Pilot Season: Welcome home, Felicity Huffman. The former Desperate Housewife has signed on to play another homemaker in the brand-new Fox drama pilot Boomerang — but this time, the character is anything but desperate. Huffman's Margie Hamilton spends her afternoons as a professional assassin before heading home to her family at night. ... Krysten Ritter is officially moving on from her recently cancelled ABC sitcom Don't Trust the B in Apt. 23 — the former B will headline NBC's new comedy Assistants as workaholic assistant Nora who's struggling with balancing her personal and professional lives. ... Former iCarly star Miranda Cosgrove has found her newest role — she'll play Christina Ricci's daughter in the NBC sitcom Girlfriend in a Coma, about a woman who wakes up 17 years after a car crash to discover she has a 17-year-old daughter. In real life, the actresses are only 14 years apart. [TVLine, Entertainment Weekly, The Hollywood Reporter]
Kenneth Heads to The Middle: Jack McBrayer, better known as 30 Rock's Kenneth the Page, has booked his first role following the finale of his NBC sitcom. McBrayer will appear on at least one upcoming episode of ABC's The Middle as dentist Ted Goodwin, who hires Frankie as his new hygenist. [TVLine]
Too Spicy: Lifetime has decided not to move forward with Cinnamon Girl, its Renee Zellweger-produced drama. Set in the '60s, the show focused on four women in the Los Angeles music scene and was loosely based on Zellweger's own move to the City of Angels. [THR]
Besties Move to USA: Lovers of the short-lived but incredibly delightful NBC sitcom BFF, come here — this is a safe space. Comedians Jessica St. Clair and Lennon Parham are developing a new series for USA along the same lines of their fan favorite comedy, which was also based on their real-life friendship. This time, Lennon will play a single mom who enlists the help of her single, career-focused BFF to help raise her new baby. [Deadline]
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A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.