Country music stars Gary Allan and Chris Young were forced to scrap appearances at the CMA Music Festival in Nashville, Tennessee on Thursday night (05Jun14) due to illness and injury. Vocal issues forced Allan to pull the plug on his fan club party, while Young's hand injury kept him from a planned autograph signing event.
Reports suggest he cut his hand while cooking.
Young is still hoping to perform at the festival on Saturday night (07Jun14), but Allan's vocal problems are far more serious - the It Ain't the Whiskey singer has suffered similar issues in the past, and underwent surgery in 2010 to remove a polyp from his throat.
MCA via Everett Collection
To Wong Foo, Thanks For Everything! Julie Newmar was ahead of its time. Audiences can easily take for granted the immense importance of this film. It’s a high profile film in the 1990s that features three high profile actors, Patrick Swayze, John Leguizamo, and Wesley Snipes playing gay men. Granted, they spend 99 percent of the movie in drag, but the film is monumental for the community. There’s wider acceptance of the gay community, appreciation for the art form of drag due to RuPaul’s Drag Race, and education about the clear distinctions between drag performers and trans women. But in 1995 this wasn’t the case. Sadly, this film is considered more of a cult classic than a major motion picture. All the same, the film is hilarious, quotable, and politically responsible. Here are some fun facts about the film:
Wesley Snipes and Jennifer Garner got to second base with the same man.Before he found success on Alias, Garner’s ex Michael Vartan had a major role in this film. In one scene, he antagonizes the ladies and Snipes grabs his privates and drags him by his member for an extended period of time.
Queen of 30 Rock You might think that Tracy Morgan and Snipes look equally bad in drag, but the real connection is Kathy Geiss. The nonverbal, unicorn loving CEO of GE was played by Marceline Hugot. She plays Katina one of the town’s residents in the film.
One Degree from Mindy Kaling As great as it would be to imagine Kaling playing a character named Noxema Jackson, the real connection is Beth Grant who plays The Mindy Project’s irate nurse Beverly also played irate townsperson Loretta.
Catwoman Connection Not only did the three leads all star with notable Catwoman Newmar in this film, all three have also starred with the most infamous Catwoman Halle Berry. Leguizamo in Executive Decision, Swayze in Father Hood, and Snipes in Jungle Fever. Snipes even dated Berry.
Start Your Engines, May the Best Woman Live Leguizamo has not been shy about his major friction with the late Swayze on set. Swayze was method and Leguizamo was improvising and making jokes to get more screen time. He says the two physically got into a fight until it was broken up by production. ChiChi, you in danger, girl!
A Cavalcade of Drag Stars This film was one of the first major motion pictures about drag. It gave early acting credits to RuPaul, Lady Bunny, Coco Peru, Laritza Dumount, and Flotilla DeBarge. It also was a major credit for the first transwoman on television Candis Cayne. Talk about helping to define the stars of tomorrow.
Work it Out! David Barton the founder of the popular New York City gym franchise has an early role as a muscle boy.
Drag is Leguizamo’s Bread and Butta’ By the time he did To Wong Foo, Leguizamo had already becoming accustomed to acting in drag. He played female roles in his one-man shows Mambo Mouth, Spic-O-Rama, and on his Fox series House of Buggin’.
Robin Williams: The Drag Years Although uncredited with his hilarious cameo, this film is sandwiched between Williams other two drag movies. In 1993, he gave old lady realness in Mrs. Doubtfire. In 1996, he played husband to a drag performer in The Birdcage.
Thanks for Everything, Carol Lynley! Before the producers secured the rights to Newmar’s name their alternate actress for the iconic photo that inspired the queens was Fantasy Island star Lynley. It doesn’t have the same ring to it, and she isn’t quite as statuesque.
It all goes back to Chinese Food. The name of the film was taken from a photo at a Times Square Chinese Restaurant that was later seen in the film where the ladies find the photo.
Curse of Wong Foo? Both Mel Gibson and Gary Oldman were in talks to potentially play drag queens in the film.
Is that a corn cob in your pocket, ma’am? Swayze surprised Chris Penn during the scene where he discovers Vida Boheme is a man. He hid a corn cob in his dress. Way to commit.
Jimmy Kimmel Live/YouTube
Jimmy Fallon might be revered as the late night kingpin after taking over The Tonight Show and boosting its ratings, but competitor Jimmy Kimmel is up for the challenge. His Jimmy Kimmel Live! has been on a roll since last fall, hitting the marks not just with late night ratings but on social media.
First, there was the viral video "Epic Twerking Fail," showing a girl accidentally setting her leg on fire while dancing… a story that appeared on several newscasts before it was revealed to be just a Kimmel prank using a stunt woman. Then, the host suckered an international audience when he got Olympic luger Kate Hansen to post a video of a wolf walking down a hotel hallway in Sochi, Russia. The "hotel," of course, was later revealed to be Kimmel's offices.
