While recent animated blockbusters have aimed to viewers of all ages starting with fantastical concepts and breathtaking visuals but tackling complex emotional issues along the way Ice Age: Continental Drift is crafted especially for the wee ones — and it works. Venturing back to prehistoric times once again the fourth Ice Age film paints broad strokes on the theme of familial relationships throwing in plenty of physical comedy along the way. The movie isn't that far off from one of the many Land Before Time direct-to-video sequels: not particularly innovative or necessary but harmless thrilling fun for anyone with a sense of humor. Unless they have a particular distaste for wooly mammoths the kids will love it.
Ice Age: Continental Drift continues to snowball its cartoon roster bringing back the original film's trio (Ray Romano as Manny the Mammoth Denis Leary as Diego the Sabertooth Tiger and John Leguizamo as Sid the Sloth) new faces acquired over the course of the franchise (Queen Latifah as Manny's wife Ellie) and a handful of new characters to spice things up everyone from Nicki Minaj as Manny's daughter Steffie to Wanda Sykes as Sid's wily grandma. The whole gang is living a pleasant existence as a herd with Manny's biggest problem being playing overbearing dad to the rebellious daughter. Teen mammoths they always want to go out and play by the waterfall! Whippersnappers.
The main thrust of the film comes when Scratch the Rat (whose silent comedy routines in the vein of Tex Avery/WB cartoons continue to be the series highlight) accidentally cracks the singular continent Pangea into the world we know today. Manny Diego and Sid find themselves stranded on an iceberg once again forced on a road trip journey of survival. The rest of the herd embarks to meet them giving Steffie time to realize the true meaning of friendship with help from her mole pal Louis (Josh Gad).
The ham-handed lessons may drag for those who've passed Kindergarten but Ice Age: Continental Drift is a lot of fun when the main gang crosses paths with a group of villainous pirates. (Back then monkeys rabbits and seals were hitting the high seas together pillaging via boat-shaped icebergs. Obviously.) Quickly Ice Age becomes an old school pirate adventure complete with maritime navigation buried treasure and sword fights. Gut (Peter Dinklage) an evil ape with a deadly... fingernail leads the evil-doers who pose an entertaining threat for the familiar bunch. Jennifer Lopez pops by as Gut's second-in-command Shira the White Tiger and the film's two cats have a chase scene that should rouse even the most apathetic adults. Hearing Dinklage (of Game of Thrones fame) belt out a pirate shanty may be worth the price of admission alone.
With solid action (that doesn't need the 3D addition) cartoony animation and gags out the wazoo Ice Age: Continental Drift is entertainment to enjoy with the whole family. Revelatory? Not quite. Until we get a feature length silent film of Scratch's acorn pursuit we may never see a "classic" Ice Age film but Continental Drift keeps it together long enough to tell a simple story with delightful flare that should hold attention spans of any length. Massive amounts of sugar not even required.
[Photo Credit: 20th Century Fox]
More than 10 000 people are smuggled into the United States for sexual exploitation per the nonprofit organization Free the Slaves. Inspired by a New York Times Magazine article Trade focuses on the attempts of traffickers to smuggle a group of women and children across the U.S.-Mexican border. Director Marco Kreuzpaintner wastes no time introducing us to the two victims he intends to follow from their kidnapping in Mexico to their auctioning off in the United States. Adriana (Paulina Gaitan) is snatched from the street as she rides the bicycle she just received from her brother Jorge (Cesar Ramos) for her 13th birthday. Single mother Veronica (Alicja Bachleda) arrives in Mexico City from Poland believing she’s there to meet with the people she’s paid to arrange her with safe and legal passage to the United States. Only she’s been duped by the traffickers. Adriana Veronica and a handful of other abductees then begin their terrifying journey to the United States under the watchful eye of trafficker Manuelo (Marco Perez). On their trail is Jorge who feels responsible for Adriana’s kidnapping. He risks life and limb to follow the abductees across the border. Once on U.S. soil Jorge crosses paths with Ray (Kevin Kline) a Texas cop who’s trying to break up the trafficking ring for personal reasons. Ray reluctantly pairs up with Jorge to track down Adriana before she and Veronica are sold off to the highest bidder via the Internet. More gentleman than action hero Kevin Kline’s not the obvious choice to portray a police officer hailing from the Lone Star State. Ray’s the kind of law-enforcement bloodhound Tommy Lee Jones can play in his sleep. Heck Kline only halfheartedly attempts a Texas drawl and even then he drops it minutes after his late entrance. This could be overlooked if Kline lent Ray some intensity. For someone on a crusade Kline strolls through Trade without a care in the world. As Trade reaches its inevitable showdown between the traffickers and their pursuers Ray’s faced with a life-or-death choice that would compromise all he stands for. Kline though looks about as conflicted as someone trying to decide what he wants for lunch. Luckily Kline’s presence doesn’t negate the fine work done by Ramos Gaitan and Bachleda. Ramos perfectly captures the guilt of a troubled young man—one embarking on a life of crime—whose ill-gotten gains has cost him dearly. If Ramos offers a study in redemption Bachleda goes to great pains to show the ease with which someone with so much grit and determination can bend and break under the most extreme of circumstances. Gaitan doesn’t endure as much abuse but she’s still one tough cookie. Perez refuses to allow Manuelo to be a mere profit-minded monster—he provides Manuelo with a conscience or what passes for one in his business. Trade is a tale of two countries. While in Mexico director Marco Kreuzpaintner examines the sex-slave trade in an incisive and uncompromising manner. He sheds light on how these trafficking rings acquire their slaves and smuggle them across the border. He puts us on edge the moment Adriana and Veronica fall in their captors’ hands. We’re never sure as to what will happen to them. We know they need to be kept alive. But in what condition? Many of the abductees are drugged beaten and raped. The violence isn’t exploitative—Kreuzpaintner just needs to show the cruelty inflicted upon these victims of the modern-day slave trade. And it only makes us fear more for Adrian and Veronica’s safety. Once Trade reaches the United States Kreuzpaintner and screenwriter Jose Rivera start pulling their punches. Yes there are some moments that make you sick to your stomach. But the moment Kline arrives on the scene Trade gets weak at the knees. There are too many coincidences for Trade’s own good. The sudden death of one character is forced and absurd. And Kreuzpaintner doesn’t know how to extricate Kline from the untenable situation he’s placed in during Trade’s climax. This all leads up to a pat ending one that even the Lifetime TV crowd would find unbelievably spineless.