Mother of Gob: Emmy winner Margo Martindale will play Will Arnett's mom in a new comedy pilot from Raising Hope creator Greg Garcia. Arnett plays the recently divorced Jack whose life gets even crazier when his parents split up after 43 years. Martindale's Carol is a meddlesome woman who's shocked when her husband files for divorce, forcing her to move in with her son. [THR]
Have Mercy: John Stamos is in final talks to join the NBC drama pilot I Am Victor. The erstwhile Uncle Jesse would star as a powerful divorce attorney with "a unique view of relationships." Considering he raised his family in an attic (oh, wait, that was only on TV?), it makes sense that he'd have a unique perspective on life. [TVLine]
The Revolution Goes Online: Want more Revolution? The show doesn't return to NBC until March 25, but starting Feb. 25, we'll be able to learn much more about the powerless future world when NBC.com debuts a webseries starring Giancarlo Esposito's Capt. Neville 11 years after the blackout, on the night Miles first tried to assassinate Monroe. Neville will embark on a quest to kill the people behind the attempt on the General's life, but he'll stumble upon "an even greater conspiracy that could change the course of the Republic forever." Mysterious! [EW]
RELATED: TV Tidbits: Tricia Helfer is a 'Killer' Woman
Come On Down: Jane Lynch is adding to her busy schedule (Glee, Broadway's Annie revival) with a brand new job: game show host. The actress will host the new NBC reality series Hollywood Game Night, which features celebs hanging out in a cocktail party-type situation and playing pop culture-centric games with non-famous folks. The eight-episode series is produced by Sean Hayes. [EW]
Come Together: All of your indie favorites in one place! Melanie Lynskey has just joined the comedy pilot Togetherness, from Mark and Jay Duplass. She'll play a stay-at-home-mom in an unfulfilling marriage who wants more from life. The show is about two couples trying to make their relationships work will maintaining their own hopes and dreams. The Duplass brothers, who can currently be seen in a guest arc on Fox's The Mindy Project, will write, executive produce, and direct Togetherness, although they will not appear in the show. [THR]
RELATED: TV Tidbits: Mandy More, Steve Zahn, 'Glee' Gal Land Pilots
Lost and Found: Two Lost alums have landed dastardly parts in different CW drama pilots. Mark Pellegrino will play an evolutionary biologist in The Tomorrow People, about a group of young people who have evolved beyond normal humans and have the power of teleportation and telekinesis. Pellegrino's Dr. Jedikiah Price sees the Tomorrow People as a threat to humanity. Henry Ian Cusick, meanwhile, will star as an officer aboard the space station that houses all humans after an attack on Earth on The Hundred. With the ship on its last legs, the government sends 100 juvenile delinquents back down to the planet to see if it's hospitable or not. [TVLine]
Going for the Gold: E! announced a premiere date for its reality show about Olympic swimmer Ryan Lochte, appropriately titled What Would Ryan Lochte Do? The new docuseries will premiere Sunday, April 21 at 10 p.m. on the network, and will be followed by a new season of the Kevin Jonas reality show Married to Jonas. [THR]
Follow Jean on Twitter @hijean
[PHOTO CREDIT: Frank Micelotta/AP Images]
From Our Partners:Most Scandalous Celeb Twitpics of the Year (Vh1)Miley & Liam’s Beach PDA: PICS (Celebuzz)
Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.
A billionaire TV producer (Robert Mammone) has a great idea for a reality show that he wants to put on the Internet and his goal is to beat the 40 million Super Bowl audience. He has compiled a crack team of young hip and immoral tech geeks directed by Goldman (Rick Hoffman) and puts cameras throughout a remote island where former prisoners are going to kill each other while audiences watch after shelling out the pay-per-view fee. The location is done on a remote secret island and the death row prisoners are bought from prisons around the world with the promise that the survivor gets to walk free. Among the contestants are a rogue Aussie named McStarley (Vinnie Jones) a martial arts expert (Masa Yamaguchi) a husband-and-wife team (Manu Bennett and Dasi Ruz) a monstrous killer who doesn't do much more than grunt (Nathan Jones) and others known only as The Italian The German and other monikers quickly forgotten. Enter the sole American Jack Conrad (Steve Austin) who's in a South American prison for some obscure reason and is recognized on TV by his wife (Madeleine West) who tries to save him. However it looks like Conrad is pretty good at helping himself. Don't expect the acting to be much more evolved than what could be seen among the World Wrestling Entertainment superstars especially since many of them were plucked from the ring to star in this morality tale. But Austin (who had in a strong cameo in Adam Sandler's Longest Yard) proves he has a sense of humor as well as strength. Vinnie Jones is ridiculously over-the-top as the Aussie who's the hand-picked winner of this game shown setting up alliances Survivor style only to turn on them later. The supporting cast are refreshingly entertaining but one-note caricatures both in the contest and running the contest. It's obvious that they aren't going to be around long but the actors do milk their tiny roles for every bit of attention they can get. Rick Hoffman as the brilliant camera mastermind of the project is both whiny sniveling and mean-spirited so when he joins some of the rest of the crew and suddenly develops a backbone and a conscience he ends up stealing the movie with his acerbic humor. But it's the understated American hero Conrad who holds a mirror up to the people who like to watch this stuff. Director Scott Wiper who co-wrote this story has also acted in similar movies like this (A Better Way to Die). It’s obvious he knows what he’s doing with The Condemned and develops a sense of voyeuristic angst like those of us who can't keep our eyes off a train wreck. Like the darkly subversive Belgian film Man Bites Dog the camera crew remains safely distant and remote until the reality directly involves them. Then the crew wonders "What the hell are we doing?" while the audience might be thinking "What the hell are we watching?" Much like Series 7: The Contenders Rollerball and other movies which show a dark and bloody near future this kind of reality doesn't seem too far away and maybe proves that movies which provide this type of gladiator spectacle target a certain segment of the human population who need to blow off steam.