Even before Twilight — or Harry Potter — Hollywood had made a habit of turning beloved books into movie hits. You can thank the vampire craze for the booming genre of young adult fiction in publishing, though, and its success (along with Potter's and The Hunger Games') has paved the way for a booming, previously untapped market.
The latest book-to-movie adaptation, Beautiful Creatures about a 15-year-old witch, her mortal boyfriend, and their ill-fated romance, hits theaters on Thursday, Feb. 14. It's just the first in a string of post-Twilight, post-Hunger Games movies based on popular YA book series to hit the theaters (or the small screen) in 2013. Instead of catching up on dozens of novels, why not peruse Hollywood.com's YA primer for a taste of each before you decide which books are worthy of your time?
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Beautiful Creatures, Kami Garcia and Margaret Stohl
What Happens:Lena comes from a long line of casters (witches), who, upon their 16th birthday, are claimed for the light or the dark. She moves in with her shut-in uncle in a small Southern town and becomes increasingly worried that she'll go dark as her fateful claiming day approaches. Complicating matters further is that she falls in love with mortal Ethan, her new classmate.
Love Triangle? Not here. These two fall in love almost immediately, but Lena's claiming is what comes between them.
Development: This movie comes out on Valentine's Day. You should probably pay better attention to the billboards and commercials (and the second paragraph of this story).
Who's Attached: Alden Ehrenreich and Alice Englert play the mortal and caster who fall in love, while a pedigreed cast of veterans, including Viola Davis, Jeremy Irons, and Emma Thompson, add their support.
Should You Read? Like many series, the first book's engaging, while the subsequent volumes run off the rails. Stick with Beautiful Creatures and you won't be disappointed.
RELATED: Why 'Beautiful Creatures'' Lineup Of Thespians Separates It From The YA Pack
Divergent, Veronica Roth
What Happens:In a dystopian future, civilization has split up into personality-based factions. Once children reach high-school age, they're tested to find out the tribe for which they're most suited. Abegnation (Selfless) teen Beatrice learns that she has qualities of her native faction, along with Erudite (Intelligent) and Dauntless (Brave) — she's divergent, a very dangerous quality. Beatrice decides to join the Dauntless, renames herself Tris, and learns how brave she actually is.
Love Triangle? Nope. But Tris does fall for her sexy, older instructor, Four, also a former Abignation.
Development: Production should start any day now, and the project is actively casting. Neil Burger will direct the film, which is being produced by Summit Entertainment (the company behind Twilight).
Who's Attached: Oscar nominee Shailene Woodley will star, but her love interest is proving harder to cast. Kate Winslet is circling the project, though it's unknown what character she'd potentially play.
Should You Read? Heck yes. Plus, the sequel, Insurgent, is just as good — a rarity in the YA book world.
NEXT: Forbidden Love, Demon-Fighters, and Hunger Games Bachelor-Style
Delirium, Lauren Oliver
What Happens:In a dystopian near-future, love has been banned. All teenagers undergo a surgery that eliminates the emotion from their brains after their 18th birthday, when they are matched with their spouse. Lena is all set to live her assigned life, but things get complicated when she meets a boy from the Wilds — the forest outside her walled-in society — and, naturally, falls in love before her operation.
Love Triangle? It's a little hard to have a triangle when love is outlawed, but Lena has her share of illicit affairs. In both the first and the second books of the trilogy she manages to develop real, passionate feelings.
Development: Fox is currently producing a pilot for the 2013-2014 broadcast season.
Who's Attached: Emma Roberts will star as our rebellious heroine Lena, but her potential boyfriend/s has/have not yet been cast.
Should You Read? Definitely. Delirium is fascinating, and the sequel, Pandemonium, is unique in that the setting and most of the characters are completely different from the first book — usually there's not such a drastic change.
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The Mortal Instruments, Cassandra Clare
What Happens:Ordinary teenager Clary finds out that she's a member of a secret race of Shadowhunters, or demon-fighters, and is taken in by bad boy Jace and shadowhunter siblings Alec and Isabelle when her mother is kidnapped by the Voldemort-like evil villain Valentine. Clary and her new friends must find the Mortal Cup to save her mother — and prevent Valentine from rising to power again.
