Getty Images/Kevin Winter
The 66th Primetime Emmy Awards ceremony will air on Monday (oddly enough), August 25, and will be hosted by Saturday Night Live vet and Late Night host Seth Meyers. Here are the nominees recognized for their achievements over the course of this past year in television.
Best Comedy SeriesThe Big Bang TheoryLouieModern FamilyOrange Is the New BlackSilicon ValleyVeep
Best Drama SeriesBreaking BadDownton AbbeyGame of ThronesHouse of CardsMad MenTrue Detective
Best Actor - ComedyLouis C.K. - LouieDon Cheadle - House of LiesRicky Gervais - DerekMatt LeBlanc - EpisodesWilliam H. Macy - ShamelessJim Parsons - The Big Bang Theory
Best Actress - ComedyLena Dunham - GirlsEdie Falco - Nurse JackieJulia Louis-Dreyfus - VeepMelissa McCarthy - Mike and MollyAmy Poehler - Parks and RecreationTaylor Schilling - Orange Is the New Black
Lead Actor - DramaBryan Cranston - Breaking BadJeff Daniels - The NewsroomJon Hamm - Mad MenWoody Harrelson - True DetectiveMatthew McConaughey - True DetectiveKevin Spacey - House of Cards
Lead Actress - DramaLizzy Caplan - Masters of SexClaire Danes - HomelandMichelle Dockery - Downton AbbeyJulianne Margolies - The Good WifeKerry Washinton - ScandalRobin Wright - House of Cards
Best Mini-SeriesAmerican Horror Story: CovenBonnie and ClydeFargoLutherTremeThe White Queen
Best TV MovieKilling KennedyMohammad Ali's Greatest FightThe Normal HeartSherlock: His Last VowThe Trip to Babylon
Best Actor - Mini-Series/TV MovieBenedict Cumberbatch - SherlockChiwetel Ejiofor - Dancing on the EdgeIdris Elba - LutherMartin Freeman - FargoMark Ruffalo - The Normal HeartBill Bob Thornton - Fargo
Best Actress - Mini-Series/TV MovieHelena Bonham Carter - Burton and TaylorMinnie Driver - Return to ZeroJessica Lang - American Horror Story: CovenSarah Paulson - American Horror Story: CovenCicely Tyson - The Trip to BountifulKristen Wiig - Spoils of Babylon
Best Variety ShowThe Colbert ReportThe Daily ShowJimmy Kimmel Live!Real Time with Bill MaherSaturday Night LiveThe Tonight Show
Best Reality Competition ShowThe Amazing RaceDancing with the StarsProject RunwaySo You Think You Can DanceTop ChefThe Voice
Best Supporting Actor - Comedy SeriesFred Armisen - PortlandiaAndre Braugher - Brooklin Nine-NineTy Burrell - Modern FamilyAdam Driver - GirlsJesse Tyler Ferguson - Modern FamilyTony Hale - Veep
Best Supporting Actress - Comedy SeriesMayim Bialik - The Big Bang TheoryJulie Bowen - Modern FamilyAnna Chlumsky - VeepAllison Janney - MomKate McKinnon - Saturday Night LiveKate Mulgrew - Orange Is the New Black
Best Supporting Actor - DramaJim Carter - Downton AbbeyJosh Charles - The Good WifePeter Dinklage - Game of ThronesMandy Patinkin - HomelandAaron Paul - Breaking BadJon Voight - Ray Donovan
Best Supporting Actress - DramaChristine Baranski - The Good WifeJoan Froggatt - Downton AbbeyAnna Gunn - Breaking BadLena Headey - Game of ThronesChristina Hendricks - Mad MenMaggie Smith - Downton Abbey
Best Guest Actor - ComedySteve Buscemi - PortlandiaLouis C.K. - Saturday Night LiveGary Cole - VeepJimmy Fallon - Saturday Night LiveNathan Lane - Modern FamilyBob Newhart - The Big Bang Theory
Best Guest Actress - ComedyUzo Aduba - Orange Is the New BlackLaverne Cox - Orange Is the New BlackJoan Cusack - ShamelessTina Fey - Saturday Night LiveNatasha Lyonne - Orange Is the New BlackMelissa McCarthy - Saturday Night Live
Best Guest Actor - DramaDylan Baker - The Good WifeBeau Bridges - Masters of SexReg E Cathey - House of CardsPaul Giamatti - Downton AbbeyRobert Morse - Mad MenJoe Morton - Scandal
Best Guest Actress - DramaKate Burton - ScandalJane Fonda - The NewsroomAllison Janney - Masters of SexKate Mara - House of CardsMargo Martindale - The AmericansDiana Rigg - Game of Thrones
