Rexxx is a superstar dog in Hollywood with movies such as Jurassic Bark and The Fast and the Furrious on his plate. On the set of his latest movie he is being a diva refusing to come to the set because one of the spotted coats in his trailer reminds him of a snooty Dalmation who broke his heart. Eventually Rexxx’s people convince him he can outlive the Taco Bell Chihuahua dog's legacy if he performs this one great stunt. But while diving out of an airplane Rexxx forgets his parachute and lands in a truck full of tomatoes. He ends up running into a boy Shane (Josh Hutcherson) who’s really not into dogs. Shane’s dad is a fire captain (Bruce Greenwood) and the boy’s extended family is a group of well-meaning misfit firefighters at the Dogpatch Station. They're in constant competition with their rival fire station and the city manager (Steven Culp) is warning the Dogpatch Station that they will soon be closing down. On top of it all there are lots of mysterious fires breaking out around Dogpatch. Can Rexxx help save the day? Hutcherson is an amiable child star. After his recent dramatic role in Bridge to Terabithia and as the older brother in Zathura it's clear he's got a long career ahead of him. He comes across as clever and sensible while the world around him is often going haywire. And the young actor has a superb connection with Greenwood as his distant father. Also doing a fine job is Culp as the city manager and Greenwood’s best friend. The last time these two veteran character actors starred together was in Thirteen Days. Teddy Sears (TV’s Ugly Betty) is particularly funny and charming as the fireman who keeps sliding on top of his fellow firefighters when going down the pole. But of course this is a dog's movie and the four Irish setters used to play the lead pup do some pretty cool stunts and reaction shots. Rexxx comes across as delightfully personable even though he smells bad. Director Todd Holland certainly knows how to direct family stories after winning three Emmys for Malcolm in the Middle. This father-son story centers on a recent tragedy and neither of them deal well with it instead becoming more and more distant from each other. Of course the dog’s intrusion brings them together but the storyline cleverly dances a fine line between the stereotypical genres. Firehouse Dog has both laugh-out-loud moments as well as warm fuzzy teary-eyed moments that feel very real. Of course some of the absurd facial expressions and Matrix-like moves by the dog are computer generated but it's not distracting--and not too obvious. The movie is fun for kids and parents to see together especially if they have a dog at home.
‘Twas the night before Christmas and all...hell is about to break loose! It starts when a snowstorm grounds all planes at Chicago’s fictional Hoover International Airport. Nobody’s happy to be potentially spending Xmas at an airport but least of all are the Davenport siblings Spencer (Dyllan Christopher) and his little sis Katherine (Dominique Saldana) as well as airport security boss Oliver (Lewis Black). The two kids are escorted to the airport’s “Unaccompanied Minors Lounge ” where kids run wild and terrorize pushover Zach Van Bourke (Wilmer Valderrama) who acts as chief airport babysitter. One look at the madness is all it takes for Spencer and Katherine to bust out along with fellow kiddie anarchists Charlie (Tyler James Williams) Timothy (Brett Kelly) Donna (Quinn Shephard) and Grace (Gina Mantegna). They embark on a pratfall-heavy game of cat and mouse with Oliver who is the Grinch to their collective Santa Clause as they try and salvage Christmas--and their families. Unaccompanied Minors makes some odd but admirable choices when it comes to the cast with virtually every single actor attempting a “Frat Pack” mutiny--Daily Show mainstay Black is joined by “correspondent” Rob Corddry as the Davenports’ Hummer-hating dad not to mention parts from The Office’s B.J. Novak and Mindy Kaling Arrested Development’s Tony Hale and Jessica Walter SNL’s Rob Riggle and Kristen Wiig Paget Brewster David Koechner and a rare Kids in the friggin’ Hall (Kevin McDonald Bruce McCulloch and Mark McKinney) sighting. But the “Who’s that?” cameos aside the screen time is hogged by Black Valderrama and the children. Black the notoriously vulgar curmudgeon of a comedian shows great range and skill by dulling his shtick down but not so much that the kids watching won’t crack up while Valderrama’s performance is the same as his role--that of a bumbling easily overmatched lackey. With all the proverbial child actors in the mix it can seem a little Star Search-y but Williams (Everybody Hates Chris) steals most scenes with his amazing overall talent while Mantegna (Joe’s daughter) fares well too. Kelly (the bullied kid in Bad Santa) is exploited for his physicality and Christopher will likely go on to be a great actor even if he seems too seasoned at such a young age. The reason for the off-the-beaten-path cast is simple: director Paul Feig. The occasional actor has in the past directed episodes of The Office and the late Arrested Development Undeclared and Freaks and Geeks. It also might explain why he fell for a script--by Jacob Meszaros and Mya Stark--that takes a few stabs at grown-up comedy (i.e. Corddry’s character has a car that runs on vegetable oil). Such jokes will be lost on the exclusively preadolescent audience but almost all else will reel them in. Feig also seems adept at making the oft-unfunny (physical pratfalls) somewhat funny and he does so with little mention of bodily functions. Of course he stays true to the formula but all kid flicks are the ultimate exercises in contrivance--Feig just chooses to treat the viewers like kids instead of idiots.