Love Triangle? Clary's mortal BFF Simon is hopelessly in love with her, but she's too busy crushing on buff, badass demon hunter Jace to notice.
Development: This one's already been made — The Mortal Instruments: City of Bones was filmed in Toronto in 2012 and is scheduled to hit theaters on August 23, 2013.
Who's Attached: Lily Collins stars as Clary, while former Twilight vampire Jamie Campbell Bower plays Jace, Kevin Zegers is Alec, and Jemima West is Isabelle. Robert Sheehan, of the British teen superhero series Misfits, plays Simon.
Should You Read? The first book's an engrossing introduction to the shadowhunter world, but you don't need to read more than that. Plus, there's a weird incesty storyline that we just can't get behind even though it's easy to predict the eventual, non-gross outcome.
The Selection, Kiera Cass
What Happens: In a dystopian future (sense a theme?), low-caste teenager America Singer is chosen, Hunger Games-style, to compete in a Bachelor-esque contest to win the prince's hand in marriage. Unfortunately, the rebel forces who oppose the prince's father's rule decide to disrupt the competition as a way to win back the kingdom.
Love Triangle? Although America's dedicated to her secret fiance, a lower-class soldier assigned to protect the castle where she's now living, she strikes up a very real friendship with the prince that has the potential to blossom into something more.
Development: The CW developed (and rejected) a pilot for the 2012 season, but has completely revamped the script and story — deviating from the book's framework in very key ways — for a second go-around.
Who's Attached: Aimee Teegarden and Ethan Peck played America and Prince Maxon in the first version, but both actors have moved on since then and the project is actively casting round two.
Should You Read? In a word, no. If the show makes it to series, a quick plot summary is more than enough to catch you up on the book series' goings-on. Besides, most TV shows adapted from books deviate from the original plot within episodes.
RELATED: Wes Anderson on the Young Adult Fiction Books That Inspired 'Moonrise Kingdom'
The Fault in Our Stars, John Green
What Happens:Just because a book is YA doesn't mean it needs supernatural romance or a dystopian bent. This very modern, very real novel follows teenage cancer patient Hazel as she meets and falls in love with fellow cancer victim Augustus. Other stuff happens too, but you'll be too busy crying — tears of sorrow, tears of happiness, tears of joy, tears of grief – to articulate the plot too.
Love Triangle? Only disease gets in the way of Hazel and Augustus' love.
Development: The movie, written by (500) Days of Summer scribes Scott Neustadter and Michael H. Weber, is set to film over the summer.
Who's Attached: TFIOS hasn't been cast yet, but add Hollywood.com to the list of many who believe Mae Whitman would be the perfect Hazel.
Should You Read? You mean you haven't yet? TFIOS was No. 1 on Time's best books of 2012 list — not best YA books, best of all books. Get to a bookstore/library/ebook purveyor immediately, and don't forget the tissues. You'll need them.
Vampire Academy, Richelle Mead
What Happens: Rose Hathaway is headstrong, independent Dhampir (half-human/half-vampire) bodyguard in training to protect her best friend, Moroi (vampire) princess Lissa Dragomir, the last in her royal bloodline following a tragic car accident. The Strigoi – the fiercest and most dangerous undead vampires who kill humans, Moroi, and Dhampirs —have made it their mission to end Royal bloodlines, so Lissa is their prime target. Rose and Lissa have been on the run from St. Vladimir's Academy because of the dangers the Strigoi present, but they're dragged back to the school where they become enmeshed in government politics, the school's social scene and Rose's forbidden romance with her much older instructor, Dimitri Belikov, who is known as a god among the Guardians.
Love Triangle? Not really. Rose and Dimitri’s romance is filled with enough obstacles without another person complicating things, but another Dhampir student, Mason, tries to throw his hat in the ring with deadly consequences. Later in the series, a royal Moroi complicates the romance a bit, though.
