Overshadowed by the mighty NYCC this past weekend was another New York celebration of movies: the Hamptons International Film Festival. In recent years, HIFF has been an early step in the rise to notoriety of films like the Oscar-winning Slumdog Millionaire and Golden Globe-winning The Wrestler. This year's HIFF offered a slew of promising films, winning a variety of awards. Below is a complete list of HIFF's award-winning films for 2011.
AUDIENCE AWARD NARRATIVE
The Artist, directed by Michael Hazanavicius
AUDIENCE AWARD DOCUMENTARY
Hard Times: Lost on Long Island, directed by Marc Levin
AUDIENCE AWARD WINNER FOR BEST SHORT
Two's a Crowd, directed by Jim Isler and Tom Isler
NARRATIVE JURY WINNER
The Fairy, directed by Dominique Abel, Fiona Gordon and Bruno Romy
DOCUMENTARY JURY WINNER
Laura, directed by Fellipe Barbosa
SHORT DOCUMENTARY JURY WINNER
The Strange Ones, directed by Christopher Radcliff and Lauren Wolkstein
THE KODAK AWARD FOR BEST CINEMATOGRAPHY
Without, directed by Mark Jackson
THE WOUTER BARENDRECHT PIONEERING VISION AWARD
Without, directed by Mark Jackson
THE VICTOR RABINOWITZ AND JOANNE GRANT AWARD FOR SOCIAL JUSTICE
You've Been Trumped, directed by Anthony Baxter
THE ALFRED P. SLOAN FOUNDATION FEATURE FILM PRIZE
Small, Beautifully Moving Parts, directed by Anne Howell and Lisa Robinson
THE BRIZZOLARA FAMILY FOUNDATION AWARD FOR A FILM OF CONFLICT AND RESOLUTION
The Bully Project, directed by Lee Hirsch
In addition to the outstanding films, the Hamptons International Film Festival also recognizes actors and actresses in a category called Breakthrough Performance Recipients. 2011's winners include:
Emily Browning for her performance in Sleeping Beauty
Alexander Skarsgard for his performance in Melancholia
Stine Fischer Christiansen for her performance in Cracks in the Shell
Ezra Miller for his performance in Another Happy Day
Shailene Woodley for her performance in The Descendants
Anton Yelchin for his performance in Like Crazy
What is an ensemble cast? How many actors constitute one? There aren’t any guidelines that determine what qualifies as a true ensemble, but if anyone can offer some insight it would be Woody Allen, who has been getting great groups of actors together for decades now. From Manhattan and Hannah and Her Sisters to Melinda and Melinda and You Will Meet A Tall Dark Stranger, he’s always had a keen eye for casting and the stars continue to line up to work with the iconic auteur.
With the home entertainment release of his latest, fore mentioned film at hand, I thought it’d be apt to honor some of the coolest ensemble casts ever assembled. Keep in mind: this isn’t a list of the best films featuring an ensemble cast. It’s about the best rosters of talent roped in for a single production.
This under-appreciated Tony Scott action spectacle was polarizing to audiences because of its ultra-violent approach, particularly toward women. But Patricia Arquette proved herself to be one tough chick, able to take a beating a give it back in equal measure. Together with her beau-to-be Christian Slater, she embarks on an odyssey to free herself from pimp Gary Oldman and, later, his criminal overlord Christopher Walken, all while L.A. detectives Tom Sizemore and Chris Penn are hot on the trail of drugs and blood. With bonus appearances by Dennis Hopper, Val Kilmer, Brad Pitt, James Gandolfini, Michael Rapaport and more, True Romance is a twisted web of cameos and special roles filled by some of the coolest actors of the time.
The Thin Red Line
WWII films have a long history of stellar casts comprised of legions of screen legends. This 1998 genre entry continues that grand tradition with enough A-listers to make five separate movies. George Clooney, Sean Penn, Nick Nolte, Adrien Brody, Miranda Otto, John Cusack, John C. Reilly, Woody Harrelson, John Travolta, Nick Stahl, Elias Koteas and Jim Caviezel all appear in the prestigious picture at one point or another – a logistic achievement in and of itself.
