It’s official. We’re all old. Today, June 11, is the 10th anniversary of American Idol, which means the series is basically the age of a precocious, articulate child. (Are you ready for the pre-teen years, Nigel Lythgoe?) In honor of the series that has surprised, delighted, entertained, and enraged us for the past 10 years, we’ve compiled the show’s best, worst, and WTF moments. But listing the series’ best performances would be too easy. Instead, we've decided to look back at the non-musical moments — after all, we can't forget the outrageous fights, falls, and outfits meriting a slack-jawed double-take. These are the non-competition-based moments you probably forgot (and many that you’re still trying to).
Thanks for 10 entertaining, perplexing years (and Season 9), Idol!
Best of the Best
Kelly Clarkson’s Finale Breakdown with Nikki McKibbin and Tamyra Gray: This adorable break of emotion follows what is still the best finale moment of the series (no winner’s single can beat “A Moment Like This”), but the best part was when Clarkson couldn’t manage the final line due to an overwhelming wave of emotion. And when Nikki and Tamyra joined her in a group hug and helped their girl out (Nikki perhaps a bit too much), it truly felt like an expression of family, instead of cutthroat competition.
Ruben Studdard Earns a Nickname: “The Velvet Teddy Bear”
Juanita Barber Gets Testy With Simon: She was wrong. So totally wrong. But man, did it feel good to see some dish it back to King of Mean, Simon Cowell.
Season 5’s Ayla Brown Gets Famous Again When Scott Brown Tells the World She’s “Available”: Hey, thank God her Idol fame came back into the spotlight, or she’d have to settle for just being Brown’s “available” daughter. No one wants to be famous for being pimped out by your politician father.
Sanjaya’s Ponk Hawk: There are no words for this glorious incident. Only video.
Anthony Fedorov’s Transformation: He showed up looking like Revenge of the Nerds: R&B Adventure, but by the end of his Season 4 run, he looked more like a back-up Nick Carter. How this prepared him for his future role as Jesus Christ: Superstar, remains a mystery.
Chris Sligh’s Inspiration for Auditioning Was “To Make David Hasselhoff Cry”: This guy, he’s got jokes. And that one was a classic.
Queen Couldn’t Stand Ace Young’s “We Will Rock You” Either: In rehearsals, Brian May tells Young, "I will not do that to my song," when the contestant asks if he could spice up its beats. There’s nothing quite like the vindication of knowing a legendary rock band agrees with you.
Phil Stacey’s Helluva Day: In the same day, Phil Stacey wowed the judging panel in his audition, walked away with a golden ticket, and became a father.
Kelly Pickler’s Wealth of Ditzy One-Liners: The Season 7 contestant never failed to make us laugh, even if she wasn’t sure why. From the mind-boggling “What’s a ballsy?” to the classic “I had salmon,” Miss Pickler regularly had us in stiches.
Idol Gives Back Gives Us a Good Laugh: Idol Gives Back gave us back a little hope after a dreadful Season 9 in the form of some giggles. Russell Brand and Jonah Hill attempted to make us laugh with their cross-promotional Get Him to the Greek mumbo jumbo, but it was Wanda Sykes grilling Simon that really did the trick. Plus, let us take hilarious note of Tim Urban’s ditzy moment at the 1:20 mark.
Kara and Paula Give Bikini Girl a Piece of Their Minds: The bobble-headed Bikini Girl of Season 8 has become infamous. Not only did she attempt to set women-kind back about a 100 years with her sexist stunt of an audition, but she just wasn’t that great. Leave it to the ladies, Kara and Paula, to show her what real singing sounds like… even if it did descend into the madness of a giggly screechfest.
Screechfest Part Deux: Katy Perry vs. Kara: We all knew it was almost time for Kara to take a hike, and Katy Perry was the perfect sassy lady to help her in the right direction (and throw a coke in her face).
Scotty McCreery Apologizes For Bullying Jacee Badeaux: During the Season 10 auditions, the poor 15-year-old was left without a group mere hours before group performances and no one would have the youngster. The little guy spent most of the night crying until he finally found a group, but the real tender moment came when future winner Scotty McCreery took to the stage to deliver a sincere apology for adding to the kid’s terror.
