Based on H.G. "Buzz" Bissinger's bestselling book of the same name Friday Night Lights tells the true story of the dusty West Texas town of Odessa where nothing much happens until September rolls around. That's when the town's 20 000 or so denizens pour into Ratliff Stadium the country's biggest high school football field every Friday night to watch the Permian Panthers Odessa's "boys in black " take to the field. All the town's hope and dreams are pinned on the padded shoulders of these young gridiron heroes--including insecure quarterback Mike Winchell (Lucas Black); cocky self-assured running back Boobie Miles (Derek Luke); headstrong self-destructive tailback Don Billingsley (Garrett Hedlund) who must contend with an overbearing abusive dad (Tim McGraw--yes that Tim McGraw the country singer); and the team's spiritual leader middle linebacker Ivory Christian (newcomer Lee Jackson). The Panthers begin their season with one thing on their minds--winning their fifth straight championship for the first time in the team's 30-year history--but for their coach Gary Gaines (Billy Bob Thornton) it also means instilling a love and joy of the game in the boys' hearts amidst tremendous pressures and expectations. Easier said than done.
There isn't a false note in any of the performances and no one falls back on clichéd versions of their characters as is so easy to do in rah-rah sports movies. Thornton does a particularly good job as Gaines keeping you guessing whether he's going to be a hardass insensitive to his players' emotional needs (like so many movie football coaches before him) or if he truly means to coach his boys in a fair and decent way. Gaines too has to deal with his own pressures especially from the townsfolk who are likely to string him up if the team loses the championship. As for Gaines' players Black (the oh-so-serious kid from Thornton's Sling Blade) is all grown up and buffed out and still very serious. It works for the young actor though as the beleaguered Winchell struggles with the love-hate relationship he has with his chosen sport. Other standouts include Luke (Antwone Fisher) as the star player Boobie whose cocksureness leads him to an injury; Hedlund as the volatile Billingsley trying desperately to please his father; and McGraw making his film debut as the father a former Permian Panther champion who sure hasn't given up his competitive spirit basically beating it into his son. First Faith Hill (McGraw's real-life wife) in The Stepford Wives and now McGraw--who knew country singers could act?
From All the Right Moves to Varsity Blues to Remember the Titans Friday Night Lights unfortunately doesn't completely distinguish itself from the pack of football movies before it--like those this is all about how the young players--be they underdogs second-string nobodies or stars--rising above the mounting pressure and playing the best they can bless their hearts. Still there's no question the sports genre--particularly football--always gets the juices pumping with FNL being no exception. It might have something to do with our sick fascination with watching bone-crunching hits and body-punishing tackles. It's dangerous out there for these guys; no other sport (besides maybe hockey) can elicit such wince-inducing emotion and actor/director Peter Berg (The Rundown) exploits that. Obviously influenced by Oliver Stone's Any Given Sunday Berg effectively paints his own gritty documentary-style picture of the competitive sport without relying on too many trite gushy over-the-top moments. And to give it credit the film does not necessarily have a feel-good "let's win one for the Gipper" ending; it is based on a true story after all and as we know real life isn't all sunshine and roses especially in the bloodthirsty world of Texas high school football.
Monster chronicles a year in the life of one Aileen Wournos for whom the description "downtrodden" is an understatement of the 'nth degree. Wournos is infamous for being the first recognized female serial killer in recent U.S. history and was executed in 2002 for killing seven men between 1989-90 (self-defense she said). Unwanted unloved and largely abandoned by her family in her early teens Wournos became a drifter turning to prostitution along Florida's highways first for acceptance then for sustenance. As this movie tells it with a lifelong history of receiving only abuse and contempt at the hands of nearly every male with whom she came into contact it's clear the very least little thing could push her already unstable mental state right over the edge. That little thing came in the form of one Selby Wall. Wall (a lesbian) comes on to Wournos (not one) at a bar one night with a few kind words: "You're so beautiful you must have men falling all over you " at which point you wonder what planet she's on. An awkwardly fumbling sex scene or two later and off they go on a bizarrely codependent road to ruin that takes them on the run--Wall from her conservative family Wournos from the law as she discovers after one particularly brutal encounter that killing men for their money is quicker easier safer and more profitable than screwing them for it.
Much is being made about Charlize Theron's transformation into Wournos and with good reason. To say she looks like a cross between Jon Voight and William H. Macy is being too hard--on the guys. With her baby blues turned into bottomless brown pools; baby face into pocked sagging jowls; even white teeth into grayish tombstones; and flaxen bob into dishwater blonde '70s-era feathered crop Theron so wholly transforms from bombshell Hollywood star to white-trash hooker it's a more frightening sight than Paris Hilton's night-vision humpathon. Well OK not that frightening. It isn't just Theron's looks that are Wournos from head to toe however; it's as if Theron was channeling the killer her performance (barring a few instances of exaggeration) is that eerie. On some level you're always conscious you're watching Charlize Theron model-turned-actress underneath all the makeup and one wonders if the entire film would have worked better starring a complete unknown . But by the time the credits roll even if you've never heard of or seen Wournos before you'll feel like you knew her personally after watching Theron swagger cuss fight and kill her way through the Sunshine State. In a weird yet rewarding casting choice Christina Ricci effortlessly embraces her role as the lonely and innocent yet ultimately whiny and manipulative galpal Wall.
