British actor Rafi Gavron has been sentenced to five years probation after pleading no contest to charges stemming from his double arrest in December (13). The Nick & Norah's Infinite Playlist star was detained by police in Los Angeles on suspicion of being intoxicated while driving his girlfriend's car.
He was taken into custody a second time just hours after being released from jail on a domestic violence charge relating to an incident that allegedly took place before his initial arrest.
Gavron, 24, has now been placed on five years probation after pleading no contest to charges of domestic violence and joy riding, according to TMZ.com.
British actor Rafi Gavron landed in trouble with the law twice in 12 hours earlier this month (Dec13) after he was arrested for domestic violence and driving under the influence (DUI). The Nick & Norah's Infinite Playlist star was arrested for being behind the wheel while intoxicated in Los Angeles on 15 December (13).
The 24 year old was released but taken into custody again hours later over allegations he hit a woman in the face and stomach before driving away in her car. The incident allegedly took place before his DUI arrest, according to TMZ.com.
Gavron has now been charged with four felony counts - dissuading a witness from reporting a crime, false imprisonment by violence, domestic violence and unlawful taking of a car.
Selling a 6'5", former wrestler dubbed "The Rock," as an "everyman" is no easy feat, yet writer/director Ric Roman Waugh's Snitch manages to organically knock Dwayne Johnson down a few notches. Johnson gracefully accepts the challenge, delivering his best performance to date as a dad grappling with a drug cartel in hopes of saving his son from imprisonment. The twist is that Johnson is anything but a superhero — he doesn't know how to work a gun, he can't drive a car at 300 mph, and he has no clue how to kick ass. What he does have is compassion for his family, and that's enough of a backbone to turn Snitchinto a better-than-average thriller.
After being caught at the center of an ecstasy-dealing sting operation, Jason (Rafi Gavron) is hauled away by the DEA and faced with 10 years in prison. His father, John (Johnson) begs a local politician (Susan Sarandon) for leniency, but he finds no luck: the only way around the mandatory minimum sentence laws in the U.S. is to "snitch" for the government, helping the feds find and capture bigger drug dealers. Since Jason isn't actually connected to the drug world, John proposes the next best thing: he'llgo hunting.
Waugh takes his time introducing us to the world of Snitch, carefully laying the tracks with research and character, so when the action picks up, it doesn't fly off the rails. Make no mistake: this is not a Faster sequel, a script giving Johnson the go-ahead to plow through faceless bad guys for two hours. There are stakes, and Waugh rips them from the headlines, the first third of Snitch feeling more like a newspaper exposé than an action movie. It all works to Johnson's favor, who settles in nicely in the imperfect suburban life and the dangerous underbelly he uncovers. With lots of whos, whats, and wheres to juggle, Snitchwinds up erring on the side of exposition too often, but it's all to add gravity to Johnson's insurmountable task.
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Snitch kicks into gear when John enlists his employee Daniel (Jon Bernthal) to break him into the world of drug smuggling. John makes Daniel, an ex-convict looking to stay out of trouble for the sake of his family, a deal he can't refuse, and the two embark on a mission to put ring leader Malik (Michael Kenneth Williams) in the crosshairs of the cops. With natural camera work and a welcome lack of ham (no "GIVE ME BACK MY SON!"s), Johnson and Bernthal capably build tension by fostering quiet moments that explode in their faces. Daniel routinely has to explain to his wife that he's out of trouble — a straight-up lie that ends in meltdown. In a scene early in the film, John heads to the wrong side of the tracks to dig up information, resulting in a gang of kids beating him to the round and stealing his car. Johnson as a low status character is a real shock in Snitch. When The Rock falls, he falls hard.
As teased in the trailer, Snitch does escalate, and the stuntman-turned-filmmaker Waugh competently stages his set pieces. It's a rarity: the shootouts and car chases in the movie feel like a backdrop for drama, not randomly placed moments of bombastic chaos. Snitch is high-octane in every department. The movie has rough edges — in an effort to complicate the situation, the movie steers away from the main plot to show a clash between Sarandon's morally-depraved politician and an undercover DEA agent (Barry Pepper, sporting a wild beard and another energetic performance). It's interesting, but not as captivating as Johnson's material, which builds momentum and remains gripping to the final moments. Snitch presents a terrifying scenario, worsened by the fact that it's really happened to guys a lot smaller than Dwayne Johnson.
What do you think? Tell Matt Patches directly on Twitter @misterpatches and read more of his reviews on Rotten Tomatoes!
[Photo Credit: Summit Entertainment]
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Breaking and Entering is sometimes contrived as films of this sort tend to be but is executed smoothly enough by screenwriter/director Anthony Minghella to succeed on some levels. Will (Jude Law) is an architect whose office in the seedier King’s Cross area of London is ransacked by thieves. He tracks one of them down and encounters Amira (Juliette Binoche) a Bosnian immigrant single mother with whom he becomes infatuated. Their illicit relationship ultimately has unforeseen consequences for all concerned including Will’s girlfriend (Robin Wright Penn) and Amira’s son Miro (Rafi Gavron). There aren’t many laughs but the film does try to offer an insight into what drives – and impedes – its characters’ emotional impulses Law is good Binoche is better than good and Wright Penn is better than usual. If there’s one element that elevates Breaking and Entering to a higher level it’s the performances. Vera Farmiga who played the only female role of any consequence in The Departed delivers a scene-stealing turn as a resilient Bosnian streetwalker while the always-welcome Ray Winstone turns up (all too briefly) as a canny cop. Given the success of Paul Haggis’ Crash and the films of Alejandro Gonzalez Inarritu it’s no surprise that other filmmakers are adopting the same attempting to cure (or at least address) various social issues by having disparate characters whose seemingly random interactions have consequences (both good and bad) for all concerned. Minghella an Oscar winner for The English Patient does have a knack for bringing out the best – or at least the good – in his actors even those in smaller roles. At least Breaking and Entering is more comfortably paced than Minghella’s last film the picturesque but lugubrious adaptation of Cold Mountain.