As funny as the pranks have been, Kimmel and his staff have gone into overdrive with their parody shorts, topping anything that Saturday Night Live has done since Andy Samberg and his Lonely Island cohorts were at the top of their game. Here's a sampling of the spoofs that have made Kimmel's late night show and YouTube channel such a hotbed of comedy.
True Detective 2
We all know that Matthew McConaughey and Woody Harrelson aren't returning for another season of HBO's True Detective, but who knew that Kimmel and buddy Seth Rogen were in line to take their places? The duo's slap-fight turned… well, we're still not sure what it turned into but it was very uncomfortable… would be disturbing even for the most hardened premium cable aficionados.
In a multi-part series, Kimmel's loyal lackey Guillermo stars as the president in the Spanish-language telenovela version of Scandal. Women fight over him, men want to kill him, and he even gets to share a bed with the real Olivia Pope, Kerry Washington. Por qué? We don't know, but it's awfully funny.
Kimmel has been doing a post-Oscars show for a while now and had viral hits with Movie: The Movie and Movie: The Movie 2, where A-List celebrities mocked the trappings of Hollywood films. This year, however, Kimmel and his team outdid themselves, choosing to show what viral YouTube sensations would be like if they got the big screen treatment. There's one that features Queen Latifah as "Ain't nobody got time for that"-spouting Sweet Brown (and features the real Brown interrupting Kimmel's archenemy, Matt Damon). In Bitman, though, Chris Hemsworth agonizes over the search for his disgraced brother to their mother, Meryl Streep. What has the brother — played by his real-life sibling Liam Hemsworth — done that has wronged him? He bit him, of course. And, now the brother that Charlie bit wants revenge for his finger. It did really hurt, after all.
How do you get Kevin Spacey to dress up as a piano playing 19th century cat, Christoph Waltz to play his nemesis, the "hamster on a piano eating popcorn," and Ben Kingsley, Gary Oldman, and Mandy Patinkin to be the courtiers they are both trying to impress? No, seriously, we want to know how you manage to get so many great actors to play along with such a goofy premise. The result is hysterical but good luck getting the "Cat Playing Piano" music out of your head afterwards.
David After the Dentist Double Rainbow Oh My God! in 3D
It's a little creepy seeing Joseph Gordon-Levitt portraying a grown version of poor little painkiller affected David from the viral video… until Catherine Zeta-Jones arrives as a sexy tooth fairy singing Queen's "Bohemian Rhapsody." Amping up the weirdness, Samuel L. Jackson portrays the scariest dentist since Little Shop of Horrors and Rogen pops up as the overly effusive "Double Rainbow" guy. We're not sure that Kermit the Frog would approve of Jackson's new lyric for "Rainbow Connection," but we actually could envision Baz Luhrmann directing something like this.
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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Kevin Spacey, Tom Hanks, Meryl Streep, Queen Latifah and Christoph Waltz helped U.S. talk show host Jimmy Kimmel turn popular YouTube.com videos into hilarious new film trailers on Sunday (02Mar14). As part of the comedian's annual Jimmy Kimmel Live! post-Oscars special, the TV host recruited Australian acting brothers Chris and Liam Hemsworth to shoot a big screen version of 2007 viral video Charlie Bit My Finger in a movie titled Bitman Begins.
Streep played the brawling siblings' mother, while Hanks portrayed a hooded monk looking out for Liam.
Another fake film preview featured Queen Latifah as Kimberly 'Sweet Brown' Wilkins, who rose to Internet fame in 2012 after giving an interview to a local news station in Oklahoma about her escape from an apartment fire, while Joseph Gordon-Levitt led the cast in an amusing movie adaptation as David, a youngster who begins to hallucinate from the anaesthesia he was given for dental surgery.
That trailer starred Catherine Zeta-Jones as the tooth fairy and Samuel L. Jackson as a mad dentist.
However, the best clip, a take on Amadeus the piano-playing cat, was saved until last, and starred Kevin Spacey, dressed in a giant cat costume, as Ameowdeus, while Christoph Waltz donned a furry white suit to play a scheming hamster.
The bizarre 'trailer' also featured appearances from Sir Ben Kingsley, Mandy Patinkin, Gary Oldman and Abbie Cornish.
Actor Will Ferrell is set to launch a new production company focused on female-driven content. In 2006, the Anchorman: The Legend of Ron Burgundy star formed Gary Sanchez Productions alongside actor/director Adam McKay and producer Chris Henchy and now the trio has decided to move forward with a TV and film production company, titled Gloria Sanchez Productions, which will focus on projects that appeal to women.
A statement from Ferrell and McKay, reads, "When (Gary Sanchez Productions executive) Jessica (Elbaum) came to us with this idea, we thought it was fantastic. She has worked with some of the great female voices in comedy and has proven herself as a gifted producer who has a keen eye for material."
British actor Gary Oldman turned down a role in Thor because he thought he was too young to play the superhero's father. The Dark Knight star was approached for the role of ageing ruler Odin in the 2011 blockbuster opposite Chris Hemsworth as the hammer-wielding hero.
