinning.
The Destination: The Core, duh.
Trip Highlight: Let’s be clear, The Core is only a movie worth talking about because of how joyously silly it is. To that end, we can’t help but give a bit of a slowclap to its cheesiest moment: getting rescued because a pod of whales singing a song that alerts the surface that Virgil survived the nuclear explosions at the core.
Star Trek: The Voyage Home
The Vehicle: A Bird-of-Prey starship
The Travelers: The exiled officers of the USS Enterprise.
The Destination: Earth, 1986, where the crew plan to abduct a humpback whale and bring it back to the future.
Trip Highlight: Well if it isn’t another whale-related sci-fi plot point (if only we had gone with the falling whale in Hitchhiker’s Guide, we’d have a hat trick going on)... Strange obsession with whales aside, it’s hard not to love the scene where Kirk saves the day (and the future) by decloaking the Bird-of-Prey right in front of a group of angry whalers who most likely all had to change their underwear afterward.
What is an ensemble cast? How many actors constitute one? There aren’t any guidelines that determine what qualifies as a true ensemble, but if anyone can offer some insight it would be Woody Allen, who has been getting great groups of actors together for decades now. From Manhattan and Hannah and Her Sisters to Melinda and Melinda and You Will Meet A Tall Dark Stranger, he’s always had a keen eye for casting and the stars continue to line up to work with the iconic auteur.
With the home entertainment release of his latest, fore mentioned film at hand, I thought it’d be apt to honor some of the coolest ensemble casts ever assembled. Keep in mind: this isn’t a list of the best films featuring an ensemble cast. It’s about the best rosters of talent roped in for a single production.
This under-appreciated Tony Scott action spectacle was polarizing to audiences because of its ultra-violent approach, particularly toward women. But Patricia Arquette proved herself to be one tough chick, able to take a beating a give it back in equal measure. Together with her beau-to-be Christian Slater, she embarks on an odyssey to free herself from pimp Gary Oldman and, later, his criminal overlord Christopher Walken, all while L.A. detectives Tom Sizemore and Chris Penn are hot on the trail of drugs and blood. With bonus appearances by Dennis Hopper, Val Kilmer, Brad Pitt, James Gandolfini, Michael Rapaport and more, True Romance is a twisted web of cameos and special roles filled by some of the coolest actors of the time.
The Thin Red Line
WWII films have a long history of stellar casts comprised of legions of screen legends. This 1998 genre entry continues that grand tradition with enough A-listers to make five separate movies. George Clooney, Sean Penn, Nick Nolte, Adrien Brody, Miranda Otto, John Cusack, John C. Reilly, Woody Harrelson, John Travolta, Nick Stahl, Elias Koteas and Jim Caviezel all appear in the prestigious picture at one point or another – a logistic achievement in and of itself.
This sweet rom-com gets me every time. Not just because of the cheerful dialogue and warm and fuzzy relationships, but also because of the charming cast of characters played by Hugh Grant, Emma Thompson, Alan Rickman, Laura Linney, Liam Neeson, Keira Knightley, Billy Bob Thornton, Martin Freeman, January Jones, Elisha Cuthbert, Rodrigo Santoro, Shannon Elizabeth, Andrew Lincoln, Denise Richards and the adorable Thomas Sangster. Together, there are around eight revolving, relatable romances in the film, but we wouldn’t have cared about any of them if not for the lovable cast.
In telling this sprawling tale about the intersecting lives of a handful of Angelenos, director Paul Haggis needed an international cast to represent the diverse population of the City of Angels. He got it with Don Cheadle, Sandra Bullock, Jennifer Esposito, Shaun Toub, Daniel Dae Kim, Matt Dillon, Loretta Devine, Brendan Fraser, Terrence Howard, Keith David, Ryan Phillippe, Michael Pena, Tony Danza and Thandie Newton. Though Dillon was the only actor recognized by the Academy at awards time, the triumph of the film belongs to its eclectic cast.
The Magnificent Seven
Akira Kurasawa’s epic Seven Samurai was practically begging for a Hollywood adaptation when it was released in 1954. By 1960, director John Sturges had made it a reality with a pack of screen idols including the dashing Yul Brynner, the inimitable Eli Wallach, the ultra-cool Steve McQueen, the bad-ass Charles Bronson, the slick Robert Vaughn, the cool James Coburn and the “newbie” Horst Buchholz. The septuplet of stars had a great deal of chemistry that made their on-screen antics all the more enjoyable to watch, and fifty years later their work on this classic film has become the stuff of movie mythology.
The star power packed into these popular motion pictures is astonishing. With Hollywood heavyweights like George Clooney, Matt Damon and Brad Pitt leading an army of talent - young and old - including Don Cheadle, Scott Caan, Bernie Mac, Andy Garcia, Carl Reiner, Eddie Jemison, Elliot Gould, Casey Affleck and Julia Roberts, there's no shortage of charisma throughout the film. You may be wondering why I chose Oceans Twelve over the 2001 remake of the 1960 original; it's because this hit heist pic also features the likes of Catherine Zeta-Jones, Albert Finney, Robbie Coltrane, Jared Harris, Vincent Cassel and Bruce Willis in appearances big and small. Not too shabby for a sequel...
