Amanda Bynes' mother has urged the troubled star's fans and friends not to be misled by the media as her daughter continues to seek help and treatment for mental health issues, insisting "99 per cent" of what has been reported is wrong. Lynn Bynes, 66, has broken her silence after winning temporary conservatorship of the Hairspray star's affairs, and she's keen to right wrongs about her daughter, who was committed to a psychiatric hospital in July (13) after months of erratic behaviour.
She tells People magazine, "I would really like everyone out there to know that almost 99 per cent of the things written about my daughter in various media outlets are false or misleading."
She adds, "Unless it's a statement issued by our family attorney, Tamar Arminak, please take everything you read about Amanda with a grain of salt.
"Please know that neither myself or other family members have ever released any information regarding her treatment or diagnosis. We truly believe in keeping our daughter's situation private for now.
"We appreciate everyone's heartfelt support and we hope that she can get some privacy and the respect she deserves during this trying time. Both my husband and I love Amanda very much and we know that she will get through this situation."
Bynes is currently seeking treatment at a rehab clinic in Malibu, California.
It has finally arrived, people: The end of auditions for Season 9 of So You Think You Can Dance. Here we have it: Our final crop of contenders for this year's coveted Favorite Dancer of the Year crown. You know what this means.
One more week. ‘Til we meet The Exorcist again.
Until then, though, let's review the talent that Nigel, Mary and this week's extremely introverted guest judge, Adam Shankman, sorted through in Salt Lake City.
(Also of note: Cat wore leather this week, not a furry carcass.)
We kicked things off with Whitney Carson, a Latin ballroom dancer who was SYTYCD’s answer to American Idol’s Lauren Alaina. Her description of the cha cha tango routine she'd be embarking upon was very disconcerting because she had the face of a 14-year-old on the body of an adult and kept throwing around words like "sensual" and "sexy.” Maybe it was just weird because she was an 18-year-old with braces.
To her credit, though, she was excellent. It was still weird in a child-beauty-pageant kind of way to see someone so childlike being so sexual, but I suppose when you're doing the cha cha tango, that's the nature of the beast, right? I think I caught Nigel salivating at one point (ew). After a standing O from all three judges (and a not at all over-the-top decree from Adam that she's "everything this show is all about"), Whitney was sent right on through to Vegas.
"Alien space dancer" Lynn Gravatt, an unemployed former aerospace engineer, wanted everyone to know she doesn’t fit in the box. Considering her True Blood Season 2 zombie eyes and Demi Moore in GI Jane haircut, that was somewhat evident. She claimed that one afternoon, while sitting around with her friends, the dancing spirit entered her and never left. She is a human body, she said, but her soul is from the stars.
With more secondhand embarrassment than amusement, we watched her do little more than writhe and spin in time to dubstep. Sometimes when I watch this show, it amazes me that Nigel nurtures the crazy in people like this by telling them that they have excellent spirits but little talent. What nurturing words does Nigel have for those of us who spent 10 minutes enduring that audition?
Soon thereafter, we got a glimpse of another alien. This one was dressed as a male preying mantis, and his routine was meant to portray its life cycle and its gruesome death. Raise your hand if you had to Google, "How does a praying mantis die?" during this audition!
He certainly got points for creativity, technique and flexibility, and for dancing like Rafiki from The Lion King at times, but his audition ended really awkwardly when he told Mary he envisioned her as the female mantis who ate his head. The judges invited him to Vegas anyway.
Perky blonde Dee Tomasetta didn't bring her large Italian family to her audition, much to Cat's disappointment, but we saw plenty of them in her pre-package, as they harangued her about whether or not she had a boyfriend. “Dancing is my boyfriend!” she decreed proudly, before embarking upon a ballet routine to "Can't Make You Love Me" that got off to a slow start with lots of back bends and stretches. I didn't think her routine or her countenance matched the music at all, but the judges were very impressed with her technique, her length, and her transitions. They raved before sending her right through to Vegas.
My favorite audition of the night was definitely that of Mariah Spears, a little white blonde female krumper. She clearly belonged in Eliza Dushku's role in the original Bring It On. As Nigel astutely pointed out, she stank-faced her way through her whole routine, and Adam said she was the best girl-krumper who's ever auditioned for the show. I'd have to agree (whatever, I don’t care if she was the only one they’ve ever aired). She was one of those dancers who seemed mousy when she first came out onto the stage but came alive completely—and believably—when she started dancing.
As expected, though, the judges wanted to see what else she could do and sent her on to choreography before moving her on to Vegas. Yay!