Development: Optioned by Preger Entertainment way back in the summer of 2010, the movie adaptation is finally moving forward with a cast and everything. Heathers’ Dan Waters wrote the script, and Don Murphy will produce. The name of the first movie has changed from Vampire Academy to Vampire Academy: Blood Sisters, the name of the first book in the German version of the series.
Who’s Attached: Zoey Deutch, who has a supporting part in Beautiful Creatures, will star as Rose, Aussie actress Lucy Fry will play Lissa, and Russian superstar (but unknown in the U.S.) Danila Kozlovsky will play Dimitri.
Should You Read? Sure — the series is pretty engrossing; there's a reason author Richelle Mead wrote a spinoff series, Bloodlines, with characters from the VA world. If you’re into the supernatural but want a more mature series to get into, this is for you.
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[PHOTO CREDIT: Warner Bros. Pictures; Penguin Group; Margaret K. McElderry; Harper Teen; Katherine Tegen Books; Harper Collins Publishing; Dutton Books: Little, Brown and Co.; Dutton Books]
Haven is one of those purposely nonlinear films in which multiple stories cross at "random" times and locations only to wind up being inextricably connected to each other in the end (thanks a lot Quentin Tarantino). In this case the two main arcs belong to shady businessman Carl (Bill Paxton) and his teenage daughter Pippa (Agnes Bruckner) and to laid-back fisherman Shy (Bloom) and his secret love Andrea (Zoe Saldana). Carl and Pippa flee to Grand Cayman from Miami when the Feds find out about his deal with cynical British businessman Allen (Stephen Dillane) while Shy has spent his whole life on the island getting by just fine until he falls for the boss's daughter and incurs her family's wrath. Their stories collide on one hot fateful night when tensions stretch to their breaking point and it becomes virtually impossible to tell who's out to get who--and why. Most of the film's characters are fairly one-dimensional but you can't really blame the cast--defiant Daddy's girl slick island shyster gun-toting gangsta crooked businessman poor fisherman with a heart of gold and so on. But because of that--and the fact few of the actors end up getting significant screen time due to the movie's fractured storytelling style--not many of the performances are all that memorable. Anthony Mackie (who also impressed in Half Nelson) does a good job seething with rage and resentment as Andrea's older brother Hammer and Saldana has her moments as a good girl brought down by heartbreak but everyone else seems to be in it more for the island location than the chance to stretch their acting muscles. As for Bloom he continues to prove that while he's good at "earnest" and "vulnerable " while "complex" and "tough" elude him. Making a movie like this work is no small challenge but unfortunately it's one that director Frank E. Flowers doesn't rise to meet. He juggles the interconnected stories awkwardly--after following Carl and Pippa for the first 30 minutes or so the film abruptly abandons them to switch over to Shy with no real explanation on where the other two have gone. It's only much later that the timeline and plot start to become clear but by then the characters' motivations and double-crosses have gotten so muddled that it's difficult to care all that much about how everything fits together. It's one thing to make an audience think a little. Memento and The Usual Suspects are fine examples of head-scratchers that reward you for giving your brain cells a workout. But it's quite another to confuse them with unnecessarily complicated details that don't end up making a difference in the end.
