The genesis of Universal's 47 Ronin is almost as tragic as the actual history that the movie is culling from. As the story goes, Universal saw the sprigs of talent sprouting from fresh faced director Carl Rinsch, whose previous experience was limited to just a couple of commercials and a nifty short film. The studio decided to ease the new director into feature filmmaking by cutting him what amounts to virtually a blank check, and giving him charge over a multi-national samurai fantasy epic. Almost impossibly, the film isn't a complete disaster. It's just a minor one.
47 Ronin follows the classic story of the titular team of warriors, a group of disgraced samurai who band together to seek revenge against a merciless warlord that betrayed and killed their master. But this isn't your grandfather's version of the story. 47 Ronin is an international affair, and it's covered with a veneer of Japanese mysticism and a thick coating of Hollywood lacquer, but east meets west rather uncomfortably, and it's mostly due to Keanu Reeves. Reeves' character is clearly crowbarred into the story that has no room for him, and it's plainly obvious where the seams of the story were stretched in order to patch him into the narrative. Reeves plays Kai, a half Japanese, half English orphan who is adopted by the samurai clan. His character serves no real purpose beyond being white, slicing things until they die, and playing the male lead of the most superfluous love story of the year. Rinsch simply can't make the inclusion of the character feel organic in any way, and "Kai" ends up feeling like a calculated studio move. It's a shame that the film spends so much time on Reeves when the real star is clearly Hiroyuki Sanada, who plays off the stoic samurai most believably among the rest of the cast.
It's also shame that with all the mysticism pumped into the story, there's no magic in the actual center of the film, the ronin themselves. The only personality trait a samurai is allowed to possess seems to be unerring stoicism, and between all 47 ronin, there are probably only three distinct samurai with any discernible character traits beyond an intense need to brood, and you'll probably only remember those three by the time the credits roll, only to promptly forget about them only a few hours later. Thankfully, Rinko Kikuchi's slinky and treacherous witch adds some much needed camp and personality to the mostly forgettable human characters.
And that's the issue with 47 Ronin. It's largely forgettable. When your film takes on a historical legend like the tale of the 47 ronin, a story that has been told and told again ad nauseum over the years, you really need to justify your own version. There are reels and reels of film dedicated to this story, and 47 Ronin doesn't manage to add anything significant to the canon. It promises to weld myth and history together, but does so clumsily, and while some of the action scenes are exciting, especially a particularly inspired set piece that involves the ronin noiselessly breaking into a heavily guarded fortress, the film is a bore when it's not clanking swords together.
The best player in the World for movie trailers, Hollywood interviews and movie clips.
47 Ronin is a film with many stories. As much as it is a tale about the revenge of four dozen masterless samurai, it's also the tale of an inexperienced filmmaker swallowed up by the enormity of blockbuster filmmaking. Most of all though, It's proof that you shouldn't cram Keanu Reeves into a movie that doesn't really need Keanu Reeves. What you're left with is a dull and bloated samurai epic that has its moments, but feels largely unnecessary.
Saoirse Ronan, in her very brief career, has been incredibly fortunate. At just 17 years old, she's worked with some acclaimed filmmakers, from Amy Heckerling to Peter Weir, and has shared the screen with the likes of Michelle Pfeiffer, Bill Murray and Cate Blanchett (in the forthcoming action thriller Hanna). Now she's reuniting with her The Lovely Bones director Peter Jackson on what could be the movie-event of the decade - his Lord of the Rings prequel The Hobbit.
The Irish Film and Television Network reports that Ronan has signed on to fill an undisclosed role in the highly anticipated picture (though some claim she'll portray Itaril), which has just been slightly delayed again due to Jackson's illness. She joins a cast that includes returning franchise stars like Blanchett, Orlando Bloom and Ian McKellen in addition to newbies like Richard Armitage, Martin Freeman and Aidan Turner among countless others.
Ronan possesses a similarly ethereal look that Liv Tyler had as the Elf Princess Arwen in the original trilogy; a trait that will work to her advantage in accurately portraying whatever Middle-Earthly character she takes on. Her involvement doesn't surprise me, having already worked with Jackson (lucky broad) who likes to keep his cast familiar from picture to picture. Now if filming could just start...
Although the fate of where their big-footed creatures will alight to shoot The Hobbit is still undetermined, Peter Jackson and Fran Walsh have begun to officially cast the projects with Martin Freeman, as expected, set to play Bilbo Baggins. A host of other names was also announced Thursday.
Meanwhile, The Wall Street Journal reports that a meeting is set for Tuesday between New Zealand Prime Minister John Key and Warner execs in a last-ditch effort to keep the films in the country, although The Independent cites Fran Walsh as saying The Hobbit could soon be enrolling in Hogwarts.
A government spokeswoman told the WSJ that talks between Key and Warner execs are scheduled to take place in Wellington on Tuesday, but she would not specify who is attending the meeting on Warners' behalf.
According to The Independent, Fran Walsh told Radio New Zealand on Thursday that Warners wanted to shift production to the UK's Leavesden Studios where the Harry Potter movies were filmed.
"They've got a huge studio that Harry Potter have vacated, that they own...that they say would be perfect for us," she said, adding that other UK locations were being scouted.
Reuters further reported, citing estimates from economists at New Zealand's ANZ-National bank, that the nation's economy could lose as much as $1.5 billion if Warner Bros. relocates the project.
Back to casting … New Line COO/president Toby Emmerich, Warner Bros COO/president Alan Horn, MGM co-CEO Stephen Cooper and Jackson also announced on Thursday that Richard Armitage, Aidan Turner, Rob Kazinsky, Graham McTavish, John Callen, Stephen Hunter, Mark Hadlow and Peter Hambleton have all been set.
While Deadline reports that nothing's definite, there are rumblings that James Nesbitt and David Tennant are up for roles, while Stephen Fry, Saoirse Ronan and Bill Nighy are possible participants.
Regarding Freeman, Jackson said, "Despite the various rumors and speculation surrounding this role, there has only ever been one Bilbo Baggins for us. There are a few times in your career when you come across an actor who you know was born to play a role, but that was the case as soon as I met Martin. He is intelligent, funny, surprising and brave -- exactly like Bilbo and I feel incredibly proud to be able to announce that he is our Hobbit."
Click here for the full story