Salt the propulsive new thriller from Phillip Noyce (Clear and Present Danger Patriot Games) has been dubbed “Bourne with boobs ” but that label isn’t entirely accurate. In the role of Evelyn Salt a CIA staffer hunted by her own agency after a Russian defector fingers her in a plot to murder Russia’s president Angelina Jolie keeps her two most potent weapons holstered hidden under pantsuits and trenchcoats and the various other components of a super-spy wardrobe that proudly emphasizes function over flash.
But flash is one thing Salt never lacks for. Its breathless cat-and-mouse game hits full-throttle almost from the outset when a former KGB officer named Orlov (Daniel Olbrychski) stumbles into a CIA interrogation room and begins spilling details of a vast conspiracy. Back in the ‘70s hardline elements of the Soviet regime launched an ambitious new front in the Cold War flooding the western world with orphans trained to infiltrate the security complexes of their adopted homelands and wait patiently — decades if necessary — for the order to initiate a series of assassinations intended to trigger a devastating nuclear clash between the superpowers from which the treacherous Reds would emerge triumphant.
The Soviet Union may have long ago collapsed (or did it? Hmmm...) but its army of brainwashed killer orphan spies remains in place and if this crazy Orlov fellow is to be believed they stand poised to reignite the Cold War. It’s a preposterous — even idiotic — scheme but no more so than any of our government’s various harebrained proposals to kill Castro back in the ‘60s. As such the CIA treats it with grave seriousness even the part that that pegs Salt who just happens to be a Russian-born orphan herself as a key player in the conspiracy.
Salt bristles at the accusation but suspecting a set-up she opts to flee rather than face interrogation from her bosses Winter (Liev Schreiber) and Peabody (Chiwetel Ejiofor). A former field agent she’s been confined to a desk job since a clandestine operation in North Korea went south leaving her with a nasty shiner and a rather unremarkable German boyfriend (now her unremarkable German husband). She’s clearly kept up her training during while cubicle-bound however and in a blaze of resourceful thinking and devastating Parkour Fu she fends off a dozen or so agents of questionable competence and takes to the streets where she sets about to clear her name and unravel the Commie orphan conspiracy before the authorities can catch up with her. That is if she isn’t a part of the conspiracy.
The premise which aims to resurrect Cold War tensions and graft them onto a modern-day spy thriller is absurdly clever — and cleverly absurd. But Kurt Wimmer’s screenplay isn’t satisfied with the merely clever and absurd — it must be mind-blowing. Salt is one of those thrillers that ladles out its backstory slowly and in tiny portions every once in a while dropping a revelatory bombshell that effectively blows the lid off everything that happened beforehand. No one is who they seem and every action every gesture no matter how seemingly trivial is imbued with some kind of grand significance. The effect of piling on one insane twist after another has the effect of gradually diluting the narrative. When anything is possible nothing really matters.
But spy thrillers by definition trade in the preposterous and the principal function of the summer blockbuster is to entertain. In that regard Salt more than fulfills its charge. Noyce wisely keeps the story moving at pace that allows little time for asking uncomfortable questions or poking holes in the film’s frail plot. And he has an able partner in the infinitely versatile Jolie who having already exhibited formidable action-hero chops in Wanted and the Tomb Raider films proves remarkably adept at the spy game as well.
It’s well-known that Jolie wasn’t the first choice to star in Salt joining the project only after Tom Cruise dropped out citing the story’s growing similarities to the Mission: Impossible films. But she’s more than just a capable replacement; she’s a welcome upgrade over Cruise not least because she’s over a decade younger (and a few inches taller) than her predecessor. Should Brad Bird require a pinch-hitter for Ethan Hunt he knows where to look.
It hasn't just been a weighty year in politics -- culminating with President Barack Obama's inauguration. It was also an issue-heavy year in snowy Park City.
At the 25th anniversary of the Sundance Film Festival, the issue-focused subject matter -- global and national -- spanned the gamut: from assassination-fearing, aspiring pop singers (Afghan Star) … to fastidious fashionistas on deadline (September Issue) ... to laid-off female factory workers in revolt (Louise-Michel) … to Chris Rock taking-on the politics of smooth vs. kinky hair (Good Hair).
And the big triple winner: Push, a story of survival, literacy and hope by Lee Daniels co-starring Mo'Nique, accomplished its own story-making feat with a captivating leading young lady (Gabourey Sidibe).
