Following is a roundup of American Film Market deals making news over the past day.
Voltage Pictures has closed a host of pre-AFM sales for indie political drama The Whistleblower, starring Rachel Weisz, Variety reports. Territories to acquire the project include Canada, Germany, France, Australia, Hong Kong, Latin America, Taiwan and the Middle East. UTA is selling the pic for the US.
Also per Variety, Maya Entertainment has acquired US rights to Sympathy for Delicious, Mark Ruffalo's directorial debut. Plans are to release in the spring. Ruffalo, Juliette Lewis, Orlando Bloom and Laura Linney star.
London-based WestEnd Films has boarded international sales for The Song of Names, directed by Vadim Perelman and starring Anthony Hopkins and Dustin Hoffman.
Per Screen, the project will be shot by Oscar-winning DP Pawel Edelman. Script is by Oscar-nominated writer Jeffrey Caine with a score composed by Oscar winner James Horner.
Story follows a man searching for a childhood friend, who mysteriously vanished one day when they were teenagers.
According to The Hollywood Reporter, Anchor Bay Films has acquired all distribution rights for the US, UK and Australia/New Zealand to Joker Films' Daydream Nation. Michael Goldbach's feature debut stars Kat Dennings and Josh Lucas.
TF1 International is handling two Canadian projects: Hobo With a Shotgun and :) 388 Arletta Avenue.
Latter is produced by Vincenzo Natali and Steven Hoban. Starring Nick Stahl, the found-footage film is Paranormal Activity meets Rear Window, says TF1.
Hobo is from director Jason Eisener, who originally won top honors in the Grindhouse Trailer Contest with a faux trailer for the project. Rutger Hauer stars in the vigilante tale.
France's Memento Films is handling the English-language debut of Palme d'Or winner and Oscar nominee Laurent Cantet, an adaptation of Joyce Carol Oates' Foxfire.
The project, per Screen, is set in 1950s America and follows a group of headstrong teenage girls. Memento previously handled Cantet's lauded The Class.
StudioCanal has sold all Japanese rights on horror hit The Last Exorcism to Comstock Group.
Indomina Releasing, says Screen, has acquired all North American rights from Films Distribution to French horror project The Pack, which premiered in Cannes and stars Yolande Moreau and Emilie Dequenne.
Magnolia International has closed multiple territories on Norwegian creature feature Troll Hunter. According to Screen, the film has sold in the UK, Australia, Japan, Canada, Brazil and Thailand.
Finally, Strand Releasing has picked up all US rights to Catherine Breillat's Sleeping Beauty from Pyramide Intl. The film will be released next spring.
Source: Hollywood Wiretap
Based on a novel by Laura Kasischke it focuses on two 17-year-old high school girls--Diana (Evan Rachel Wood) and Maureen (Eva Amurri)--who are completely opposite in personalities but still the best of friends. In fact "one is the virgin one is the whore " according to Diana. She does everything her demure and religious BFF with their bond going spiritually deep. One fateful day at high school changes their lives however when a student gunman goes on a shooting spree in the school. The gunman corners the two girls in the bathroom and tells them he must kill one. Jump to 15 years later the adult Diana (Uma Thurman) has a great home life: smart cute kid successful husband nice house. But it's not as it seems. It is assumed that Maureen was the one who was killed prompted by her telling the gunman she wants to be the one shot. But a last-minute plot twist puts the movie's title in a different light: The Life Before Her Eyes is more than just Diana's life. This film incorporates some elegant performances from Wood and Amurri--two veterans of the teen genre who portray their characters’ friendship with much authenticity. Amurri(Susan Sarandon's real-life daughter) especially downplays her innocence with smart nuances while Wood is coming into her own as a strong edgy actress--just not enough to save this film. Thurman tempts Oscar-type bait as the emotionally distraught Diana constantly reliving the horror of the killing spree through flashbacks. The actress’ mood is maudlin and suitably translucent for mournfulness. But Thurman's screen presence is just too large and glamorous to be believable in the melancholy role. She looks to be assuming the trance-like “look of sadness ” as though she's playing a role. Her body language is too confident to be carrying around a lifetime of hurt. Director Vadim Perelman (House of Sand and Fog) is a poor man's Julian Schnabel--a visual and ephemeral craftsman who works with colors. Blurry imbued tones of greens and yellow bring the story to life pairing with spring-time settings with shadows and light. The Life Before Her Eyes aims for a dreamlike complexity and how conscience ties to memory. The film is also about how changing a person's destiny can completely rewrite an entire history. A palette of moody camerawork from director of photography Pawel Edelman (The Pianist) creates an eternal lushness which elevates the drama. The Columbine-style shooting sequences feels outdated however. It's a contrived museum treatment such public tragedies. It’s an adventurous independent film that doesn't quite come together as intended.