Source: Variety, The LA Times
Pre-existing properties are priorities for motion picture studios these days and Warner Brothers Pictures are forging ahead with film adaptations of two pop-culture staples.
First up, Variety reports that the studio and production company Atlas Entertainment are developing a feature film based on CBS' "Gilligan's Island." Charles Roven and Richard Suckle will produce for Atlas, with Brad Copeland writing the screenplay. Original show producer Sherwood Schwartz is on board to executive produce along with son Lloyd Schwartz.
The trade says that plans are for a contemporary take on the iconic show and that production is intended to start next year, but won't move forward on seeking a director or cast until Copeland's script is completed.
"The characters are so good," Roven said. "We think it's going to be a great story to transport these cultural icons to the modern day."
In addition, The Los Angeles Times reports that WB is also negotiating to acquire feature rights to classic video game "Space Invaders" from Taito, the Japanese company that originally manufactured the game. The project would be produced by Mark Gordon (The Day After Tomorrow, Saving Private Ryan), Jason Blum (Paranormal Activity) and Guymon Casady.
"Space Invaders" was designed by Tomohiro Nishikado and released in 1978. The game was later licensed for production in the United States by Midway.
Ryan (Freddie Prinze Jr.) and Jennifer (Claire Forlani) first met on a plane when they were 12. He’s terrified of planes she promptly tells him about her first period so it’s granted that they don’t exactly click. Fast-forward to high school where they bump into each other again. Now he’s the school mascot she’s the homecoming queen. No sparks. Fast forward to college where he’s the geeky engineering major (yes you read correctly) and she’s the free-spirited rocker-dating Latin student. Finally here they become friends help each other with their love issues and despite their opposing viewpoints … well take a guess.
Prinze the BMOC in "She’s All That " is supposed to be an anal-retentive doofus. And while the pageboy cut (split down the middle) and glasses do little to mask his good looks he plays against type surprisingly well doing his best to rise above the cliché-filled script. Forlani who was calm and luminous in the sluggish "Meet Joe Black " still has "proper British upbringing" written all over her so she’s not really believable as an outrageous one-night-stander (she also looks too old for Prinze). Heather Donahue (showing a promising comedy career post-"Blair Witch") and Amanda Detmer make a great supporting cast but the show is stolen by an underused Jason Biggs. As Ryan’s woman-chasing roommate Biggs also gets the single funniest scene in the film which you’ll miss if you walk about before the credits roll.
"She’s All That" director Robert Iscove is back and using the same traits again. First we have the you-are-there flashback narration ("So I was watching him play with his band " a character might reflect in her dorm room and suddenly she’s sitting at the concert still in her pajamas). Then there’s the choreographed dance number. Disguised as a scene to show Ryan trying to loosen up at a "foam club" (like a car wash soapy water douses the dancers) it’s really an excuse to show off Iscove’s choreography background by having all patrons wiggle simultaneously to Apollo Four Forty’s "Stop the Rock." It’s cute and all but the biggest faux pas Iscove makes is having Ryan and Jennifer take a "walk" from Berkeley … and miraculously wind up at the Golden Gate bridge.