Heejun Han “Talks a Lot of Craps” About Richie The Cowboy: Best. Group Week Fight. Ever. Oh, Heejun, you need a sitcom. It was hilarious watching Richie push Heejun’s every button and hearing Heejun’s annoyed responses about “hating all cowboys… even the Dallas cowboys,” but his “apology” took the cake:
Next: And now, for the Worst moments…Worst Moments – So Bad, They’re Good
Ryan Starr’s Mind-Boggling Wardrobe: Note to future Idol contestants: Try not to look like you’re hoping to be America’s Next Singing Gladiator when you’re on that very public stage.
Clay Aiken. Singing a Grease Song. In a red leather jacket: Song choice aside, let us analyze this ridiculous get-up. Dear Clay, this was about as tough as a teddy bear in a gladiator costume. Sorry, Clay, but Tim Gunn would not approve.
William Hung Followed Up His Idol Audition With “Success”: And by that, we mean some very “discerning” consumers paid money for his “album.”
Elton John Called Voting “Racist” When Jennifer Hudson and LaToya London Were Eliminated: There’s just one small issue with Sir John’s argument. That same season, Fantasia Barrino took home the Idol title.
Jonathan Rey Throws Water at Simon: This angry auditioner didn’t like what Cowell had to say (either that or he was just as curious about what was in that mysterious Coke cup) and he upended Simon’s Coca-Cola Chalice all over the cranky judge.
The Brittenum Twins Break the Law Before Showtime: After making it through Hollywood week, these singing twins threw it all away when they were busted for identity theft and were removed from the show. Idol says: Crime Doesn’t Pay.
Season 6’s Jared Cotter Dedicates “Let’s Get It On” To His Parents: Yes, you should always thank your parents. But maybe, just maybe, check the words of the song you’re about to sing before you dedicate a sex anthem to mommy and daddy. It’s just a thought.
Danny Noriega Nabs Himself a Catchphrase: Too bad “I guess they weren’t likin' it” wasn’t what America was looking for in an Idol.
Simon Tells Ryan to “Come Out Already”: These two were constantly in hot water for their homophobic banter, but this cantankerous reply from Simon Cowell took the cake. It’s one of those things we wish we could forget, but unfortunately, it’s on YouTube.
Kristy Lee Cook Gets a Little Bold With Simon: There’s defending yourself, and then there’s sticking your foot in your mouth. Guess which one describes Kristy…
Ryan Tries to Hive-Five Scott MacIntyre: Hey Seacrest, let’s try to not grab a blind guy’s hand and force him to high five you. That’s not awkward at all.
Everything Siobhan Magnus Ever Wore: She may have had a set of pipes for days, but Siobhan consistently looked like she walked into a closet covered in glue and wore whatever managed to attach itself to her sticky figure.
Kara Picks a Fight With a Guy Who's Clearly Screwing With Her: Part of the deal for an American Idol judge is putting up with the obviously fabricated characters the producers throw at them, but usually, the judges seem to be in on the game. Kara didn't quite get that concept, especially when the handsome and terribly annoying Andrew Fenlon waltzed into the audition room.
Casey James’ Creepy Audition: Yes, Kara, you had to endure Bikini Girl, but please don’t turn what should be an innocent audition into your wild, uncomfortable fantasy. We don’t want to join you in that apparently dark place.
Jennifer Lopez Cries for Chris Medina: When the judges had to eliminate Season 10 hopeful Chris Medina, despite his incredible tear-jerker of a love story, we understood Jennifer's pain. Her drama taking up the majority of the camera time, however...
Jermaine Jones is Chastized and DQ’ed on National Television: It’s understandable that the Idol producers would like to make sure they explained Jones’ sudden departure, especially after the media broke the story before his last episode could air, but this “interview” was just cruel and unusual. It’s one thing to have your past indiscretions aired all over the media, but it’s completely another to have your past indiscretions explained to you like you’re a child in front of 14 million people.
The Birth of Randy’s “Yo” Pin: Season 11 saw Randy’s favorite accessory come out to compete against Steven Tyler’s scarf collection and Jennifer Lopez’ hair. There’s just one snag with his little plan: “Yo” is not a catchphrase, my friend.
What’s you favorite – or least favorite – non-musical Idol moment?
Follow Kelsea on Twitter @KelseaStahler
Does American Idol Need an Electoral College?
American Idol: Dream Duets For the Finale
American Idol Recap: Opposites Attract
September 22, 2010 12:10pm EST
On the hit television show The Secret Life of the American Teenager protagonist Amy Juergens has to deal with high school drama boy troubles the needs of her young child and more making her days at Ulysses S. Grant High School far from ideal. In reality the lives of youngsters are even more complicated as all of the above in addition to peer pressure academic competition and the age-old quest to be cool can overwhelm the most focused individual.