Out of the 118 features, 7 prestigious awards were won by a small group of buzz films we profiled in our "Sundance Preview Guide." Narrative winners: Push (Grand Jury Prize; Audience Award; Special Jury Prize for Acting for Mo'Nique) and Paper Heart (Waldo Salt Screenwriting Award); Documentary winners: Afghan Star (World Cinema Audience Award); Good Hair (Special Jury Prize: U.S.); Big River Man (World Cinema Cinematography Award).
Not to mention the stars who created their own paparazzi avalanche -- some even splitting their time in D.C. -- on and off the slopes. This year's attendees included Spread's Ashton Kutcher canoodling with Demi; Twilight princess Kristen Stewart pushing Adventureland; Push's partying Mariah Carey and hubby Nick Cannon; Reporter producer Ben Affleck schmoozing at MySpace cafe; 50 Cent giving Phillip Morris' Jim Carrey a birthday shout out; Amy Poehler hangin' with Spring Breakdown co-star Parker Posey; Paper Heart's Michael Cera looking very Michael Cera; Kevin Bacon promoting Taking Chance, La Mission's Benjamin Brat adding to the hunk count; pink-hatted Emma Roberts on double-duty for Lymelife and The Winning Season, and Mr. Redford, himself -- and so on, and so on.
So on to the winners:
The Grand Jury Prize: U.S. Documentary was presented to We Live in Public, directed by Ondi Timoner. The film portrays the story of the Internet's revolutionary impact on human interaction as told through the eyes of maverick web pioneer, Josh Harris, and his transgressive art project that shocked New York.
The Grand Jury Prize: U.S. Dramatic was presented to Push: Based on the Novel by Sapphire, directed by Lee Daniels and written by Damien Paul. The film tells the redemptive story of Precious Jones, a young girl in Harlem struggling to overcome tremendous obstacles and discover her own voice.
The World Cinema Jury Prize: Documentary was presented to Rough Aunties, directed by Kim Longinotto. Fearless, feisty and unwavering, the 'Rough Aunties' protect and care for the abused, neglected and forgotten children of Durban, South Africa. United Kingdom
The World Cinema Jury Prize: Dramatic was presented to The Maid (La Nana), directed by Sebastian Silva. When her mistress brings on another servant to help with the chores, a bitter and introverted maid wreaks havoc on the household. Chile
The Audience Award presented by Honda: U.S. Documentary was presented to The Cove, directed by Louie Psihoyos. The horrors of a secret cove nestled off a small, coastal village in Japan are revealed by a group of activists.
The Audience Award presented by Honda: U.S. Dramatic was presented to Push: Based on the Novel by Sapphire, directed by Lee Daniels and written by Damien Paul. The film tells the redemptive story of Precious Jones, a young girl in Harlem struggling to overcome tremendous obstacles and discover her own voice.
The World Cinema Audience Award: Documentary was presented to Afghan Star, directed by Havana Marking. After 30 years of war and Taliban rule, Pop Idol has come to television in Afghanistan: millions are watching and voting for their favorite singer. Marking's film follows the dramatic stories of four contestants as they risk their lives to sing. Afghanistan/United Kingdom
The World Cinema Audience Award: Dramatic was presented to An Education, directed by Lone Scherfig from a screenplay by Nick Hornby. In the early 60s, a sharp 16-year-old with sights set on Oxford meets a handsome older man whose sophistication enraptures and sidetracks both her and her parents. United Kingdom
The Directing Award: U.S. Documentary was presented to El General and director Natalia Almada. As great-granddaughter of President Plutarco Eliás Calles, one of Mexico's most controversial revolutionary figures, the filmmaker paints an intimate portrait of Mexico.
The Directing Award: U.S. Dramatic was presented to Sin Nombre, written and directed by Cary Joji Fukunaga. Filmmaker Fukunaga's first-hand experiences with Mexican immigrants seeking the promise of the U.S. form the basis of this epic Spanish-language dramatic thriller.
The World Cinema Directing Award: Documentary was presented to Afghan Star, directed by Havana Marking. After 30 years of war and Taliban rule, Pop Idol has come to television in Afghanistan: millions are watching and voting for their favorite singer. Marking's film follows the dramatic stories of four contestants as they risk their lives to sing. Afghanistan/United Kingdom
The World Cinema Directing Award: Dramatic was presented to Five Minutes of Heaven, directed by Oliver Hirschbiegel from a screenplay by Guy Hibbert. Two men from the same town but from different sides of the Irish political divide discover that the past is never dead. United Kingdom/Ireland
The Waldo Salt Screenwriting Award was presented to Nicholas Jasenovec and Charlyne Yi for Paper Heart. Even though performer Charlyne Yi doesn't believe in love, she bravely embarks on a quest to discover its true nature - a journey that takes on surprising urgency when she meets unlikely fellow traveler, actor Michael Cera.