Forget the awful 2008 remake. I implore you to give the original a chance. It’s a virtual who’s who of top Hollywood talent of the era. The premise is simple by today’s standards, but in 1939 its empowering themes were ahead of its time. Some of best actresses to ever grace the silver screen, including Norma Shearer, Joan Crawford, Joan Fontaine, Rosalind Russell, Paulette Goddard, Lucile Watson and Marjorie Main delivered the message. All of the above are Oscar winners or nominees, making this cast of female performers one of the most celebrated of all time.
I’m not sure if Francis Ford Coppola knew what he was onto when he picked his rag-tag group of actors for this kick-ass 1983 film. After all, most of the actors were relatively unknown and untested at the time (save for C. Thomas Howell, who had just starred in Steven Spielberg's E.T.), but that quickly changed in the years following its release. Patrick Swayze, Emilio Estevez, Matt Dillon, Ralph Macchio, Rob Lowe, Diane Lane and Tom Cruise all appeared in the acclaimed teen drama, leaving behind one hell of a legacy.
Twins Carly and Nick Jones (played by Cuthbert and One Tree Hill heartthrob Chad Michael Murray)--with Carly being the pretty goal-oriented "good" twin and Nick the sullen brooding "bad" one-- are road tripping to catch the big college game. Along for the ride are Carly's beau Wade (Gilmore Girls' Jared Padelecki) mini-cam-obsessed Dalton (Jon Abrahams) sports fan Blake (Robert Ri'chard) and his maybe-preggers girlfriend Paige (Paris Hilton in her first major acting role--unless you count certain portions of her infamous sex video). The requisite car trouble ultimately leads them to a requisitely isolated Iowa town where they must seek help from the requisitely creepy locals. Dominating the town is the House of Wax a paraffin-filled museum which doesn't just feature amazing wax likenesses of people and objects: the whole place is made out of wax walls and all. This despite being constructed over a fiery furnace used for…well these films aren't about logic are they? Throw in the requisite twisted menacing blood-lusting boogeyman--but wait! Let's have TWO bad guys! And make them twins! (Did I mention the script was written by Chad and Carey Hayes who happen to be twin brothers?) Cut to the running and the chasing and the cinematic carnage the corpses turned into those impossibly lifelike wax figurines the curvy Cuthbert in a white tank top and the impossibly big drippy finale and call it a day. This is just a messy pile of waxy build-up that'll take an extra-long Q-Tip to clean out of your brain.
Despite the jibes she gets for her 24 character's penchant for getting into laughably contrived peril the pert and sexy Cuthbert--who fills up a movie screen even more potently than the tube and lent a genuine vulnerability and pathos to her smoldering turn in The Girl Next Door--is emerging as one of the more interesting actresses of her TV-launched generation. Despite her natural charisma however there's no such opportunity for a multidimensional turn in House of Wax and for her career's sake Cuthbert should make this film her one-stop shopping trip to Horror-dom. She's made for much better things and the sickly sadistic and bloody punishments she endures in this film quite frankly can only distract her admirers from how hot she is. Murray also impresses as a film presence though he too is stuck in this thankless mess as the rebel who really has nothing to rebel against. Padelecki the film's "Hey let's see what's in here!" jackass whose idiotic actions drives every shallow horror plot should stick to his day job. And then there are the splendors of Paris: both she and the filmmakers seem to think that stripping the heiress of accessories like her tiny dog Tinkerbell and her Pepto-pink fashions is all that's necessary to believe Hilton as an entirely different character. Except none of us really want Paris to be an entirely different character. She's really only entertaining--and often equally as stiff and insipid like she is in this film--as herself and we'd all rather see her and Nicole Richie (or Kim Stewart or whatever less attractive less-wealthy and less-ditzy sidekick she's hanging with these days) screaming bloody murder at a real House of Waxing.
Let's hope for his sake music video director Jaume Serra didn't burn any bridges at MTV when he got called to the Hollywood ranks because House of Wax effectively demonstrates a lack of invention as a visualist an inability to effectively pace and develop a story--even one as shallow as this one--and an utter incapacity to create tension suspense or any genuine fear. The only scares here are the kind of easy unearned "pop-up-and-say-BOO!" variety that does little more than jolt the audience and cause their popcorn to spill. I'm tempted to give him mini-props for the nearly impressive and gooey finale but the credit probably belongs more to the f/x team than Serra. And it's shocking to learn that the entire film was shot on location in Australia if only because the claustrophobic town in which most of the action takes place seems as artificial and hermetically sealed as the Universal backlot.