Silver Linings Playbook star Jennifer Lawrence is golden. Not only because she scored a Golden Globe win for her performance in the David O. Russell dramedy, but because she's quickly establishing herself as one of the most charming actresses this side of Emma Stone. And, with her debut appearance on Saturday Night Live, Lawrence continued to prove she could balance between genres. Drama, teen franchise, indie, sketch comedy —Lawrence's playbook is indeed golden.
Speaking of things golden, SNL's cold open centered on one of the most talked-about figures from Sunday's awards show: Jodie Foster, played by the increasingly valuable but criminally underused Kate McKinnon. While poking fun at the actress' quasi-coming-out speech, in which the actress paid tribute to "the voices of reason in my life: Robert Downey Jr. and Mel Gibson," the sketch hit its high mark, with McKinnon stealing the spotlight from Jason Sudeikis, as a far-from-contrite Lance Armstrong, and Bobby Moynihan, as a wide-eyed Manti Te'o.
And it turns out the Golden Globes gave SNL plenty of milage, with Lawrence's monologue centering on audience's misunderstanding of her acceptance speech. With some viewers believing Lawrence was slamming Meryl Streep — "I beat Meryl" was actually a First Wives Club reference — the actress continued the Oscar smack talk during her monologue, slamming Jessica Chastain ("More like, Jessica Chas-ain't-winning-no-Oscar-on-my-watch!") and even 9-year-old Quvenzhané Wallis. ("You think you can beat me? Whatchu talkin' bout, Wallis?") Though the one-liners (and Bill Hader's stoic Tommy Lee Jones) impressed, Lawrence's busy schedule seemed to hold her back during the monologue — if she were relying on the cue cards anymore, you could call her Lindsay Lohan.
Lawrence seemed to hit her stride during SNL's inevitable Hunger Games sketch, which still left a bit to be desired for fans of the dystopian teen franchise. Though Lawrence played along well — making fun of her height-challenged co-star, Josh Hutcherson as Peeta — the post-game press conference concept relied too much on the sketch's secondary characters (reporters that don't exist in the books) than the primary beloved stars. Though Jay Pharoah's question to Peeta — "Have you been using performance-reducing drugs?" — did get some appreciation from the Armstrong-overdosed audience.
The actress' journey on Saturday Night Live continued with a pre-taped Hobbit bit that would have been much funnier if The Onion hadn't already written it a month before. (Though who doesn't identify with frustration surrounding Peter Jackson's insistence on filming in "s**t-vision"?)
Still, in Studio 8H, it played better than the next sketch, which starred Lawrence as a bona fide nasty waitress in an Ed Debevics-esque restaurant. That said, anyone who ever frequented Debevics and was privy to their patented lame insults would appreciate a waitress with real sass — one that told diners, "You peaked in high school, and now you'll sleep with anyone who asked."
But before you insult any jokes from this week's Weekend Update, Moynihan would beat you to it. Playing recurring character second-hand newsman Anthony Crispino, even the SNL cast member had to scoff at his own rib that "they have to raise the Depp ceiling" after Johnny Depp outgrew his mansion. (Cue: Sad trombone.) Seth Meyers, however, made up for the grown-worthy appearance with a zinger about Ann Romney's rumored (and debunked) casting on Dancing With the Stars: "She's probably not a good fit for the show anyway, because I've heard of her."