Ricky Bobby (Will Ferrell) has been hotdoggin’ since the day he was born--when legend has it his momma (Jane Lynch) popped him out of her belly in the back seat of a car. Now grown up and living his dream as a NASCAR driver he takes his swagger out onto the tracks with mixed results. Even though he and lifelong friend Cal (John C. Reilly) usually end up in first and second place respectively his owner deems him a financial liability after he finishes a race in reverse. Consequently a prim proper and gay French F-1 driver (Da Ali G Show’s Sacha Baron Cohen) is recruited as a new investment and Ricky gets in a horrific crash trying to beat him winding up paralyzed…in his mind. After a long road back--which sees Cal steal Ricky’s lady (Leslie Bibb) and limelight and Ricky reunite with his estranged racer dad (Gary Cole)--Ricky learns to leave showmanship homophobia and pyrophobia (fear of fire) in his dust and just drive the damn car! Ah...Will Ferrell in his total element--it’s a beautiful thing and one we haven’t much seen since SNL. Until now. In Talladega Ferrell brings his energy satire and out-of-the-blue pop-culture references to new highs in his best post-SNL performance yet. And if you close your eyes and listen to Ferrell’s faux South-speak you can hear his great George Dubya send-up of yore. Matching Ferrell scene for scene--in quality not quantity--is Reilly. With his role as a tractable doofus with a good heart Reilly has now completed the whole spectrum of roles and can be unequivocally branded an acting chameleon. Oddly he seems best fit a tractable doofus but that’s merely a testament to his abilities. Cohen’s biggest mainstream role to date is also a hit as he applies equal parts Ali G’s Borat and hyperbolic French stereotype for often hilarious results. And Amy Adams stars as Ricky’s neglected assistant; it’s a role so small that she must’ve signed on before Junebug took her to the Oscars. If after his hit ‘70s San Diego news show Ron Burgundy were to have done something to necessitate placement in a witness protection program it’s not inconceivable that he could've relocated to the South found his true calling as a pompous NASCAR driver and taken the fake-sounding name Ricky Bobby. That’s no coincidence: Talladega like Anchorman is written by Ferrell and Adam McKay who also directed. But the two have filled in the blanks from their previous collaboration for a more well-rounded effort. The duo best complement one another when it comes to Ferrell’s sense of humor; it is at its core drier than most care to realize but the co-writers manage to moisten it in such a way for all to thoroughly enjoy. What really separates this film from its predecessor though is the action--the racing scenes will surprise! And to that end McKay uses the NASCAR angle to reel in its massive contingency as well as Ferrell/comedy fans all of whom should go home happy.
Like Madagascar the story starts at the New York Zoo. Samson (Kiefer Sutherland) the lion is once again the star of the show but unlike Madagascar’s Alex Samson claims he came from the wild. He regales the other odd assortment of zoo denizens--including a talkative giraffe (Janeane Garofalo) a lisping anaconda (Richard Kind) a snarky Koala (Eddie Izzard) and a take-charge squirrel (Jim Belushi)--with tales of danger and excitement abroad. Of course Samson can’t tell the real truth that he was actually born in captivity and is making it all up because everyone including his rebellious teenage son Ryan (Greg Cipes) would think less of him. But when Ryan runs away thinking he can’t live up to his dad’s reputation and is mistakenly shipped off to the wild Samson has keep up the charade as the gang embarks on a dangerous mission to rescue him. The lion does come clean at some point in case you were wondering. Another vocal roster of big names another dollar. This time around we’ve got Sutherland Garofalo Belushi all doing the animal thing. There’s also William Shatner as a villainous wildebeest headed for the loony bin after deciding he’s tired of being the prey and turns predator. He’s even got his herd of wildebeest dancing a Busby Berkeley number around a volcano á la Lion King. Sigh. Luckily there is one saving grace--sort of: Izzard as the wisecracking Koala bear Nigel who gets mistaken for a god by the wildebeest and milks it for all its worth which isn’t a whole lot. Still if anyone has seen the British comedian’s hilarious HBO special Eddie Izzard: Dressed to Kill you can just imagine him strutting around as a Koala dressed in women’s clothing and doing his shtick. The Mouse House once again proves it doesn’t have an inventive bone in its body--or even the gumption to realize that had something with potential. Apparently the pitch from writers Mark Gibson and Philip Halprin had been mulling around Disney for about nine years before it got made giving the likes of Nemo and Madagascar a head start (I’d be peeved if I were those writers). But even if The Wild did come first it still wouldn’t be able to measure up mostly because the story is insipid. Wildebeest turning into predators? What’s THAT all about? The CGI-animation is spot on of course but we are definitely taking all of that for granted these days. No now what we want is a good compelling story. If not that then at least we should have a couple of really funny characters--like commando penguins or a fish with short-term memory--to help things move along. The Wild doesn’t have either so while children may be left mildly entertained for an hour and a half parents will be left twiddling their thumbs waiting for it to be over.