This sweet rom-com gets me every time. Not just because of the cheerful dialogue and warm and fuzzy relationships, but also because of the charming cast of characters played by Hugh Grant, Emma Thompson, Alan Rickman, Laura Linney, Liam Neeson, Keira Knightley, Billy Bob Thornton, Martin Freeman, January Jones, Elisha Cuthbert, Rodrigo Santoro, Shannon Elizabeth, Andrew Lincoln, Denise Richards and the adorable Thomas Sangster. Together, there are around eight revolving, relatable romances in the film, but we wouldn’t have cared about any of them if not for the lovable cast.
In telling this sprawling tale about the intersecting lives of a handful of Angelenos, director Paul Haggis needed an international cast to represent the diverse population of the City of Angels. He got it with Don Cheadle, Sandra Bullock, Jennifer Esposito, Shaun Toub, Daniel Dae Kim, Matt Dillon, Loretta Devine, Brendan Fraser, Terrence Howard, Keith David, Ryan Phillippe, Michael Pena, Tony Danza and Thandie Newton. Though Dillon was the only actor recognized by the Academy at awards time, the triumph of the film belongs to its eclectic cast.
The Magnificent Seven
Akira Kurasawa’s epic Seven Samurai was practically begging for a Hollywood adaptation when it was released in 1954. By 1960, director John Sturges had made it a reality with a pack of screen idols including the dashing Yul Brynner, the inimitable Eli Wallach, the ultra-cool Steve McQueen, the bad-ass Charles Bronson, the slick Robert Vaughn, the cool James Coburn and the “newbie” Horst Buchholz. The septuplet of stars had a great deal of chemistry that made their on-screen antics all the more enjoyable to watch, and fifty years later their work on this classic film has become the stuff of movie mythology.
The star power packed into these popular motion pictures is astonishing. With Hollywood heavyweights like George Clooney, Matt Damon and Brad Pitt leading an army of talent - young and old - including Don Cheadle, Scott Caan, Bernie Mac, Andy Garcia, Carl Reiner, Eddie Jemison, Elliot Gould, Casey Affleck and Julia Roberts, there's no shortage of charisma throughout the film. You may be wondering why I chose Oceans Twelve over the 2001 remake of the 1960 original; it's because this hit heist pic also features the likes of Catherine Zeta-Jones, Albert Finney, Robbie Coltrane, Jared Harris, Vincent Cassel and Bruce Willis in appearances big and small. Not too shabby for a sequel...
Forget the awful 2008 remake. I implore you to give the original a chance. It’s a virtual who’s who of top Hollywood talent of the era. The premise is simple by today’s standards, but in 1939 its empowering themes were ahead of its time. Some of best actresses to ever grace the silver screen, including Norma Shearer, Joan Crawford, Joan Fontaine, Rosalind Russell, Paulette Goddard, Lucile Watson and Marjorie Main delivered the message. All of the above are Oscar winners or nominees, making this cast of female performers one of the most celebrated of all time.
I’m not sure if Francis Ford Coppola knew what he was onto when he picked his rag-tag group of actors for this kick-ass 1983 film. After all, most of the actors were relatively unknown and untested at the time (save for C. Thomas Howell, who had just starred in Steven Spielberg's E.T.), but that quickly changed in the years following its release. Patrick Swayze, Emilio Estevez, Matt Dillon, Ralph Macchio, Rob Lowe, Diane Lane and Tom Cruise all appeared in the acclaimed teen drama, leaving behind one hell of a legacy.
Forget Black Swan – Natalie Portman’s real crowning performance is to be found in the romantic comedy No Strings Attached in which director Ivan Reitman asks her to convey sincere unqualified affection for Ashton Kutcher. Portman much to her credit gamely complies and though she may not have the emaciated figure bloody nails and bandaged ankles to tell of her labors the psychic scars must no doubt be just as severe.