The next sketch parodied another beloved reality show, Top Chef, but in a world where dogs were allowed to compete. Relying heavily on puns (Padma Leash Me, Tom Collie-Cio, and a Crocks-wearing Mario Barktali were stars of the sketch), the skit was one of those that seemed born out of exhausted writers' rooms at midnight. Still, Lawrence worked, well, like a dog to help the sketch translate, proving to be more committed than the most loyal of pups.
Her commitment to the material only continued in the next sketch, which took place in Taran Killam and Moynihan's recurring Shakopee, Minn., radio station. Though predictable, Lawrence's rapping intern — who couldn't even rhyme "issues" with "tissues" during a flu-themed verse — was sick enough to sell the sketch.
But not quite as sick as "Danielle," a sketch parodying sex-fueled fare you'd find while channel-surfing late-night French TV. One of those wonderful skits that's not as funny as it is strange, "Danielle" delighted if only because it was easy to imagine SNL's writers wondering if they could pull off something so ridiculous. So, did they? Hardly — at least not as much as the following sketch, centered on the correspondences between a Civil War-era woman and her brazen fiancé (the underused Tim Robinson) who constantly demanded "a tit pic or something."
The final sketch earned plenty of chuckles, but it's unfortunate that the night's funniest sketch occurred in the first 10 minutes, sans Lawrence. Poking fun at Starbucks' spelling-plagued employees, the commercial for the Starbucks Verismo proved the coffee maker will mistake your simple name for something ridiculous, and complain to its co-worker Verquonica when it gets your order wrong. The faux-commercial served as a shot of caffeine to the episode which could have used a jolt much later.
Still, Hunger Games star Lawrence was easy to digest in the comedy genre, helping elevate rusty, post-vacation writers' bits to laugh-out-loud status. And the experience in live TV should do Lawrence good — after all, she has to prepare for the moment she accepts Oscar gold in real time.
[Image Credit: NBC]
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There's an allure to imperfection. With his latest drama Lawless director John Hillcoat taps directly into the side of human nature that draws us to it. Hillcoat finds it in Prohibition history a time when the regulations of alcohol consumption were subverted by most of the population; He finds it in the rural landscapes of Virginia: dingy raw and mesmerizing. And most importantly he finds it in his main character Jack Bondurant (Shia LaBeouf) the scrappy third brother of a moonshining family who is desperate to prove his worth. Jack forcefully injects himself into the family business only to discover there's an underbelly to the underbelly. Lawless is a beautiful film that's violent as hell striking in a way only unfiltered Americana could be.
Acting as the driver for his two outlaw brothers Forrest (Tom Hardy) and Howard (Jason Clarke) isn't enough for Jack. He's enticed by the power of the gangster figure and entranced by what moonshine money can buy. So like any fledgling entrepreneur Jack takes matters into his own hands. Recruiting crippled family friend/distillery mastermind Cricket (Dane DeHaan) the young whippersnapper sets out to brew his own batch sell it to top dog Floyd Banner and make the family rich. The plan works — but it puts the Bondurant boys in over their heads with a new threat: the corrupt law enforcers of Chicago.
Unlike many stories of crime life Lawless isn't about escalation. The movie drifts back and forth leisurely popping in moments like the beats of a great TV episode. One second the Bondurants could be talking shop with their female shopkeep Maggie Beauford (Jessica Chastain). The next Forrest is beating the bloody pulp out of a cop blackmailing their operation. The plot isn't thick; Hillcoat and screenwriter Nick Cave preferring to bask in the landscapes the quiet moments the haunting terror that comes with a life on the other side of the tracks. A feature film doesn't offer enough time for Lawless to build — it recalls cinema-level TV currently playing on outlets like HBO and AMC that have truly spoiled us — but what the duo accomplish is engrossing.
