A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
Maybe it’s Accepted’s whole getting-into-college experience that grabs you. Most people have gone through it at one point or another--and for those high school seniors who are about to go through it Accepted should ring true for them too. The film revolves around Bartleby “B” Gaines (Justin Long) who has been rejected again and again from the colleges he’s applied to. It’s very frustrating especially with his parents breathing down his neck. So what does the clever B do? Simple: Open his own university the esteemed South Harmon Institute of Technology (of course the acronym is not missed). Juggling the balls delicately in the air B and his other college-less friends forge ahead with maintaining a fake functioning university. But it may take more than just sleight of hand to keep the very free-forum South Harmon going which has now gained quite a name for itself in the short time its been open. A lot more. Long has been turning in hilarious performances as awkward but lovable goofballs in comedies such as Dodgeball and Galaxy Quest--and is probably most recognizable right now as the Mac guy who makes fun of the Dell guy in those Apple computer ads. But the affable actor finally gets his big shot at full-fledged goofball-hood successfully carrying Accepted on his own. As B you quickly warm up to his easygoing yet quietly sarcastic style a method he told Entertainment Weekly he developed under the tutelage of fellow Frat Packer Vince Vaughn. Of course in Accepted Long has some help too. There’s some strong supporting bits especially from comedian and The Daily Show regular Lewis Black as Uncle Ben the university’s neurotic “we’re mad as hell and we aren’t going to take it anymore” make-believe dean. Good stuff. Rounding out the colorful cast is cute-as-a-button Blake Lively (The Sisterhood of the Traveling Pants) playing the girl-next-door B adores who defects to SHI...well you get the picture. You have to admit college-based comedies are usually mindless fun and Accepted is no exception. The premise alone lends itself to all kinds of mishaps and guffaws especially when B and the gang turn a deserted former mental institution into an institution of higher learning. In his directorial debut Steve Pink--best known for co-writing comedies such as High Fidelity and Grosse Pointe Blank--understands this and hits most of the right beats. But unfortunately Accepted can’t keep up its inimitable momentum--as B fights for the school’s unique curriculum as well as its right to exist at all--becoming Revenge of the Nerds meets Animal House meets Old School meets...I could go on forever. Maybe in the hands of a more experienced filmmaker Accepted could have been taken to its own higher level instead of lapsing into standard underdog territory.