Based on a series of six Marvel Comics created by writer Stan Lee and artist Jack Kirby in 1962 The Hulk revolves around a scientist named Bruce Banner (Eric Bana) who following a laboratory snafu absorbs a normally deadly dose of gamma radiation. Bruce thinks he has escaped unscathed--until he gets mad ... real mad which causes him to turn into a huge rampaging green monster known as the Hulk. In order to make this 40-year-old gamma theory somewhat more believable for today's science-savvy moviegoers screenwriter James Schamus and his team decided to arm the script with a somewhat more convincing scientific rationale. The story follows Bruce's father David Banner (Nick Nolte) who as a young scientist conducted prohibited genetic experiments on himself thus changing his son's life before he was even out of the womb. While modernizing the scientific reasoning behind Bruce's transformation makes sense it's a pity it had to be done in such a heavy-handed way. By adding such an elaborate layer to the story The Hulk becomes more about Bruce and David's tormented past and any semblance of a plot is buried in melodramatic dialogue between the characters. The result is a comic book adaptation that is much too serious for its own genre.
Despite the theatrical discourse don't expect complex characters to emerge from The Hulk. Although Bana (Black Hawk Down) is a good choice for the lead of the nerdy scientist and reluctant hero his character is so busy pretending he doesn't have any problems that the audience never gets to see his emotional side. Bana's character grimaces convincingly as he represses his anger for example but he fails ever to open up on a personal level to his love interest in the film his co-worker Betty played by Jennifer Connelly (A Beautiful Mind). Betty is Bruce's old flame but the two are obviously still in love: she is obsessed with fixing whatever is broken about him. As the Hulk Bruce need only look at Betty once for his anger to subside and allow him to morph back into human form. They have weighty discussions about the significance of their dreams and Bruce's past yet they never seem to connect on any level. One of the film's best performances comes from Nolte (The Good Thief) in the role of Bruce's mad scientist father David. Almost Shakespearean at times Nolte--scraggly hair and all-- completely immerses himself in the role. The cast's performances however are muted by the general heaviness of this would-be actioner. Look for quick cameo appearances by Lou Ferrigno (from the 1970s TV series The Incredible Hulk) and Marvel legend Stan Lee.
For his follow-up to Crouching Tiger Hidden Dragon Ang Lee has turned to bigger greener matters. The Hulk the director's visual effects-intense picture (with a little help from Industrial Light & Magic) is stunning and startlingly well done. The green beast's computer generated movements from his heaving chest to the single leaps that spring him well into a different zip code are convincingly real. Not only does the ground shake when this goliath lands but his momentum even throws him off balance at times sending his lumbering arms flailing. But while the CGI Hulk has been meticulously honed Lee's homage to the world of print comic books--using multiple screens to present concurrent storylines and alternate angles of the same scene--is off-putting: Rival researcher Glenn Talbot (Josh Lucas) suspiciously walks out of the lab Betty reacts in one panel Bruce sits back in another. The simultaneous screens don't necessarily show anything pertinent going on making the far and wide close and medium shots of the character's reactions a distraction rather than a helpful storytelling technique. But the most disconcerting thing about the film is that in its leap from the four-color paneled pages to the big screen it lost its wit.