Accompanying the glowing visuals and Cave's knockout workout on the music side (a toe-tapping mix of spirituals bluegrass and the writer/musician's spine-tingling violin) are muted performances from some of Hollywood's rising stars. Despite LaBeouf's off-screen antics he lights up Lawless and nails the in-deep whippersnapper. His playful relationship with a local religious girl (Mia Wasikowska) solidifies him as a leading man but like everything in the movie you want more. Tom Hardy is one of the few performers who can "uurrr" and "mmmnerm" his way through a scene and come out on top. His greatest sparring partner isn't a hulking thug but Chastain who brings out the heart of the impenetrable beast. The real gem of Lawless is Guy Pearce as the Bondurant trio's biggest threat. Shaved eyebrows pristine city clothes and a temper like a rabid wolverine Pearce's Charlie Rakes is the most frightening villain of 2012. He viciously chews up every moment he's on screen. That's even before he starts drawing blood.
Lawless is the perfect movie for the late August haze — not quite the Oscary prestige picture or the summertime shoot-'em-up. It's drama that has its moonshine and swigs it too. Just don't drink too much.
A billionaire TV producer (Robert Mammone) has a great idea for a reality show that he wants to put on the Internet and his goal is to beat the 40 million Super Bowl audience. He has compiled a crack team of young hip and immoral tech geeks directed by Goldman (Rick Hoffman) and puts cameras throughout a remote island where former prisoners are going to kill each other while audiences watch after shelling out the pay-per-view fee. The location is done on a remote secret island and the death row prisoners are bought from prisons around the world with the promise that the survivor gets to walk free. Among the contestants are a rogue Aussie named McStarley (Vinnie Jones) a martial arts expert (Masa Yamaguchi) a husband-and-wife team (Manu Bennett and Dasi Ruz) a monstrous killer who doesn't do much more than grunt (Nathan Jones) and others known only as The Italian The German and other monikers quickly forgotten. Enter the sole American Jack Conrad (Steve Austin) who's in a South American prison for some obscure reason and is recognized on TV by his wife (Madeleine West) who tries to save him. However it looks like Conrad is pretty good at helping himself. Don't expect the acting to be much more evolved than what could be seen among the World Wrestling Entertainment superstars especially since many of them were plucked from the ring to star in this morality tale. But Austin (who had in a strong cameo in Adam Sandler's Longest Yard) proves he has a sense of humor as well as strength. Vinnie Jones is ridiculously over-the-top as the Aussie who's the hand-picked winner of this game shown setting up alliances Survivor style only to turn on them later. The supporting cast are refreshingly entertaining but one-note caricatures both in the contest and running the contest. It's obvious that they aren't going to be around long but the actors do milk their tiny roles for every bit of attention they can get. Rick Hoffman as the brilliant camera mastermind of the project is both whiny sniveling and mean-spirited so when he joins some of the rest of the crew and suddenly develops a backbone and a conscience he ends up stealing the movie with his acerbic humor. But it's the understated American hero Conrad who holds a mirror up to the people who like to watch this stuff. Director Scott Wiper who co-wrote this story has also acted in similar movies like this (A Better Way to Die). It’s obvious he knows what he’s doing with The Condemned and develops a sense of voyeuristic angst like those of us who can't keep our eyes off a train wreck. Like the darkly subversive Belgian film Man Bites Dog the camera crew remains safely distant and remote until the reality directly involves them. Then the crew wonders "What the hell are we doing?" while the audience might be thinking "What the hell are we watching?" Much like Series 7: The Contenders Rollerball and other movies which show a dark and bloody near future this kind of reality doesn't seem too far away and maybe proves that movies which provide this type of gladiator spectacle target a certain segment of the human population who need to blow off steam.
Sundance Film Festival officials have announced entries for dramatic, documentary and "American Spectrum" categories of the 2004 festival, which runs Jan. 15 through Jan. 25 in Park City, Utah.
