Spanning from WWI to the 21st century Eric Roth’s screenplay (based loosely on a 1922 short story by F. Scott Fitzgerald) tells the unique story of a man named Benjamin Button (Brad Pitt). He is born in New Orleans as a very old baby the equivalent of a man in his 80s who then ages backward into youth over the better part of a century. The film is told in flashback by a very old dying woman Daisy (Cate Blanchett) who recounts her tale to her daughter (Julia Ormond) from a hospital bed during Hurricane Katrina. Left on the doorstep of a retirement home one night by his father (Jason Flemyng) Benjamin is brought up by Queenie (Taraji P. Henson) who runs the place. While there he meets a young girl Daisy who will become a key figure -- romantically and otherwise -- in his life. Ben does have some grand adventures: He goes to work on a boat sees sea battles during WWII finds love with an older married woman (Tilda Swinton) -- and gets progressively younger as the decades fly by. It all manages to be alternately haunting romantic funny epic emotional and incredibly moving and will likely to stay with you a lifetime. Brad Pitt manages to deliver a thoughtful and subtle performance through all the special effects makeup and CGI. He does so much just by using his eyes. Cate Blanchett is equally fine as she plays Daisy from a teenager to an old woman and matches Pitt in bringing an entire lifetime skillfully to light. Her aging makeup is completely natural and she’s very moving in the hospital scenes opposite Ormond. Henson is just marvelous as Queenie a warm and understanding soul. Swinton is elegant and memorable in her few crucial encounters with Ben and plays beautifully off Pitt. Jared Harris (TV’s The Riches) as the colorful Captain Mike who hires Ben on his tug boat and Flemyng (The League of Extraordinary Gentlemen) as Ben’s father are also effective in their brief screen time. Interestingly Benjamin Button has been gestating for decades in the Hollywood firmament but needed time for the proper technology to catch up to it. Director David Fincher (Zodiac Fight Club) with his early background at George Lucas’ ILM proves to be the perfect choice to marry a compelling story with spectacular visual effects achievement. He did not want to do the film unless the technology allowed one actor to play the role throughout the course of the film. Remarkably they were able to achieve this superimposing Brad Pitt’s face and eyes into all the incarnations of Ben Button. In one sequence Pitt looks just like he did in Thelma and Louise. It’s an amazing feat. He has seamlessly created a unique universe without ever bringing attention to it advancing the art of screen storytelling leaps and bounds ahead of everything else that has come before. Benjamin Button is a plaintive and provocative meditation of life death and what we do while we are here. It’s the stuff of dreams.
It's graduation day for Scotty (Scott Mechlowicz) but the celebration comes to an abrupt end when his girlfriend Fiona (Kristin Kreuk) dumps him by blatantly announcing she has been unfaithful to him--over and over again. At a graduation party that night Fiona makes her point by jumping on stage during rockers Lustra's performance of "Scotty Doesn't Know " which goes something like this: "Scotty doesn't know that Fiona and me do it in my van every Sunday..." Dumbfounded Scotty gets drunk and goes home to confide in his Berlin-based computer pen pal Mieke (Jessica Boerhs) who suggests coming to America for a "rendezvous." Scott rudely rebuffs him (and that's putting it mildly) not aware that Mieke is not a guy but actually a really hot high school girl. He tries to make amends but Mieke won't read his e-mails so his pal Cooper (Jacob Pitts) convinces him to go to Berlin and meet her face-to-face. Short on cash they take a cheap courier flight to London where they meet up with twin pals Jenny (Michelle Trachtenberg) and Jamie (Travis Wester) before hopscotching to Amsterdam Bratislava Rome Vatican City and finally Berlin. Of course the chase is always better than the kill and Eurotrip is no different: Whether Scotty gets Mieke is beside the point; the amusement is all in the journey there. Who knew for example that you could spend the night in a five star hotel and partake in a night of clubbing in Eastern Europe on $1.87 U.S.-and still have 27 cents left over when it's all over?
Newcomer Mechlowicz is perfectly cast as the lead here playing a character that is simple-minded daring sympathetic and charming. But it's Mechlowicz's personal spin--his bewildered expressions--that really nails the role for him whether he is witnessing the twins accidentally making out on the dance floor in a drunken stupor or waking up to find a strange passenger cozying up to him on a train. As his buddy Cooper Pitts (K-19: The Widowmaker) plays the wisecracker of the bunch and although he doesn't go over the top with the crassness there is a little too much David Spade influence in his delivery (and the similar haircuts don't help the matter either). Like the rest of the cast Wester is careful not to typecast his character Jamie a meticulous planner who can't travel without Frommer's by loosening him up slightly. Jamie for example knows when it's time do drop the book and experiment even if it means nude sunbathing. Trachtenberg (Buffy: The Vampire Slayer) also infuses her twin character Jenny with the perfect blend of sexuality and innocence. The result is a cast of mishmash characters that are just so darn likeable. Look for a surprise cameo from Matt Damon as well as small but hilarious performances from Vinnie Jones as Mad Maynard a Manchester United soccer hooligan; Lucy Lawless as S&M mistress Madame Vandersexxx; and Saturday Night Live's Fred Armisen credited as "the creepy Italian guy."
