Michael Cera’s rising star just won’t stop. After hits like Superbad, Juno and Nick and Norah the Canadian actor is creating buzz again with a semi-secret comedy called Paper Hearts.
Cera stars alongside real-life girlfriend Charlyne Yi (aka the stoner chick from Knocked Up) in the indie flick described as part-documentary, part scripted comedy about their real-life relationship.
Why so much talk? According to the Hollywood Reporter this could be the sleeper hit of Sundance 2009 and the distribution rights are up for grabs. With the box-office pull of Cera and his Apatow-gang (like Paper Hearts director Nicholas Jasenovec) buyers and programmers are hopeful.
Other buzzworthy Sundance entries include Ashton Kutcher’s raunchy Spread, Jim Carrey and Ewan McGregor’s doc I Love You Phillip Morris and Antoine Fuqua’s feature Brooklyn’s Finest.
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Told from the perspective of one innocent maid Mary Macearchran (Kelly MacDonald) the story starts as she arrives at the magnificent country estate of Gosford Park. On this particular weekend host Sir William McCordle (Michael Gambon) and his wife Lady Sylvia (Kristin Scott Thomas) have invited an eclectic group to the house for a shooting party. The guests include Sylvia's two sisters (Geraldine Somerville Natasha Wightman) their respective loser husbands (Charles Dance Tom Hollander) her cantankerous aunt Constance (Maggie Smith) for whom Mary works British matinee idol Ivor Novello (Jeremy Northam) and his American friend Morris Weisman (Bob Balaban) a film producer who makes Charlie Chan movies. As the upper-crust guests bicker about money and power the ranks of house servants personal maids and valets below make sure their charges are well taken care of under the guidance of the head butler Jennings (Alan Bates) head housekeeper Mrs. Wilson (Helen Mirren) and head cook Mrs. Croft (Eileen Atkins). Through Mary's eyes we see that the glamour of the upstairs patrons and the seeming precision downstairs are not all they seem. The two worlds are destined to collide and when they do it leads to only one thing--murder.
One of the joys of an Altman movie is his uncanny ability to take a huge ensemble cast of really good actors and carve out a film from their personal stories. This style can also work to the film's detriment however and in Gosford Park the mostly British cast melds together almost too well. Often you can't even tell who's who. Still with all the talent involved there are at least a few bright moments: Smith as the wisecracking Constance an old lady who's very used to being waited on hand and foot gets all the best lines and delivers them flawlessly and veteran actress Mirren is also brilliant as the staunch Mrs. Wilson. She turns in one of the film's only heartbreaking scenes as her character grieves for the son she gave away long ago in the name of servitude. Also good are MacDonald as the young Mary Clive Owen as the valet Robert Parks who carries more than just a chip on his shoulder and Emily Watson as the headstrong chief housemaid Elsie. Northam too shows off his musical abilities as the suave piano-playing singing Novello. The rest all blend together except unfortunately the two American actors--Balaban comes off as annoying and Ryan Phillippe playing an actor pretending to be Morris' valet is in way over his head.
Interestingly the film is taken from a story idea dreamt up by Altman and Balaban. One wonders if perhaps the two were inspired to create Park after watching an episode of the classic '70s British television drama Upstairs Downstairs which was about a wealthy British household whose servant class had just as many dramas as the people they served (hmm sounds familiar). Sure it's conceivable that two Americans sitting around talking about making a distinctly British movie (and a period piece to boot) could pull it off and with a tremendous talent like Altman attached you'd think it would work. But Park misses the mark. The Altman-esque qualities are all there--the way he interweaves his characters' stories and shows real people with real emotions--but maybe just maybe Altman is simply out of his element. You enjoy the ride but it's not a ride through appealing territory and you're definitely watching from the window as the characters live a life you never really become a part of.
Just one day after ABC announced its surprising fall 2001 lineup, CBS followed suit Wednesday with some curveballs of its own.
The Eye Network will bring back 16 primetime programs, CBS President Les Moonves announced Wednesday - including Survivor, CSI: Crime Scene Investigation, Everybody Loves Raymond and Judging Amy - and also will introduce eight new series starring some of Hollywood's heavyweights.
Survivor and CSI will remain Thursday's double-threat, and the Monday lineup of strong sitcoms, including King of Queens, Yes, Dear, Raymond and Becker, also will stay untouched.