Writers-directors Anna Boden and Ryan Fleck (Half Nelson) both dramatize and make light of the plight of pubescents in their sweet new film It’s Kind of a Funny Story. Based on Ned Vizzini’s novel which chronicles a lonesome teen’s brief stay at an adult psychiatric ward it is a very funny story but the filmmakers keep it levelheaded with melancholy supporting characters and a message about the affliction of our society’s medicated youth.
Keir Gilchrist (The United States of Tara) plays Craig a chronically depressed Brooklyn teen who checks in for treatment after contemplating suicide. An over-achiever caught up in the rat race that is the American Dream Craig’s pessimism and depression stem from neglectful parents more concerned with him gaining acceptance into an elite school than following his passions. His anxiety is aggravated by the dreadful current events of our time notably the wars and financial meltdown that have crippled the aspirations of much of our country’s youth. Though he is a bit over-dramatic Craig’s ailment does raise notable points about paternal priorities and an entire generation of disheartened dreamers.
But surrounded by the hospital’s eccentric group of patients including Emma Roberts’ damaged love interest Noelle and Zach Galifianakis’ emotionally guarded Bobby Craig makes a psychological breakthrough. Gilchrist is like the love child of Justin Long and Jay Baruchel but isn’t nearly as fun to watch as either of those hot-at-the-moment performers save for one Flight of the Conchords moment in the middle of the movie. It’s not that he’s unconvincing; he’s just dull. Luckily Galifianakis steals the show at every turn giving his first ever three-dimensional performance and earning all the attention he’s been getting lately.
Had its story been laid out ordinarily It’s Kind of a Funny Story wouldn’t have been nearly as affecting as it is. But a series of funky flashbacks quirky cut-scenes and animated sequences make the film’s otherwise predictable narrative abstract original and refreshing.
Beneath the glossy sheen of Zac Efron there exists the makings of quite a fine actor glimpses of which were seen in both the blockbuster comedy 17 Again and the indie drama Me and Orson Welles. His transition out of the Disney-fied teen-dream world and into more adult-oriented projects is a gradual uneasy one as is evidenced by his latest film the metaphysical drama Charlie St. Cloud which finds him perched squarely in between the two camps. Efron it appears is in that awkward stage.
In Charlie St. Cloud Efron plays the title character a carefree college-bound sailing star whose bright future is torpedoed when an awful auto wreck takes the life of his beloved kid brother Sam (Charlie Tahan). Charlie at the wheel of the car at the time of the crash briefly dies himself only to be wrested from a flatline by a particularly stubborn and spiritual EMT (Ray Liotta).
Years later Charlie’s body has made a full recovery but his mind remains plagued by some nasty after-effects of the tragedy. He’s given up sailing ditched his college plans gotten a job at a cemetery and taken up the habit of holding regular conversations with dead people — specifically his brother Sam with whom he meets daily in a forest clearing to play catch. Usually such mental deterioration coincides fairly closely with physical deterioration which is why you don’t encounter a lot of well-groomed paranoid schizophrenics on skid row. But Charlie has kept up with his workout and grooming regimens earning a reputation among the residents of his sleepy Pacific Northwest town as a sort of beautiful nutcase.
Unable to escape his all-consuming grief Charlie seems doomed to retreat further into isolation and despair until salvation arrives wrapped in a cardigan: Tess (Amanda Crew) a feisty pro sailor and no stranger to tragedy herself can see beyond Charlie’s unhinged persona to the sensitive troubled and irresistibly hot man that lies beneath. As their relationship deepens Charlie is increasingly torn between his imaginary friends and his real-life love.
It’s a noble aim giving tweens questions deeper than just “Edward or Jacob?” to contemplate and Charlie St. Cloud’s principal message “life is for living ” is a worthwhile one. But director Burr Steers having learned from the success of 17 Again clearly knows where his bread is buttered and so he takes care to sate the demands of Efron’s screeching fanbase by stocking the film with ample glowing shots of his star lovingly lit and clad invariably in a light blue solid color shirt and emoting against a picturesque coastal landscape. (Lest you think I'm exaggerating check out this studio-supplied promo clip featuring an interview with a shirtless Efron.) The awkward mix of existential drama and Abercrombie & Fitch commercial combined with a healthy dose of loopy Sixth Sense-esque supernatural shenanigans tossed in toward the end makes for an experience only the most fawning of Efron’s fans could enjoy.