Jeff Schaffer makes his directorial debut here from a screenplay co-written with his longtime partners scribes Alec Berg and David Mandel. And ads touting it as a comedy "from producers of Road Trip and Old School " may be exactly what Eurotrip a comedy starring relative unknowns needs to draw the coveted teen crowd. After all Ivan Reitman the producer responsible for catapulting low budget comedies into box-office gold territory has secured quite a following--and fans won't be let down with this latest offering. Unlike its predecessors Eurotrip isn't afraid to be crass and while the characters are sweet the storyline is anything but. In this Euro-centric tale writing trio Schaffer Berg and Mandel proudly embrace every stereotype imaginable but do so at the expense of the inexperienced foursome which makes the material funny rather than offensive. Nude beaches the young Americans discover aren't necessarily packed with hot gorgeous women and Amsterdam's sex industry isn't exactly the stuff young male fantasies are made of. With one hilarious gag after another as well as funky map graphics with dotted lines that transport viewers from city to city the film maintains its fast-moving pace throughout. Surprisingly the film was shot entirely on location in the Czech Republic with Prague doubling as London Paris Berlin Amsterdam Rome Vatican City Bratislava--and even Hudson Ohio with landmarks such as the Eiffel Tower the Coliseum and Big Ben added using CGI. Accompanied by an awesome soundtrack featuring Lutsra's "Scotty Doesn't Know " Chapeaumelon's "My Generation" and The Salads "Get Loose " this film succeeds on all levels.
October 23, 2003 4:57pm EST
The reemergence of horror movies in recent years has helped create the most inescapable monster of all: The spoof. This latest lampoon strings together scenes and characters primarily from three films Signs The Ring and 8 Mile with a little Matrix thrown in for good measure and unifies them into a single 90-minute feature. Is it funny? Sure--on occasion. The film follows Scary Movie series heroine Cindy Campbell (Anna Faris) now a college grad starting her first professional job as a local TV news reporter. Investigating the mysterious appearance of crop circles in ex-minister Tom Logan's (Charlie Sheen) farm Cindy develops feelings for Tom's brother George (Simon Rex) a wannabe rapper. Suddenly her friend Brenda (Regina Hall) becomes the latest to be killed seven days after watching a mysterious videotape circulating around. After seeking advice from Brenda's Oracle-like Aunt Shaneequa (Queen Latifah) and having a run-in with The Architect (George Carlin) Cindy learns she is "The One " and the crop circles and videotape deaths are somehow connected. It's up to her to help the president (Leslie Nielsen) prevent an alien invasion.
SM3 could have put Sheen no stranger to this genre (Hot Shots!) to its cast but the actor is pitifully wasted. His character Tom has to be the most boringly written in the film and should have been more of a wiseass. His real-life wife actress Denise Richards has a small role as his on-screen wife but her lines in their one scene together a reenactment from Signs in which she's been hit by a truck and reveals her dying wishes to her husband could have been much more creative than "NO MORE SEX!" As Tom's brother sweet but dimwitted George Rex has much funnier lines and sight gags and the chance to put his perfectly clueless expression to work. SM3 alum Faris like Sheen falls victim to some unfunny dialogue and her character Cindy is too over-the-top stupid; she irritatingly delivers practically every line as if she was asking a question. Hall who had some of the most brilliant laugh-out-loud moments in the original Scary Movie is completely wasted--her hilarious character Brenda is killed off early on and reappearances of her lifeless corpse are all you see the rest of the movie. On a brighter note there are some great cameos by Queen Latifah as Aunt Shaneequa Eddie Griffin as Orpheus and Anthony Anderson as George's friend Mahalik.
The Scary Movie franchise was originally created for Dimension Films in 1999 by the Wayans brothers who absconded from the series entirely after the second installment. The studio confidently gave the Scary Movie 3 reins to veteran comedy director David Zucker whose '80s spoofs--Airplane! Top Secret! and the Naked Gun series--rang true with brilliance. Sadly with Scary Movie 3 the director/producer demonstrates how out of touch he is with pop culture and spoof fans. While there are a number of good gags scattered throughout the movie including a jab at M. Night Shyamalan's cameo appearance in Signs Zucker fails to assemble them into a coherent comedy. Zucker also lacks the irreverence that Scary Movie director Keenen Ivory Wayans has and too often falls back on bathroom humor and excrement gags such as stepping (or in this case kneeling) in dog poo. The result is a spoof that lacks the scandalous effect of his hit comedy Airplane! and the cleverness of his 1984 World War II send-up Top Secret!. But the most baffling thing about SM3 however is the spoofing of the film 8 Mile which not only doesn't fit in a parody of scary movies but was also better parodied by Jamie Kennedy in last summer's Malibu's Most Wanted.