New blood, however, will shake up CBS' remaining primetime schedule. The network's offering of rookie shows is as follows:
Thursdays, 10 p.m. EST
Set in Washington, D.C., this drama follows a brave group of CIA agents who risk life and limb in the name of national security. The series stars Gil Bellows (Ally McBeal), as a no-holds-barred agent who's haunted by the mysterious death of his brother, and Will Patton (Remember the Titans), as the veteran agent who knows the truth about Bellows' sibling. Also stars David Clennon (thirtysomething) as a fraud expert and Paige Turco (Party of Five) as the determined rookie. Produced by Wolfgang Petersen (The Perfect Storm).
"The Amazing Race"
Wednesdays, 9 p.m. EST
Think of it as Survivor unrestrained. Eleven teams, each comprised of two members, traverse the globe in a month-long competition to be the first to reach the final destination. The winning team nabs $1 million. But, alas, here's the catch: all team members must have a pre-existing personal relationship - be it family, friend or foe - adding some tension to the overall scheme. Executive produced by Jerry Bruckheimer (Armageddon) and Bertram van Munster (Cops).
Fridays, 8:30 p.m. EST
In one of only two new sitcoms debuting on CBS in the fall, Daniel Stern (City Slickers) stars as a single father who operates a run-down community center populated with a diverse group of people. As the neighborhood ruffians learn lessons in life at the center - receiving guidance, playing sports and seeing tutors - Stern's character also learns what is important in life. Produced by Stern, Howard J. Morris (Home Improvement) and Michael Hanel (Titus).
Saturdays, 9 p.m. EST
James Cromwell (Babe) stars as a man who has spent his entire life as a success in the political arena - having served three terms in the Senate - until, in a shocking defeat, he loses his seat on Capitol Hill and is forced to return to civilian life. His three daughters timidly attempt to make the transition a smooth one, yet their own personal conflicts with other family members render the former senator's homecoming a nerve-racking affair. Produced by John Wells (ER), Lydia Woodward (China Beach) and Christopher Chulack (The West Wing).
"The Education of Max Bickford"
Sundays, 8 p.m. EST
Possibly the most creative of CBS' new dramas, Bickford delves into the bizarre life of college professor Max Bickford (Oscar-winner Richard Dreyfuss). Max is denied a promotion at work, is regularly stabbed in the back by the college president (Regina Taylor) and is forced to deal with the fact that his former best friend, Steve, is now a woman (Helen Shaver) named Erica. Executive produced by Nicole Yorkin (Judging Amy).
"The Ellen Show"
Fridays, 8 p.m. EST
Ellen DeGeneres returns to primetime TV as an overworked Internet executive who realizes that life in the slow lane is the way to go. Her solution? She moves back to her small hometown to live with her peculiar mother (Cloris Leachman) and sister (Emily Rutherfurd) - but will the pressures of living back at home outweigh the stresses of her previous life on the fast track? And is her former high school sweetheart moving back in on her? Produced by DeGeneres, Carol Leifer (Seinfeld) and Mitchell Hurwitz (The Golden Girls).
Tuesdays, 9 p.m. EST
Half legal drama, half a journey of self-discovery, Simon Baker (L.A. Confidential) plays Nick, a high-powered lawyer who, following a drug bust, is forced by the courts to work in a child advocacy office to set him straight. Though Nick is still determined to please his former legal clients, he slowly warms up to the children he's ordered to assist, shedding his cold exterior. Dabney Coleman (9 to 5) stars as Nick's stern father. Executive produced by Mark Johnson (Donnie Brasco) and Michael Pressman (Chicago Hope).
Wednesdays, 10 p.m. EST
This bizarre drama follows the investigation of a Bureau of Wildlife Management agent (Lou Diamond Phillips) obsessed with unlocking the mystery behind a rash of human disappearances in a Seattle suburb. His investigation centers upon a pack of wild wolves that can morph into human beings at will. Only one man-a Native American biology professor (Graham Greene)--knows the truth behind the supernatural creatures. Executive produced by John Leekley (Kindred: The Embraced) and Bernard Lechowick (Hyperion Bay).
As for returning shows with new time slots, four programs are being shuffled around. 60 Minutes II stays on Wednesdays, but will shown at 8 p.m. EST, not 9 p.m. EST, its current time slot. Another news magazine show, 48 Hours, will be shown on Fridays at 10 p.m. EST, a day later than its current home at 10 p.m. EST Thursdays. That's Life will jump back from Saturdays at 8 p.m. EST to Fridays at 9 p.m. EST. Finally, the family hit Touched by an Angel moves from Sundays at 8 p.m. EST to Saturdays at 8 p.m. EST.
Fox is expected to release its fall schedule sometime Thursday.