The God of Legion secular Hollywood’s latest Biblically-inspired action flick is old-school an angry spiteful Almighty with a penchant for Old Testament theatrics. Fed up with humanity’s decadent warmongering ways He’s decided to pull the plug on the whole crazy experiment and start over from scratch.
Fortunately for us the God of Legion is also a rather lazy fellow. Instead of doing the apocalyptic work himself and wiping us out with a giant flood which worked perfectly well last time He opts to delegate the task to His army of angels — a questionable strategy that starts to fall apart when the archangel charged with leading the planned extermination Michael (Paul Bettany) refuses to comply.
Michael who unlike his boss still harbors affection for our sorry species abandons his post and descends to earth where inside the swollen belly of Charlie (Adrianne Palicki) an unwed mother-to-be working as a waitress in an out-of-the-way diner sits humanity’s lone hope for survival. Why is this particular baby so important? Is it the one destined to lead us to victory over Skynet? Heaven knows — Legion reveals little details its script devoid of actual scripture. What is clear is that God’s celestial hitmen want the kid whacked before it’s born.
But Michael won’t let humanity fall without a fight. Armed with a Waco-sized arsenal of assault weapons he hunkers down with the diner’s patrons a largely superfluous collection of thinly-sketched caricatures from various demographic groups led by Dennis Quaid as the diner’s grizzled owner Tyrese Gibson as a hip-hop hustler and Lucas Black as a simple-minded country boy.
Together they mount a heroic final stand against hordes of angels who’ve taken possession of “weak-willed” humans turning kindly old grandmas and mild-mannered ice cream vendors into snarling ravenous foul-mouthed beasts. They descend upon the ramshackle diner in a series of full-frontal assaults commanded by the archangel Gabriel (Kevin Durand) the George Pickett of End of Days generals.
Beneath its superficial religious facade Legion is really just a run-of-the-mill zombie flick a Biblical I Am Legend. Bettany an actor accustomed to smaller dramatic roles in films like A Beautiful Mind and The Da Vinci Code looks perfectly at ease in his first major action role wielding machine guns and bowie knives with equal aplomb. Conversely first-time director Scott Stewart a former visual effects artist does little to prove himself worthy of such a promotion serving up some impressive CGI work but not much else worthy of note.
Promising journalism student Matt Buckner (Wood) gets tossed out of Harvard for taking a drug rap for his highly privileged roommate the son of a governor. He knows he can't fight the charges so he heads to London to visit his sister (Claire Forlani) who's married and has a child. Their absentee father (Henry Goodman) is a foreign correspondent and Matt can't reach him to tell him of his expulsion. Meanwhile he meets Pete (Hunnam) the crass and unsophisticated brother of his new brother-in-law Steve (Marc Warren). Steve sends Matt off with his brother Pete with a bribe to show him one of England's best cultural event--a football match (that's soccer to us Yanks). That trip results in Matt's involvement in the Green Street Hooligans a gang or "firm " as they're called that supports the local team and pounds each other in violent street battles. Matt learns about camaraderie loyalty machismo and street fighting as well as realizing he can pack a wallop when called upon. He's getting a reputation for being tough but things get more complicated as Matt becomes the sole American in the Hooligans as well as the fact he's hiding that he's a journalist. The firms don't take kindly to the tabloid types.
We know Wood as Frodo Baggins the hobbit of the Lord of the Rings movies and Hunnam is known as the pretty boy from the British version of Queer as Folk and Nicholas Nickleby. But in Green Street Hooligans both of them dirty themselves up a bit. Hunnam is the standout showing his true acting chops with his close-shorn hair and spontaneous mean streak. He's smart and multi-dimensional alternately showing his rough side as a gang fighter and then his sensitive side as a schoolteacher and football coach. Wood isn't nearly as believable as a street thug but he's adept at playing the fish-out-of-water roles. Warren is noteworthy as the brother-in-law with a secret and Leo Gregory puts on quite a performance as a police lieutenant suspicious of Pete. The supporting cast looks like they were taken right off the streets of West Ham.
Director and co-writer Lexi Alexander does a nice job showing the British versions of gangs and their bloody street fights. Americans may be shocked by the senseless violence surrounding a sports franchise (or maybe not) but it's realistic. The British press however are vilifying this film because it's too cleaned up and doesn't accurately show the "yob" subculture. But if Hooligans is viewed for its brutal but effective fight scenes as well as a window into machismo then its not disappointing. It gets a bit corny at times and heads in a predictable direction but it remains captivating partially because of the handheld cinematography by Alexander Buono. The film shows how the sense of belonging and desire to bash heads can become addictive among the guys in the pubs who don't have much to lose.