Had Theron's performance and ungodly appearance not packed such a wallop this movie about a year in the life of a serial killer could have come and gone--truth be told it's an unredeeming look at the tragic end of a completely wasted life from the viewpoint of the loser who wasted it. From the victimizing encounters Wournos has with almost every male she runs across to the calculating machinations of her treacherous girlfriend director Patty Jenkins practically screams "Poor me!" for Wournos from the grave. Though the movie's title refers to the main character it might as well apply to everyone else as the killer comes off more sympathetic than most of her hapless victims who didn't deserve to die just for picking her up on the highway. Opinions about cause and effect aside the moviemaking itself is not up to par. Very little is given to explain Wournos' character other than a few flashback scenes that seem more cursory than anything and are punctuated with a distracting voiceover that tries to replace missing pieces of story--such as why for chrissakes Selby is so attracted to Aileen. For a movie in which the lesbian factor is so important Jenkins ultimately lacks the courage to "go there " pulling back on the whole sex thing and spending far too much time on a weak love story that never really makes much sense.
February 08, 2002 2:07pm EST
Jonathan Cross (Chris Klein) is down and out in California when he runs into his old friend Marcus Ridley (LL Cool J) driving a pricey sports car and dripping in gold jewelry. As it turns out Ridley is making it big in an international Rollerball league and convinces Cross to do the same. Fast-forward four months into the future and Jonathan has become one of the biggest and most sought-after Rollerball stars. He's rich drives a nice car and is having a steamy relationship with his teammate Aurora (Rebecca Romijn-Stamos). From the looks of it Rollerball is a serious moneymaking operation: We are constantly shown million of dollars worth of currency going through money counters at record speed. And by the instant ratings numbers that appear on the organizer's monitors it's obvious that Rollerball fever has taken over the world. When conniving Rollerball creator Petrovich (Jean Reno) discovers that the ratings go through the roof when blood gets spilled things start to go very wrong. Cross and his teammates suddenly find themselves playing for their lives.
Chris Klein (American Pie 2) is Jonathan Cross the all-American Rollerball player but he underplays the role. You would expect a character in his position to have a certain amount of charisma and charm but Klein's delivery is a bit deadpan and lacking in attitude. His best pal Marcus Ridley is played by LL Cool J (Kingdom Come) who manages to add a bit of dimension to his otherwise underdeveloped character. In fact he may have been better suited for the lead. The only good part about model-turned-actress Rebecca Romijn-Stamos' (X-Men) role is that it didn't incorporate too many lines. Sounding like Natasha from Rocky and Bullwinkle you have to wonder what she was thinking with that accent which (contrary to the actress' recent statement on MTV that a bad accent is not necessarily bad acting) certainly is part of the acting and certainly is bad. Jean Reno (Just Visiting) was probably the most interesting character. He was all bad without a single redeeming quality which he at least pulled off with flair whether it was in his delivery or his elaborate fur coats.
Rollerball is director John McTiernan's (The Thomas Crown Affair) take on the 1975 classic directed by Norman Jewison. There is definitely enough action in Rollerball to keep viewers interested but the major problems lies within the characters' development-there isn't any. So while the action may keep your eyeballs glued to the screen momentarily you will find yourself indifferent to the characters their plight and what happens to them. Cross and Aurora's relationship for example is implied through one hastily done sex scene in the gym. Consequently when the evil Petrovich threatens to hurt her if Cross tries to leave the game we could care less because we don't really know her or how important she is to Cross. Being such an internationally renowned sport the accents which play a big part in the film are done too shoddily. The French accents go from Canadian to European within a sentence and that's only from the ones I could pick up. Who knows what other languages were massacred in the process?
MGM is finalizing a deal to have Jackie Chan star in the remake of the 1960 comedy The Bellboy, Variety reports. The film will reportedly be set in Las Vegas' MGM Grand Hotel. The original The Bellboy starred Jerry Lewis.
Actor Ben Affleck, who checked himself into the Malibu Rehabilitation center Promises on July 31, is making progress, Entertainment Tonight reports. While Promises is not a "lock down" facility, it does monitor its patients 24-hours a day. ET also reports that Affleck was spotted on a casual shopping outing over the weekend.
Bobby Dall, the bassist for the 1980s rock band Poison, is recovering from back surgery, The Associated Press reports. Dall had several discs in his spine replaced and will need at least six months to recover. The injury occurred Sunday during a concert at the South Dakota State Fair. Poison has cancelled the rest of their tour dates through September.
Larry Adler, better known as the king of the harmonica, died Monday in a London hospital, Reuters reports. Adler, 87, had been ill for several months. His career spanned seven decades and he worked with artists such as George Gershwin and Elton John.
Debbie Mathers, Eminem's mother, will only receive $ 1,600 of a $25,000 settlement she won against the rap star, AP reports. Macomb County, Mich., Court Judge Mark Switalski ruled Monday that Mather's attorney, Fred Gibson, was entitled to $23,354.25 because they had made a deal entitling him to more than the standard one-third of the settlement. Mathers sued her son in 1999 for defamation and intentional infliction of emotional distress because of some lyrics on the rapper's CD The Slim Shady LP.