According to The Hollywood Reporter, the competitive categories at this year's festival include big-name actors appearing in films by relatively unknown directors, and a record-breaking number of projects from black filmmakers and projects influenced by Sept. 11:
Actor Kevin Bacon and his wife, Kyra Sedgwick, star alongside hip-hop artist Mos Def in The Woodsman, directed by Nicole Kassel. It revolves around a convicted pedophile who returns to his hometown after 12 years in prison and tries to start a new life.
Courteney Cox Arquette stars in November, directed by Greg Harrison, about a Los Angeles photographer who struggles to put the tragic circumstances of her boyfriend's death behind her.
John Curran's Adultery, starring Mark Ruffalo, Laura Dern, Peter Krause and Naomi Watts, follows two couples who are friends and whose relationships are intertwined.
Writer/director Rodney Evans' Brother to Brother is about an 18-year-old, gay, black artist who discovers the hidden legacies of gay and lesbian subcultures within the Harlem Renaissance. The film is one of a dozen projects that center on the black experience or are by black filmmakers--the most ever on a Sundance roster, according to the Reporter.
"We have 12 features that are either about, produced by or directed by African-American filmmakers," Festival director Geoff Gilmore said. "What's good is that it indicates that there are a lot of African-American filmmakers working in the independent arena because these are works that would not have been made for studios. It's really of interest to me to see a whole range of people now trying to produce independent work."
Gilmore added that some of the entries in this year's festival are the first generation of post-Sept. 11 films. "These are films by filmmakers that were entirely conceived, developed and then produced following those events," Gilmore told the Reporter. "The insularity of America pre-Sept. 11 and the assuredness that existed in the world at that time followed by the anxiety that exists in the world we are in now. These are films about trying to find things out."
The lineup for the festival's remaining categories and the opening night film are expected to be announced later today. Short films appearing at the festival will be announced Dec. 8.
The Best Thief in the World, Jacob Kornbluth
Book of Love, Alan Brown
Brother to Brother, Rodney Evans
Chrystal, Ray McKinnon
Down to the Bone, Debra Granik
Easy, Jane Weinstock
Evergreen, Enid Zentelis
Garden State, Zach Braff
Harry and Max, Christopher Munch
Maria Full of Grace, Joshua Marston
Napoleon Dynamite, Jared Hess
November, Greg Harrison
One Point O, Jeff Renfroe, MarteinnThorsson
Primer, Shane Carruth
Adultery, John Curran
The Woodsman, Nicole Kassell
A Place of Our Own, Stanley Nelson
Born Into Brothels, Ross Kauffman, ZanaBriksi
Chisholm '72 -- Unbought & Unbossed, Shola Lynch
Dig, Ondi Timoner
Farmingville, Catherine Tambini, Carlos Sandoval
The Fight, Barak Goodman
Heir to an Execution, Ivy Meeropol
Home of the Brave, Paola di Florio
I Like Killing Flies, Matt Mahurin
Imelda, Ramona S. Diaz
In the Realms of the Unreal, Jessica Yu
Deadline, Katy Chevigny, Kirsten Johnson
Neverland: The Rise and Fall of the Symbionese Liberation Army, Robert Stone
Persons of Interest, Alison Maclean, Tobias Perse
Super Size Me, Morgan Spurlock
Word Wars, Julian Petrillo
CSA: Confederate States of America, Kevin Willmott
Dandelion, Mark Milgard
Dirty Work, David Sampliner
Everyday People, Jim McKay
Lbs., Matthew Bonifacio
Let the Church Say Amen, David Petersen
Mean Creek, Jacob Aaron Estes
Metallica: Some Kind of Monster, Joe Berlinger & Bruce Sinofsky
MVP, Harry Davis
Open Water, Chris Kentis
Second Best, Eric Weber
September Tapes, Christian Johnston
Speak, Jessica Sharzer