The World Cinema Screenwriting Award was presented to Five Minutes of Heaven, directed by Oliver Hirschbiegel from a screenplay by Guy Hibbert. Two men from the same town but from different sides of the Irish political divide discover that the past is never dead. United Kingdom/Ireland
The U.S. Documentary Editing Award was presented to Sergio. Directed by Greg Barker and edited by Karen Schmeer, the film examines the role of the United Nations and the international community through the life and experiences of Sergio Vieira de Mello, the U.N.'s High Commissioner for Human Rights.
The World Cinema Documentary Editing Award was presented to Burma VJ. Directed by Anders Østergaard and edited by Janus Billeskov Jansen and Thomas Papapetros. The film takes place in September 2007 as Burmese journalists risk life imprisonment to report from inside their sealed-off country. Denmark
The Excellence in Cinematography Award: U.S. Documentary was presented to The September Issue. With unprecedented access, director R.J. Cutler, cinematographer Bob Richman and their crew shot for nine months to capture editor-in-chief Anna Wintour and her team preparing the 2007 Vogue September issue, widely accepted as the "fashion bible" for the year's trends.
The Excellence in Cinematography Award: U.S. Dramatic was presented to Sin Nombre, written and directed by Cary Joji Fukunaga. Cinematographer: Adriano Goldman. Filmmaker Fukunaga's first-hand experiences with Mexican immigrants seeking the promise of the U.S. form the basis of this epic Spanish-language dramatic thriller.
The World Cinema Cinematography Award: Documentary was presented to Big River Man, John Maringouin's documentary about at an overweight, wine-swilling Slovenian world-record-holding endurance swimmer who resolves to brave the mighty Amazon in nothing but a Speedo. U.S.A./United Kingdom
The World Cinema Cinematography Award: Dramatic was presented to An Education, directed by Lone Scherfig from a screenplay by Nick Hornby. Cinematographer: John De Borman. In the early 1960s, a sharp 16-year-old girl with sights set on Oxford meets a handsome older man whose sophistication enraptures and sidetracks both her and her parents. United Kingdom
A World Cinema Special Jury Prize for Originality was presented to Louise-Michel, directed by Benoit Delépine and Gustave de Kervern, about a group of disgruntled female French factory workers who, after the factory abruptly closes, pool their paltry compensation money to hire a hit man to knock off the corrupt executive behind the closure. France
A World Cinema Special Jury Prize: Documentary was presented to Tibet in Song directed by Ngawang Choephel. Through the story of Tibetan music, this film depicts the determined efforts of Tibetan people, both in Tibet and in exile, to preserve their unique cultural identity. Choephel served six years of an 18-year prison sentence for filming in Tibet. Tibet
A World Cinema Special Jury Prize for Acting was presented to Catalina Saavedra for her portrayal of a bitter and introverted maid in The Maid (La Nana). Chile
A Special Jury Prize: U.S. Documentary was presented to Good Hair, directed by Jeff Stilson, in which comedian Chris Rock travels the world to examine the culture of African-American hair and hairstyles.
A Special Jury Prize for Spirit of Independence was presented to Humpday, Lynn Shelton's farcical comedy about straight male bonding gone a little too far.
A Special Jury Prize for Acting was presented to Mo'Nique for her portrayal of a mentally ill mother who both emotionally and physically imprisons her daughter in Push: Based on the Novel by Sapphire.
MORE NEWS: B.O. Update" 'Paul Blart' Rules the Malls Again
Top Story: Disney Blocks Moore Documentary
The Walt Disney Co. has moved to stop its Miramax Films subsidiary from distributing Oscar-winning filmmaker Michael Moore's upcoming documentary Fahrenheit 911. The documentary touches on the personal relationship between President George H. W. Bush and Osama bin Laden's family as well as the events that led Bush and bin Laden to become enemies. According to a report Wednesday in the New York Times, Moore's agent, Ari Emanuel, said Disney CEO Michael Eisner expressed concern the release of the film would endanger tax breaks Disney receives for its theme park and hotels in Florida, where President Bush's brother, Jeb Bush, is governor. But one Disney executive denied that allegation, telling the Times the company did not want to be seen taking sides in the election and risk alienating customers of different political views. In a statement, Moore said: "I would have hoped by now that I would be able to put my work out to the public without having to experience the profound censorship obstacles I often seem to encounter. The whole story behind this (and other attempts) to kill our movie will be told in more detail as the days and weeks go on. All I can say is, thank God for [Miramax Chairman] Harvey Weinstein and Miramax, who have stood by me during the entire production of this movie." Fahrenheit 911, which was slated for release in July, will still premiere in competition at the Cannes Film Festival this month.
