As if we needed any more proof that America was mad for the CIA in 2012, Saturday night's Producers Guid Awards gave further credibility to the mania by handing out some of its highest honors to Ben Affleck's fake-CIA-movie film, Argo and Showtime's jazzy runaway hit, Homeland.
The guild's 24th annual awards for excellence in film, television, and digital media were announced during a ceremony at the Beverly Hilton. Argo's snapping up of top film honors (the Darryl F. Zanuck Award) puts it at the forefront of the Oscar race for Best Picture. The PGAs have a fairly decent track record when it comes to selecting the film that takes home Academy Award gold — 73% accuracy, to be exact, which includes the 5-year streak the Guild has been on since 2008.
Homeland secured itself yet another gold for Best Drama Series during the night as well, reminding us all (yet again) that we love a jazzy biopolar super-CIA-genius more than anything else. (Especially if it involves Mandy Patinkin!) For an agency so shrouded in secrecy and mystery, it sure is popping up in our entertainment a heck of a lot.
But there was more than just covert operations and genius secret agents winning awards: both Brothers Weinstein (Bob and Harvey) accepted the Milestone Award in a teary-eyed speech from presenters Quentin Tarantino, Robert De Niro, and Robert Rodriguez. Future Star Wars helmer J.J. Abrams also accepted an award of his own: the Norman Lear Achievement Award. Not too shabby for a man with undoubtedly much of his already-impressive career still ahead of him
Check out the full list of winners, below!
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Argo (Warner Bros.)
Producers: Ben Affleck, George Clooney, Grant Heslov
Outstanding Producer of Animated Theatrical Motion Pictures
Wreck-It Ralph (Walt Disney Studios Motion Pictures)
Producer: Clark Spencer
Outstanding Producer of Documentary Theatrical Motion Pictures
Searching For Sugar Man (Sony Pictures Classics)
Producers: Malik Bendjelloul, Simon Chinn
Norman Felton Award for Outstanding Producer of Episodic Television, Drama
Producers: Henry Bromell, Alexander Cary, Michael Cuesta, Alex Gansa, Howard Gordon, Chip Johannessen, Michael Klick, Meredith Stiehm
David L. Wolper Award for Outstanding Producer of Long-Form Television
Game Change (HBO)
Producers: Gary Goetzman, Tom Hanks, Jay Roach, Amy Sayres, Steven Shareshian, Danny Strong
Danny Thomas Award for Outstanding Producer of Episodic Television, Comedy
Modern Family (ABC)
Producers: Cindy Chupack, Paul Corrigan, Abraham Higginbotham, Ben Karlin, Steven Levitan, Christopher Lloyd, Jeff Morton, Dan O’Shannon, Jeffrey Richman, Chris Smirnoff, Brad Walsh, Bill Wrubel, Danny Zuker
Outstanding Producer of Non-Fiction Television
American Masters (PBS)
Producers: Prudence Glass, Susan Lacy, Julie Sacks
Outstanding Producer of Competition Television
The Amazing Race (CBS)
Producers: Jerry Bruckheimer, Elise Doganieri, Jonathan Littman, Bertram van Munster, Mark Vertullo
Outstanding Producer of Live Entertainment & Talk Television
The Colbert Report (Comedy Central)
Producers: Meredith Bennett, Stephen Colbert, Richard Dahm, Paul Dinello, Barry Julien, Matt Lappin, Emily Lazar, Tanya Michnevich Bracco, Tom Purcell, Jon Stewart
Outstanding Sports Program
Real Sports with Bryant Gumbel (HBO)
Outstanding Children’s Program
Sesame Street (PBS)
Outstanding Digital Series
30 Rock: The Webisodes
[Photo Credit: Gregg DeGuire/WireImage]
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Paramount Pictures’ Mission: Impossible franchise is a rare phenomenon. Few film series based on properties as old as it is have retained such relevance in the modern movie market and few take as long a break in between installments making each new entry a highly anticipated event. Such is the case with Ghost Protocol the fourth in fifteen years starring Tom Cruise as super-agent Ethan Hunt. Adding to the hoopla surrounding the holiday release is the fact that it marks the live-action directorial debut of Brad Bird the Pixar wunderkind responsible for Oscar-winning hits The Incredibles and Ratatouille. Unfortunately I feel that the animation auteur had too much to prove in his first physical outing and tried a bit too hard to thrill resulting in a film that plays more like John Woo’s over-the-top M:I:II than Brian de Palma’s suspenseful original.
The plot essentially kicks off when a bomb blasts a hole the size of a football field in the Kremlin (Russia’s most important government facility) while Hunt and his team of IMF agents (Paula Patton and Simon Pegg) attempt to extract a nuclear detonation device from the fortress before a mysterious figure known only as Cobalt can get to it first. The problem: Cobalt has gotten to it first and frames Hunt and company for the bombing causing the U.S. President to enact "Ghost Protocol " which disbands the IMF and disavows its soldiers. Knowing that the theft of the device and a batch of codes that enable it to be used prior to this event means that Cobalt surely intends to start World War III the agents go rogue to retrieve the components and bring the terrorist to justice.
Like the fore mentioned bomb blast Josh Appelbaum and Andre Nemec’s script is devastating leaving scattered pieces of information all over the place and making it hard for the story to truly find its footing. Expository plot points are dropped in way after they’re needed or wanted messing with the pace of the movie on more than one occasion. Perhaps their biggest crime is crafting a lame villain with little presence in the picture. After the intensity that Phillip Seymour Hoffman brought to his antagonist in M:I:III Michael Nyqvist’s quiet and composed Hendricks just isn’t convincing enough as a true threat. On the other hand Bird’s direction is anything but composed.
While his use of IMAX cameras is quite breathtaking when filming the much-publicized Burj Khalifa climb and other notable set pieces as stated before his approach to the material seemed to be “let’s make every action sequence as ludicrous as we can.” I realize that MIGP is a holiday blockbuster designed to get audiences blood pumping but I’ve always found that action films work best when they operate (mostly) within the confines of reality. That’s clearly not the case here where Hunt drives perfectly through a blinding sandstorm without causing much collateral damage and nosedives a Volkswagen off of a 30-foot drop and lives to save the day.
Still it’s all in the name of fun and he does manage to create an entertaining dynamic between his IMF agents. Patton is totally passable as Jane Carter an agent seeking revenge for the murder of her cohort and apparent beau Hanaway (Josh Holloway) while Pegg returning as Benji the tech-geek from the preceding film has been promoted to field agent and is without question the movie’s saving grace. Though his comic relief is relied heavily upon it’s absolutely welcomed. The biggest surprise is Jeremy Renner who was supposedly brought in to take the reigns of the franchise but is pretty stale as Brandt. He never elevates his character to the level of coolness that Cruise has maintained throughout the years and doesn’t provide anything significant other than assistance. Given the talent that we all know he possesses his negligible contribution was a bigger let down than the film itself.