However, Oldman has now revealed he snubbed the part and it went to Sir Anthony Hopkins instead.
He tells Britain's The Independent newspaper, "I don't want to be playing Thor's dad just yet. They asked me to do that one and I said 'No, I'm far too young for that.' I wasn't going to run around with the grey beard going 'Son, you will be cursed'... I'm still a bit too sprightly for that stuff."
Actor Scott Bakula has landed the lead role in the new Ncis spin-off. The Behind the Candelabra star will play Special Agent Pride in the crime procedural series, which will be set in New Orleans, Louisiana.
Franchise star Mark Harmon and showrunner Gary Glasberg will executive produce the show and the two-part pilot will air in the U.S. this spring (14).
NCIS was itself a spin-off from JAG and has already spawned NCIS: Los Angeles, starring Chris O'Donnell and LL Cool J.
Tribeca Film via Everett Collection
For a film that involves a love triangle, mental illness, a Bohemian colony of free-spirits, an impending war and several important historical figures, the most exciting elements of Summer in February are the stunning shots of the English country and Cornish seaside. The rest of the film never quite lives up to the crashing waves and sun-dappled meadows that are used to bookend the scenes, as the entertaining opening never manages to coalesce into a story that lives up the the cinematography, let alone the lives of the people that inspired it.
Set in an Edwardian artist’s colony in Cornwall, Summer in February tells the story of A.J. Munnings (Dominic Cooper), who went on to become one of the most famous painters of his day and head of the Royal Academy of Art, his best friend, estate agent and part-time soldier Gilbert Evans (Dan Stevens), and the woman whom they both loved, aspiring artist Florence Carter-Wood (Emily Browning). Her marriage to Munnings was an extremely unhappy one, and she attempted suicide on their honeymoon, before killing herself in 1914. According to his journals, Gilbert and Florence were madly in love, although her marriage and his service in the army kept them apart.
When the film begins, Munnings is the center of attention in the Lamorna Artist's Colony, dramatically reciting poetry at parties and charming his way out of his bar tab while everyone around him proclaims him to be a genius. When he’s not drinking or painting, he’s riding horses with Gilbert, who has the relatively thankless task of keeping this group of Bohemians in line. Their idyllic existence is disrupted by the arrival of Florence, who has run away from her overbearing father and the fiancé he had picked out for her in order to become a painter.
Stevens and Browning both start the film solidly, with enough chemistry between them to make their infatuation interesting. He manages to give Gilbert enough dependable charm to win over both Florence and the audience, and she presents Florence as someone with enough spunk and self-possession to go after what she wants. Browning’s scenes with Munnings are equally entertaining in the first third of the film, as she can clearly see straight through all of his bravado and he is intrigued by her and how difficult she is to impress. Unfortunately, while the basis of the love triangle is well-established and entertaining, it takes a sudden turn into nothing with a surprise proposal from Munnings.
Neither the film nor Browning ever make it clear why Florence accepts his proposal, especially when they have both taken great pains to establish that she doesn’t care much for him. But once she does, the films stalls, and both Stevens and Browning spend the rest of the film doing little more than staring moodily and longingly at the people around them. The real-life Florence was plagued by depression and mental instability, but neither the film nor Browning’s performance ever manage to do more than give the subtlest hint at that darkness. On a few occasions, Browning does manage to portray a genuine anguish, but rather than producing any sympathy from the audience, it simply conjures up images of a different film, one that focused more on Florence, and the difficulties of being a woman with a mental illness at a time when both were ignored or misunderstood.
Stevens is fine, and Gilbert starts out with the same kind of good-guy appeal the won the heart of Mary Crawley and Downton Abbey fans the world over. However, once the film stalls, so does his performance, and he quickly drops everything that made the character attractive or interesting in favor of longing looks and long stretches of inactivity. He does portray a convincing amount of adoration for Florence, although that's about the only real emotion that Gilbert expresses for the vast majority of the film, and even during his love scene, he never manages to give him any amount of passion.
Cooper does his best with what he’s given, and tries his hardest to imbue the film with some substance and drama. His Munnings is by turns charming, brash, and brooding, the kind of person who has been told all of their life that they are special, and believes it. He even manages to give the character some depth, and even though he and Browning have very little chemistry, he manages to convey a genuine affection for her. It’s a shame that Munnings becomes such a deeply unlikable character, because Cooper is the only thing giving Summer in February a jolt of life – even if it comes via bursts of thinly-explained hostility. It's hard to watch just how hard he's working to connect with his co-stars and add some excitement to a lifeless script and not wish that he had a better film to show off his talents in.
Unfortunately, by the time Florence and Gilbert are finally spurred into activity, the film has dragged on for so long that you’re no longer invested in the characters, their pain, or their love story, even if you want to be. Which is the real disappointment of Summer in February; underneath the stalled plot and the relatively one-note acting, there are glimmers of a fascinating and compelling story that’s never allowed to come to the forefront.