Idol Finalists Hit the Road
In what has become a sort of tradition, the top 10 finalists from Fox's third American Idol season have made plans for a summer North American tour. The finalists include Fantasia Barrino, Diana DeGarmo, George Huff, Jasmine Trias and La Toya London as well as the already voted out Amy Adams, Camile Velasco, Jennifer Hudson, John Stevens and Jon Peter Lewis. Reuters reports the 48-city tour will kick off July 14 in Salt Lake City and end Sept. 26 in San Jose, Calif. The two-hour American Idol season finale is scheduled for May 26.
Anna Nicole Launches Clothing Line
Former Guess? model and Playboy Playmate Anna Nicole Smith is planning to create a clothing line with the trendy outfitter Von Dutch, Extra reports. Smith, whose real name is Vickie Lynn Hogan, is currently on a world tour promoting the weight loss company Trim Spa, to which she credits having lost 69 pounds. The 36-year-old entertainer's reality TV series The Anna Nicole Show, which followed her daily misadventures, was canceled after ratings slipped from their all-time high in August 2002 when the series debuted.
Madonna Kicks Up Privacy Efforts
Madonna, meanwhile, is kicking the fight to keep hikers off her $16 million English country estate up a notch. Reuters reports a public inquiry opened Wednesday to look into whether English walkers, known across the pond as "ramblers," can saunter through Madonna and Guy Ritchie's 1,200 acre Ashcombe House estate in Dorset, southwest England--of which 100 acres has been defined as open country and therefore open to the public. The couple argues the land should be reclassified as "semi-improved" grassland because it is used for shooting game, which would define it as agricultural land and exclude it from public access. The inquiry is expected to last five days, with a verdict due this summer.
Usher Misses Chilli
R&B singer Usher recently told Rolling Stone magazine that every once in a while he thinks about calling his ex, TLC's Chilli. The two ended their highly publicized relationship earlier this year. "Sometimes I wonder what would happen if I did call [Chilli]," he said. "Would it become a good thing or would it become a bad thing? I think it's best that I don't call." The couple and Chilli's son lived in Usher's Atlanta home before the split. Chilli is now reportedly dating Baltimore Ravens football star Ray Lewis.
Emmys Test Online Voting
The Emmys will become the first major award show to offering online voting, Variety reports. The Academy of Television Arts & Sciences has sanctioned online voting for its interactive television Emmy and is pegging it as a test run for a system that may be expanded to the rest of its awards. "The technology is here, and it is only fitting that the Interactive Media Peer Group sets the precedent for online voting with this particular Emmy Award," ATAS chairman Dick Askin told Variety. "We hope it is a process that will be extended in the future to other Emmy Award categories."
Frasier May Live On
Could another incarnation of Frasier be in the works? As the long-running series comes to an end this year, Variety reports that according to industry insiders, Paramount topper Garry Hart met with NBC execs to discuss possibly extending the Frasier franchise, chronicling the next phase in Dr. Frasier Crane's life. All parties involved are declining comment, but industry insiders told Variety NBC opted against continuing the franchise, giving Paramount free reign to shop a new Frasier show to another network. It's unclear if star Kelsey Grammer would continue his Frasier character in a third series, but Grammer, who has played Frasier Crane for 20 years, has made it clear that he wouldn't have minded if Frasier continued on.
Another HIV Case Hits CA Porn Industry
A fourth adult film performer, a transsexual actress who goes by the stage name Jennifer, has tested positive for the virus that causes AIDS but the case is unrelated to an outbreak that virtually shut down pornography production last month, an industry health care official told Reuters on Tuesday. The performer had last performed a sex scene on Feb. 27 with two male actors who have since tested negative, according to Sharon Mitchell of the Adult Industry Medical Healthcare Foundation. "This is an open-and-shut case of genealogy," she told Reuters. "We think it's contained."
Role Call: Amityville Horror Revisited
British commercial director Andrew Douglas will make his feature film debut with an update of the 1979 thriller The Amityville Horror. The original, starring James Brolin, Margot Kidder and Rod Steiger, centered on a newlywed couple who move into a mysterious house where all sorts of strange things happen.
Kit Bowen contributed to this report.