Exhibiting strong chick-flick leanings and a rambunctious soft-R comic tone (i.e. lots of F-bombs some menstrual humor and a few shots of Kutcher’s naked ass) No Strings Attached is built around a basic relationship role-reversal: The dude Adam (Kutcher) longs for a deeper lasting commitment; the chick Emma (Portman) insists on keeping matters purely physical. Emma’s motive is a practical one: As a doctor-to-be her busy residency schedule with its 80-hour work weeks and intensive exam preparations precludes a serious relationship. But alas a woman has certain needs (foreplay apparently not being among them) and who better to fulfill them than Kutcher’s non-threatening boy-toy?
Thus a “friends with benefits” arrangement is cemented whereupon the ripcord is to be pulled on the occasion that either of them develops stronger feelings. This does not last long for soon Adam is cloyingly lobbying for escalation. Emma demurs – not out of disinterest we are told but because she’s intimacy-averse and afraid of a broken heart. Why else would she resist a more permanent attachment to someone like Adam?
Perhaps it’s because Adam as played by Kutcher is about as interesting as cabbage. And yet No Strings Attached would have us believe he’s some kind of floppy-haired Albert Schweitzer. This despite the fact that his greatest aspiration in life is to join the writing staff of a High School Musical-esque television series the shallow inanity of which is one of the film’s recurring jokes. In vain support of his cause the filmmakers decorate Adam’s apartment with various props – vintage posters books about 1920s movies a guitar that is occasionally picked up but never actually played – that hint at a depth that Kutcher himself never manifests.
Still Portman sells us on Adam and Emma’s inevitable union with every ounce of her not inconsiderable talent. (And her comic chops are legit – as those who’ve glimpsed her appearances on SNL and Funny or Die can attest.) But she asks too much. And Elizabeth Meriweather’s script while witty and stocked with some keen observations on the evolving nature of relationships in the modern age becomes weighed down by sentiment unbecoming an R-rated comedy not directed by Judd Apatow. In the end Kutcher seals the increasingly contrived deal with the climactic line “I’m warning you: Come one step closer and I’m never letting you go ” (I’m paraphrasing but not loosely) by which time the film's already lost its grip.
The God of Legion secular Hollywood’s latest Biblically-inspired action flick is old-school an angry spiteful Almighty with a penchant for Old Testament theatrics. Fed up with humanity’s decadent warmongering ways He’s decided to pull the plug on the whole crazy experiment and start over from scratch.
Fortunately for us the God of Legion is also a rather lazy fellow. Instead of doing the apocalyptic work himself and wiping us out with a giant flood which worked perfectly well last time He opts to delegate the task to His army of angels — a questionable strategy that starts to fall apart when the archangel charged with leading the planned extermination Michael (Paul Bettany) refuses to comply.
Michael who unlike his boss still harbors affection for our sorry species abandons his post and descends to earth where inside the swollen belly of Charlie (Adrianne Palicki) an unwed mother-to-be working as a waitress in an out-of-the-way diner sits humanity’s lone hope for survival. Why is this particular baby so important? Is it the one destined to lead us to victory over Skynet? Heaven knows — Legion reveals little details its script devoid of actual scripture. What is clear is that God’s celestial hitmen want the kid whacked before it’s born.
But Michael won’t let humanity fall without a fight. Armed with a Waco-sized arsenal of assault weapons he hunkers down with the diner’s patrons a largely superfluous collection of thinly-sketched caricatures from various demographic groups led by Dennis Quaid as the diner’s grizzled owner Tyrese Gibson as a hip-hop hustler and Lucas Black as a simple-minded country boy.
Together they mount a heroic final stand against hordes of angels who’ve taken possession of “weak-willed” humans turning kindly old grandmas and mild-mannered ice cream vendors into snarling ravenous foul-mouthed beasts. They descend upon the ramshackle diner in a series of full-frontal assaults commanded by the archangel Gabriel (Kevin Durand) the George Pickett of End of Days generals.
Beneath its superficial religious facade Legion is really just a run-of-the-mill zombie flick a Biblical I Am Legend. Bettany an actor accustomed to smaller dramatic roles in films like A Beautiful Mind and The Da Vinci Code looks perfectly at ease in his first major action role wielding machine guns and bowie knives with equal aplomb. Conversely first-time director Scott Stewart a former visual effects artist does little to prove himself worthy of such a promotion serving up some impressive CGI work but not much else worthy of note.