MGM is preparing to do a sequel to Legally Blonde starring Reese Witherspoon, the Hollywood Reporter announced. Marc Platt, who produced the original film, also is in talks with the studio along with screenwriters Karen McCullah and Kirsten Smith. Witherspoon would reprise her role as Elle Woods subject to script approval.
Ben Stiller, Chris Rock, Madonna and Jason Alexander will voice DreamWorks animated feature Madagascar, according to the Hollywood Reporter. The film centers on four zoo animals that are shipped back to their homeland by animal rights activists. The foursome is left stranded in Madagascar after their ship capsizes. Madagascar will be directed by Eric Darnell (Antz) and Conrad Vernon (Shrek).
John Mellancamp is expected to finish up a musical he is working on with writer Stephen King in February, AP reports. So far, Mellancamp has written about five songs for the story, which he describes as anything but rock. The singer still has another 10 songs to write for the production.
Limp Bizkit have recorded a cover of Frankie Goes to Hollywood's "Relax" for the film Zoolander starring Ben Stiller, SonicNet.com reports. Electronic artist/producer BT is scoring the film. The only other track confirmed so far for the soundtrack is The Wiseguys' "Start the Commotion." BT described the score as "out of control." The Zoolander soundtrack is due out Sept. 25.
British pop star Robbie Williams said he would keep his promise to help a 23-year-old woman dying from leukemia, according to the BBC News. Williams provided a blood sample and has promised to donate bone marrow if he is a suitable donor. Williams. 27, met Johanna MacVicar after a concert in October.
In an effort to expand theater uses, the Texas-based Cinemark movie theater chain will screen a live concert by Sugar Ray in 14 locations across the Untied States, Reuters reports. The theater chain will broadcast the Aug. 15 concert in a live simulcast via satellite to locations in 21 states.
Alfred A. Knopf will publish the memoirs of former president Clinton, Reuters reports. While no amounts were disclosed, the figure is rumored to exceed $8 million for the deal. New York Sen. Hillary Rodham Clinton, Clinton's wife, reportedly received between $7 million and $8.5 million for her memoirs published by Simon & Schuster. According to Sonny Mehta, Knopf's president and editor-in-chief, the book would focus on Clinton's two-term presidency.
This turbo-charged film centers on street racing and the people who live for it. Dominic Toretto (the aptly named Vin Diesel) is one of them rebuilding high performance racecars by day and racing by night. Since the money he makes for winning a race (up to $10 000) barely covers his overhead costs Toretto and his band of staunch followers supplement their incomes by hijacking electronics-filled 18-wheelers. The FBI which has narrowed down the suspects to either Toretto or his arch rival Johnny Tran (Rick Yune) sends in undercover officer Brian O'Connor (Paul Walker) to get the evidence they need and arrest the right guy. O'Connor gets a job at a local high-end auto supply store and soon infiltrates Toretto's gang despite repeated warnings from its leader's steadfast cronies. He wins Toretto's respect and after predictably falling for his sister Mia (Jordana Brewster) begins to question his loyalties. It's a stale story line with all the typical elements but who cares? In The Fast and the Furious the story is a mere formality.
Most of the actors in this film have been typecast but for once that's not a limiting thing. It almost seems as though Diesel (Boiler Room Pitch Black) was born to play commandeering ringleader Dominic Toretto. With his gravelly baritone voice and menacing screen presence he dominates every scene he is in. Unfortunately the script calls for him to utter obvious lines like "You break her heart I'll break your neck." Michelle Rodriguez (Girlfight) is in her element as his cagey girlfriend but could almost be mistaken for a rottweiler on a leash. She scowls and glares over the rim of her shades one too many times but demonstrates once again that she can pack a mean punch. There is a small but surprisingly funny performance by Chad Lindberg as Jesse the mechanical genius whose ADD drove him to a life of crime. But Walker (The Skulls) is as bland as his white-bread character O'Connor and the object of his affection Mia (Brewster The Invisible Circus) is equally unimpressive. But as with the story The Fast and the Furious is not about the acting.
Furious makes up for what it lacks intellectually with pure and unadulterated action. The overly choreographed scenes of cars driving in V-formations are eclipsed by the cars themselves which are the highlight of the film. The race sequences alone will practically leave you feeling compressed and the souped-up Nissans Hondas and Toyotas will make this film an instant cult classic within the car culture. Craig Lieberman one of the import car consultants on the film even provided his own 1994 Toyota Supra--complete with Greddy Turbo and NOS nitrous upgrades three TV screens VCR Sony Play Station 19" Dazz wheels and a $7 000 custom paint job. If the car didn't actually belong to a real person it might be too decadent to be believed. All in all Furious is a dizzying frenzy of noise and speed that serves up what films like Gone in 60 Seconds and Driven promise but never come close to delivering. Despite its screeching drag races and hair-raising crashes Furious probably won't appeal to the masses but expect it to fly when it gets released on DVD.