When you're in high school it feels like the whole world is against you. In writer/director Stephen Chbosky's high school-set The Perks of Being a Wallflower the whole world may actually be against Charlie (Logan Lerman) whose freshman year of high school should be listed in the dictionary under "Murphy's Law." Plagued by memories of two significant deaths as well as general social anxiety Charlie takes a passive approach to ninth grade. A few days of general bullying later he falls into a friendship with two misfit seniors Patrick (Ezra Miller) and Sam (Emma Watson) who teach him how to live life without fear. Perks starts off with a disadvantage: introverts aren't terribly engaging but Chbosky surrounds Charlie with a vivid cast of characters who help him blossom and inject the coming-of-age tale with a necessary energy.
Set in a timeless version of the '90s Charlie's world is full of handwritten journals mixtapes and a just-tolerable amount of tweed. He writes letters to a nameless recipient as a way of venting a preventative measure to keep the teen from repeating a vague incident that previously left him hospitalized. The drab background of Pittsburgh fits perfectly with Charlie's blank existence. And when he finally comes to life as part of Patrick and Sam's off-beat clique so does the city. Like the archaic vinyl records Sam lusters over (The Smiths of course!) Chbosky visualizes Charlie's journey through the underbelly of suburban Pennsylvania with a raw emotion blooming lights and film grit at every turn. Michael Brook's score and an adeptly curated soundtrack accompanies the episodic affair which centers on Charlie's search for a song he hears during the most important moment of his life.
The charm that keeps The Perks of Being a Wallflower from collapsing under its own super seriousness come from Chbosky's perfectly cast ensemble. Lerman has a thankless job playing Charlie; often constrained to a half-smile and shy shrug Lerman is never allowed to grapple with Charlie's greatest fears and problems until (too) late in the film. Watson nails the spunky object-of-everyone's-affection but she's outshined by Mae Whitman as Mary Elizabeth another rebellious friend in the pack who takes a liking to Charlie. The real star turn is Miller riding high from We Need to Talk About Kevin and taking a complete 180 with Patrick a rambunctious wiseass who struggles to have an openly gay relationship with the football captain but covers his pain with humor. A scene of confrontation — at where else the cafeteria — is one of the best scenes of the year.
Chbosky adapted Perks of Being a Wallflower from his own book and the movie feels stifled by a looming structure. But it nails the emotional beats — there is no obvious path to surviving high school. It's messy shocking and occasionally beautiful. That about sums up Perks.
Up All Night: Two SNL lady legends will reunite when Rachel Dratch guests on the second season of Up All Night alongside fellow alum and former co-star Maya Rudolph. Dratch will play Linda, a giant fan of Rudolph's Oprah-lite Ava, who is ecstatic when she's given memorabilia from Ava's show. (This isn't the first time Dratch has lent a funny bone to a former SNL co-star's show — she's a frequent guest on 30 Rock with Tina Fey.) [THR]
How I Met Your Mother: Better call Saul — especially if you need someone to guest on your show again! Bob Odenkirk, who plays Breaking Bad's resident douche-lawyer Saul Goodman, will return to CBS's long-running comedy in Season 8, reprising his role as Barney's (Neil Patrick Harris) GNB boss Arthur Hobbs. Odenkirk will pop up in the season's second episode. [TVLine]
White Collar: CSI: Miami's Emily Procter is set to join Season 4 of USA's Matt Bomer bonanza as Amanda Callaway, the new gal in charge at the New York White Collar Division. She'll keep an eye on Bomer and Tim DeKay for at least two episodes. [TVLine]
Smash: Broadway and Dreamgirls diva Sheryl Lee Ralph has been tapped to play Cynthia, the mother of Jennifer Hudson's character Veronica Moore, who will be introduced in the upcoming second season of NBC's musical dramedy. It's a vote of confidence for the meat of Hudson's role that we're already going to meet her mother, who may wax more Bernadette Peters in her matriarchy (Peters guested as Megan Hilty's character's stage mom extraordinaire last season). [Vulture]
Suburgatory: Voice actor H. Jon Benjamin will play Cheryl Hines' character Dallas's post-divorce life coach. [TVLine]
Arrow: Torchwood star John Barrowman will recur on The CW's new superhero drama as a "mysterious," "well-dressed man." [EW]
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[Photo Credit: WENN]
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David Callaway (Robert De Niro) is having a tough time dealing with the apparent suicide of his wife (Amy Irving). His young daughter Emily (Dakota Fanning) also has taken her mother's death very hard retreating into her own little world. As a psychologist David decides the only way to help Emily is to move from the big city to a house in the country. Sure that kind of thing usually works like a charm. Emily does perk up a bit when she finds a new "friend " Charlie who likes to have fun and play hide and seek with her. Of course we can't actually see this new friend but that's beside the point. The imaginary Charlie is still a powerful force in Emily's life instructing her not to talk about him much and hating pretty much everyone else in her life including her dad. In short order bad things start happening--yes the family pet gets whacked--which Emily blames on Charlie. This leaves David wondering how his little girl could have turned so psychotic. But wait. Maybe Charlie isn't imaginary after all but actually a flesh-and-blood malevolent presence. Oh god do you think so?
Why you may ask would an acting icon like Robert De Niro star of such classic movies as Raging Bull and Goodfellas choose such a cheesy film as Hide and Seek? Very good question. Maybe he was drawn into the project based on the premise like the rest of us without realizing how derivative the story would get as things progressed. Of course De Niro plays the confused father--dealing with what could possibly be a demonic child--with a fair amount of finesse. But he's a pro that's what he does. Fanning (I Am Sam) too does the best she can as the sunken-eyed pasty-faced Emily. She sulks around rarely smiles and draws scary pictures of people dying horrible deaths which has now become a prerequisite for any child in a scary movie. In the supporting roles Elisabeth Shue Famke Janssen and Dylan Baker are all pretty much wasted. Shue who hasn't acted in anything major since 2000's Hollow Man makes a brief appearance as a potential paramour for David. Janssen (X-Men) playing David's colleague and Emily's confidante thinks living in isolation is a bad idea (and she's right!). Veteran character actor Baker (Kinsey) takes on the predictable role of the hapless town sheriff who never quite gets he's about to be in a world of hurt.
It is always disappointing when the promise of something potentially creepy turns out to possess the same old tired plot points and scare tactics seen countless times before. Director John Polson--best known for helming Swimfan another predictable stalker-gone-mad thriller--and novice screenwriter Ari Schlossberg don't have the necessary skills to take Hide and Seek above and beyond its conventional trappings. To its small credit the film does build a bit of tension in the beginning as David and Emily skirt around each other trying to grasp onto some kind of normalcy. Then when Emily introduces Charlie you continue to hold out hope that somehow the filmmakers will channel some of M. Night Shyamalan's aura and start really scaring the bejesus out of you. But alas it isn't meant to be. Instead you're sitting there pretty much guessing every move the film is going to make before it happens. When the twist finally comes around--you knew there was a twist right?--it doesn't really surprise you whether you've guess it or not.