A lot has happened in the 13 years since Queer as Folk premiered in December of 2000. Celebrities are out of the closet, Don’t Ask Don’t Tell is dead, gay marriage is legal (sort of), and tons of shows have gay characters. However, homophobia is still a global issue, gay bashings are rampant, and HIV stats haven’t gone down. HBO’s new series Looking offers a glimpse at gay men on the other side of those 13 years. But is it an upgrade or a downgrade from the Showtime series?
Queer as Folk is an American version of a popular British series. It is historical for having the first sex scene between two men on American television. Despite (or possibly because of) its graphic sex scenes and unabashed drama, it became a flagship series for Showtime. It’s a precursor to other addictive series like Dexter, Weeds, Homeland, and new series Masters of Sex. Looking, on HBO, follows the ever-popular Girls on Sunday nights. It is vastly different in tone, format, and content from Queer as Folk. But is it a sign of tolerance towards the gay community or a step backwards for representation of gay men in the media?
LocationQueer as Folk is set in Pittsburgh but shot in Canada, and gives a fantastical version of the small Pennsylvania city’s gay population. Conversely, Looking is set in San Francisco, actually films there, and gives an honest portrayal of life in the city. This gives a more balanced view of gay men’s lives beyond stereotypical expectations.
Gay Cast MembersThe bulk of the cast of Queer as Folk was straight. Its stars Peter Paige, Randy Harrison, and Robert Gant are all out actors, but they reached their notoriety because of the show. Conversely, Looking's Jonathan Groff and British actor Russell Tovey are coming to the show established out actors. Their stardom is a definite draw to the show.
More RealisticLooking opts for a more realistic approach to portraying the lives of its characters. It’s more of a slice of life and less a soap opera or sitcom. The characters have real jobs, have long involved discussions about relationships, and just hang out. This differs from Queer as Folk’s exaggerated world of constant clubbing and consistent sex. Furthermore, Looking offers insight into awkward experiences only gay men can have. Most often, Patrick (Groff) will get into an uncomfortable verbal exchange with a potential lover or boyfriend. It humanizes the characters and makes them more relatable.
Smaller CastLooking zeroes in on three friends and the people in their lives. That differs greatly from the large cast of Queer as Folk. This allows for the characters to be more fully developed and to focus less on having to give everyone a storyline each episode.
Ignores IssuesThere isn’t pressure for Looking to get super political. As the first gay-themed show on television, Queer as Folk takes the opportunity to unabashedly reveal all kinds of issues affecting the gay community like drug addiction, HIV, and gay bashing. Looking ignores safe sex, HIV, and homophobia, which are still important issues worldwide, even in San Francisco. It doesn’t need to dwell on them but should at least acknowledge they exist. It takes a second for a character to grab a condom or mention using it.
Smaller Spectrum of the Gay CommunityQueer as Folk offers a United Colors of Benetton composite of the gay community. The core cast includes men on various parts of the masculine/feminine spectrum, lesbian cast members, and straight allies. San Francisco is renowned for its large gay population, queer activists, and transgendered men and women, but Looking only seems to follow a group of mostly-masculine, Grindr/OkCupid-obsessed, white-washed, gay men... with beards. That doesn’t give a very balanced view to the audience at large.
Race IssuesQueer as Folk is not a trailblazer of ethnic diversity. Looking actually has more people of color in the main cast than the Showtime series. However, the men on Queer as Folk were race-blind in their choice of sex and romantic partners. They never exoticized them or commented on their race. Looking sloppily brings up race and sex but it doesn’t open up a discourse about racism in the gay community; instead it marginalizes people of color.
TamerQueer as Folk is fueled by sex, nudity, and relationships. Looking opts for fewer sex scenes and less nudity. It is a great attempt at diminishing stereotypes of gay men being sex obsessed, and yet, the characters on Looking mostly discuss sex and check Grindr and OkCupid obsessively; plus, Patrick hits on every guy he meets. If the end result is still the same then why not opt for the sex scenes? After all, sex sells.
The end result is a draw. Queer as Folk is a show with no prior frame of reference for representations of gay men on television. It’s not perfect, but it’s a guilty pleasure that opens a dialogue about important gay issues. Thirteen years later, Looking opts-out of politics and some stereotypes while furthering others. However, it doesn’t have the luxury of not knowing any better.
Country music mogul Ronnie Gant has died at the age of 69. The publisher died on Saturday (04Jan13) at the Centennial Medical Center in his native Nashville, Tennessee.
Born Ronald C. Gant, he was the younger brother of singer/producer Don Gant and began his career working at the Acuff-Rose music publishing company.
He spent 22 years at the firm, which became a part of the Opryland Music Group, and signed singers like Patty Loveless and Skip Ewing, and songwriting duo Mike Geiger and Woody Mullis, while he famously brought the tune Elvira to The Oak Ridge Boys, earning them a massive hit Stateside and a Grammy Award in 1981.
Paying tribute to Gant via Twitter.com on Monday (06Jan13), The Oak Ridge Boys wrote, "It was RONNIE GANT a song plugger for ACUFF ROSE who first thought that ELVIRA should be recorded by the OAK RIDGE BOYS... RIP Ronnie."
He also helped the country/gospel quartet score another smash with Thank God for Kids, and later found further career success with the publishing rights to Friends in Low Places, which became a signature song for Garth Brooks.
Kindly chemistry whiz Sherman (Eddie Murphy) has found the love of his life in cutie colleague Denise (Janet Jackson) who appreciates the heart of gold beneath his extra-large exterior. But the hero's happiness is threatened when his irrepressible alter-ego Buddy Love (Murphy) reappears with a scheme to wreak havoc with Sherman's newly discovered youth potion.
"The Klumps" displays Murphy's remarkable talent for submerging himself in diverse characters even more prominently than the original did. He impressively expands upon the four Klump family members he plays with the aid of Rick Baker's Oscar-winning prosthetic makeup effects -- especially his hilarious turn as sex-crazed Granny Klump. Larry Miller is amusingly caustic as the dean of Sherman's college while pop diva Jackson deserves credit simply for keeping a straight face opposite Murphy's various incarnations.
Peter Segal ("Tommy Boy") hands in a polished if not particularly inspired piece of broad comedy that achieves its primary purpose -- staying out of Murphy's way as he works his special magic. The filmmakers pay little attention to the brainless shamelessly mechanical plotline devoting nearly all their energy to fart and sex gags that if anything aim lower than the original film's. We're talking about a flick draws one of its biggest laughs from a character getting sodomized by a giant hamster. Baby that's nasty!